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Felkeszules az erettsegire

Nyelvhelyesseg

: mber es tarsadalom

You are going to read an anecdote about William Somerset ~augham, the famous author. Some words are missing from :he text. Fill in the gaps 1-12 with the missing words. Use ~nly one word in each gap. There is an example (0) at the :leginning.

:, illiam Somerset Maugham, the famous British writer,

...................... well liked at home and abroad. Some of his

- Jvels were published in Spain, and he made quite a lot of money '-Jm the royalties. He wanted to take the money back to Britain,

: Jt when he 1

to take it out of the country he

,'.as informed that he 2

not take money out of

S~ain. Maugham then decided to use it to 3

for

:: luxury holiday there. He chose one of the best hotels in town ::nd had big, extravagant meals every evening. When he thought

-e 4

 

spent most of the money he decided it

,',as time to leave. He 5

reception that he

,

like to see the manager. The manager

llmediately came to meet him and offered him a drink. Maugham

3sked him l

he could leave the following day.

7he manager said this was no B

but asked if

\1augham really wanted to go. Maugham replied that he

:

and asked why he 10.........

. not

-eceived the bill yet. The manC1ger smiled at the famous guest and said it had been an honour to have him there because he had :Jrought much good publicity to the place. He went on to say that

;or this reason the writer 11..

 

. .... not have to pay his

~otel bill and that he 12........

 

...... always be welcome

:here again.

 

 

o I:I.q.~...................................

7

.

1

8

.

2

9

.

3

10

.

4

11

.

5

12

.

6

.

 

Beszedkeszseg

Szituaci6s feladat

Utalas, turilmus

You are a travel agent putting together trips for the forthcoming summer season. Your catalogue will include five separate sections as listed below. What kind of trips would you recommend for each type of traveller? Think about destinations, ways of travelling, costs, accommodation, etc. Tell a colleague about your plans.

1 for ~tlldcllt"

2 j~J['flllllilii'~ widl ~mall

4 jiJr all IllljiJ/;qi'ttable

diildr£'ll

/IOIIC,I/1110011

5

)Jour own idea:

 

Onall6 temakifejtes

Utalas, turilmus

These pictures show how people usually travel on holiday. Compare and contrast the pictures. Include the following points:

organised trips (package holidays): advantages/disadvantages

individual trips: advantages/disadvantages

your experiences

your dream holiday

OXFORD

lINIVERSITY PRESS

Great Clarendon Street, Oxford OX2 6DP

Oxford University Press is a department of the University of Oxford.

It furthers the University's objective ofexcellence in research, scholarship, and education by publishing worldwide in

Oxford New York

Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronro

With offices in

Argentina Austria Brazil Chile Czech RepUblic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam

OXfORD and OXFORD ENGLISH are registered trade marks of Oxford University Press in the UK and in certain other countries

(fJ Oxford University Press 2004

The moral rights of the author have been asserted

Database right Oxford University Press (maker)

Hrst published '2004 2009 2008 2007

IIJ 9 8 7 6 5

No unauthorized photocopying

All rights reserved. No pal1 of this publicltion may be reproduced, stored in a retrieval systCJ1], or transmitted. in any fonn or by any I11eans. without the prior permission in writing of Oxford University Press,

or as expressly pennitted by law, or under telll1S agreed with the appropriate reprographics rights organization. Euquiries collcerniug reproduction outside the scope ofthe above shollid he sent to the EIT Rights Department, Oxford University Press, at the address above

You IntIst not circulatc this book in any other binding or cover and y01l 11l11St inlpo.'iE' this satne condition on J.ny acquirer

Any websites re(i>rred to in this publication are in the public domain and

t heil addresses are provided by Oxford University Press for information only. Oxli)]'d Uuiversity Press disclaims any responsibility for the content

J.SBN-1J: 978 0 19 436968 8

Printed in China

ACKNO\VLEDGEMENTS

The authors and publisher are grateful to those who have given pennission to reproduce thefollowing extracts and adaptations of copyright mdterial:

1'9 'Life support' by Katie Finnigan © The Observer 22 July 2001. Reproduced by permission of Guardian Newspapers Limited.

