Braun Duets

Jean-Daniel Braun

(? - 1738)

6 Sonates Op. 6

pour deux bassons ou ii basses

Paris 1730

ViMa 10 – Version 1.0 – March 2012. Editing and typeseting © 2012 Maurizio M. Gavioli.

Typeset with MuseScore (htp://musescore.org).

A V i s t a M a r e publication (htp://www.vistamaresof.com/musica/).

Licensed under the Creative Commons license“Atribution - Share Alike” (in simple words, do with it whatever you like as long as you give me proper credit and share derivative works like this one; for details, see htp://www.creativecommons.org/licenses/by-sa/3.0).

Table of Contents

1.	Sonata Iª (F Maj.) ................................................................	4
2.	Sonata seconda (C Maj.) .................................................	12
3.	Sonata Terza (B Maj.) ....................................................	20
4.	Sonata Qarta (D Maj.) ..................................................	28
5.	Sonata Qinta (C Maj.) ...................................................	37
6.	Sonata Sesta (D Maj.) ......................................................	44

2

Preface

Tis edition follows as faithfully as possible the original Paris edition by Boivin; it is an engraved edition, originally in score format. Te source used for the edition is the copy in the Bibliothèque Nationale de France (Paris). Te title page reads:

SIXIEME ŒUVRE

DE MR. BRAUN

Contenant

S I X S O N AT E S

POUR DEUX BASSONS

OU II BASSES.

	A PARIS,	L’Auteur, rue mazarine, au petit hôtel d’Angleterre,	Se vend
		La VE. Boivin mde. rue Saint-Honoré, à la régle d’or,	3tt. 10 s.
	CHEZ
		Le SE. LeClerc md. rue du Roule, à la Croix d’or	en blanc
		Avec Privilége du Roi.
			Marin sculpsit

Editorial remarks

•All editorial additions are placed above the sta or marked by doted lines or parentheses.

•Original time signatures, note values and beaming have been retained.

•Accidentals above the sta are editorial suggestions.

•All marked accidentals have been retained, even when superfluous according to modern conventions; however, they have been silently ‘modernized’ when current conventions dictate a di erent sign (i.e.: a sharp used to raise a flatened note has been converted to a natural sign).

Six Sonates

pour deux bassons ou II basses.

Sonata Iª

J.D. Braun (1730)

Largo

3

6

9

© Maurizio M. Gavioli 2012 - Creative Commons by-sa 3.0

ViMa 10

Rev. 1.0

12																																	5
15
17
20
23

© Maurizio M. Gavioli 2012 - Creative Commons by-sa 3.0

ViMa 10

Rev. 1.0

6
							2		Allegro
							4
							2
							4
7
13
19
25
32

© Maurizio M. Gavioli 2012 - Creative Commons by-sa 3.0

ViMa 10

Rev. 1.0

																																										7
39
45
53
60
67
74

© Maurizio M. Gavioli 2012 - Creative Commons by-sa 3.0

ViMa 10

Rev. 1.0

8

							Aria. Andante
						3
						4
						3
						4
8																																													Fine
16
24
																																											Da capo
32
41
																																										Da capo

© Maurizio M. Gavioli 2012 - Creative Commons by-sa 3.0

ViMa 10

Rev. 1.0