The publishers are grateful to the following for permission to reproduce copyright material. It has not been possible to identify the sources of all the material used and in such cases the publishers would welcome information from the copyright owners.
p.8 Victor Collancz Ltd for the extract from Castaway by Lucy Irvine; pp. 12-13 Adrian Mitchell for 'The Castaways or Vote for Caliban', reprinted by permission of The Peters Fraser and Dunlop Croup Ltd on behalf of Adrian Mitchell, © Adrian Mitchell, 1991, available in Heart on the Left: Poems 1953-1984; pp.17, 21, 26 and 58, 60, 76, 78, 98, 104-5, 106, 109 The Guardian for articles by Lucy O'Brien, Thomas Easton, Christopher Reed, Philip Elmer-DeWitt, Anna Tomforde, Joanna Moorhead, Lawrence Donegan and Andrew Culf, Michael White, Tom Smithies, Toby Young; pp.21, 130, 139, 146, 186 The Economist for articles in The Economist of 16 November 1991, 13 June 1992, 17 April 1993, and 31 August 1991, © The Economist, London; p.30 Punch for the review; pp.33 and 81 Richard Brautigan for the extracts from The TokyoMontana Express; p.42 The Guardian Weekend and Polly Pattullo for the article; p.46 The Harvill Press for the extract from For Love and Money by Jonathan Raban, first published in Great Britain by Collins Harvill in 1981, © Jonathan Raban; pp.49, 50, 183,190 The Daily Telegraph for the articles; p.57 Blackwell Publishers for the extract from Coping with Japan by Randall and Watanabe; pp.59, 120 Cambridge University Press for the extracts from The Cambridge Encyclopedia of Language by David Crystal, 1987; p.61 Claris for the advertisement; p.62 Working Software Inc. for the QuickLetter advertisement; pp.66—67 Dorling Kindersley Publishers Ltd for the extract from
Chronicle of the Twentieth Century; p.67 Chambers Harrap Publishing Ltd for the extract and cover blurb from Dreams for Sale; pp.74-5 Sonia Beesley and The Listener for the article; p.83 Anuradha Vittachi and New Internationalist for the review; p.85 Mr J. Rodengen for the advertisement; p.94 Alexander Walker for the article; p.103 Hogarth Press for the extracts from Cider with Rosie by Laurie Lee; p.103 The Peters Fraser and Dunlop Group Ltd for the extract from Decline and Fall by Evelyn Waugh, © 1928 the Estate of Evelyn Waugh; pp.114-5 Desmond Morris and Random House UK Ltd for the extracts from Manwatching; p.116 HarperCollins Publishers Inc. and HarperCollins Publishers Ltd for the excerpt from Chapter 1 from Men Are from Mars, Women Are from Venus by John Gray, © 1992 by John Gray; p.117 Little Brown and Virago Press for the extract from Уои Just Don't Understand by Deborah
Tannen; p.118 US Council for Energy Awareness for the advertisement; p.129 W.W. Norton £ Company
Inc. for the extract from The Vanishing Hitchhiker by Jan Harold Brunvand, © 1981 by Jan Harold Brunvand; p.133 Viking Penguin, a division of Penguin Books USA Inc. for the extract from Naked Beneath My Clothes by Rita Rudner, © 1992 by Rita Rudner Enterprises Inc.; pp.142, 183, 184, 189 Van den Bergh Foods for the extracts; p.145 Curtis Brown Ltd and Martin Seeker £ Warburg for the extract from Small World by David Lodge, © 1985 David Lodge; p.146 Harlequin Books for the cover of A Reckless Affair by Alexandra Scott; p.148 Curtis Brown Ltd for the extract from Rebecca by Daphne du Maurier on behalf of the Estate of Daphne du Maurier, © 1938 by Daphne Du Maurier Browning; p.148 Martin Seeker £ Warburg and A.M. Heath £ Co. Ltd for the extract from Nineteen Eighty-Four by George Orwell, © Mark Hamilton as the Literary Executor of the estate of the late Sonia Browned Orwell; p.148 The Julian Bach Literary Agency Inc. for the extract from Conundrum by Jan Morris, © 1975 by Jan Morris; p.154 Greenpeace UK, Canonbury Villas, London N1 2PN for the extracts; p.164 Hampshire Constabulary for the letter by the late Chief Constable John Duke; p.174 Epson UK Ltd for the extract from an advertisement; p.181 Penguin books for the extract from The Transformation and Other Stories by Franz Kafka (Translation copyright © Malcolm Pasley 1992); pp.185,189,191 The Week Ltd for the articles; p.187 Allan Ahlberg for the text from Woof! (Viking Kestrel, 1987), © Allan Ahlberg, 1986 and for the blurb of Woof! (Puffin, 1987), © Penguin Books, reproduced by permission of Penguin Books Ltd.
The publishers are grateful to the following for their permission to reproduce copyright material and photographs:
Key: f = top, m = middle, b - bottom, / = left, r = right
Penguin UK on pp.9fm, 103f, 144b, 148r, mr /Puffin Books on pp.9bm, 187b, /Atkinson Art Gallery, Southport, Lancs/Bridgeman Art Library, London/New York on p.9i>r, /Lee Miller Archive on p.103i>, /Christie's Images/Bridgeman Art Library, London/New York on p.148/, /Gavin Graham Gallery, London/Bridgeman Art Library, London/ New York on p.148m/; Ronald Grant Archive on pp.9f/, 25i>r, 26f/, br, bl; Addison Wesley Longman on p.9i>/; Pen Hadow on p.14; Punch Ltd on pp.15, 20, 27, 38, 41, 80, 151, 156, 166; ©Huis Ten Bosch on p.21; The Image Bank/Stephen Wilkes on p.24t, /Alvis Upitis on p.48(g), /Barros £ Barros on p.48(i), /ADEO on p.48(a), /L.D. Gordon on pp.48(k), 147, /Peter Hendrie on p.112, /Michael