1'29 Extract from Stephen Briggs' adaptation ofJohnny and the Dead by Terry Pratchett (Oxford Playscripts. 2003), copyright © Stephen Briggs 1996, reprinted by pernlission of Oxford University Press.

1'52 'One small click for man ... ' by John Arlidge © The Observer 12 August 2001. Reproduced by permission of Guardian Newspapers Limited.

1'67 'Where the wild things are' by Kate Mikhail © The Observer 15 July 2001. Reproduced by permission of Guardian Newspapers Limited.

Culturcfows texts by: Jayne Wildman (1'1'7,13,25,31,37,43,49,55)

Although every effort has been made to trace and contact copyright holders before publication, this has not been possible in some cases. We apologize for Jny apparent infringement of copYTight and if notified, the publisher will be pleased to rectify any errors and omissions at the earliest opportunity.

The Pllblishcrs would like to thank thefollmving.ti,r their kind permission to reproduce photographs and other copyright material:

A1amy PI' 63 (ImageState/street), 64 (Photofusion Picture Library/in library), 64 (Image Source/head in hands), 64 (Janine Wiedel Photolibrary/outdoors), 64 (RubberBali/large lamily), 66 (ImageStare/wild), 66 (Photofusion Pinllfe Libraly/zoo), 68 (Janine Wiedel Photolibrary/museuml, 71

(image1 OOjbusiness), 71 Ill.Martin/honeymoonl, 7 t (Thinkstock/tourists and pidgeons):Bruce Coleman p31 (Werner Layer/Pelicanl: Corbis UK Ltd pp6 (woman sitting in park), 25 (planel, 28 (teenage boy), 30 (bridge), 43 (Michael Jon!<Inl. 49 (Christ). 52 (computer), 59 (Venice), 71 (Michael Keller/f;lmily): CellY Images 33 (rafting). 40 (clipboard), 43 (paragliding), 52 (girljogging), 52 (intelviewl. 63 (Photodisc /girli, 64 (Photodisc/small family), 65 (P.Redman/at homel. 65 (W.H.Chasan/restaurant), 69 (M.Goldman/man), 69 (Photodisc/woman): 70 (Digital Vision/girl waving), 71 (K.Chernus/studenls), 71 (T.Hoeffgen/coach): Robert Harding Picture LibralY pp26 (Mountains), 60 (San Francisco): Image State 1'1'37 (bungee), 42 (Dartmoor): The Kobal Collection p13 (Pierce Brosnan/EON/DANJAQJUIP(feny 0' Neill): Network p59 (0 Obertreis/MOlll1tain bike): PA News Photolibrary 1'9 (Robbie Williams/EPA): Photodisc 1'1'4 (girl on mobile telephone), 14 (country scene), 26 (woman reading), 28 (teenage girl). 31 (Budapest), 44 (suitcase), 48 (pyramidsj, 50 (teenage girl), 56 (Paris), 61 (Sydney Opera House): Popperfoto pp26 (Reuters/Floods), 55 (Coca-cola): Red Dot Photo Agency pp 68 (shopping centre). 70 (holding flowers): Ronald Grant Archive p23: Scotland in Focus p18 (Burns Night).

Illustrations by: Mark DuffIn PI' 66 (logos): Mark Duffin and 001 p 62 (map): Mark Harrison pp10, 20,22,39,47,58: Kevin Hopgood p 471Locksley Mental Hospital): Ned Jolliffe pp5, 16, 19, 35,40,45.53.62 (icons), 67: Dave Whamond(fhree in a Box pp8, 21, 38, 48.

Special thanks to ",,'

I «,I' her conrribution as Consultant to the

development of this \Vorkhook.

 

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