- •IMPORTANT SAFETY INFORMATION
- •How to Use This Manual
- •The Big Picture
- •Knobs, Keys, and Jacks
- •The Front Panel
- •The Back Panel
- •AES/EBU Digital Audio Input/Output (Professional)
- •S/P DIF Digital Audio Input/Output (Consumer)
- •Getting Around and Altering Parameters
- •Adjusting the Brightness and Contrast of the Display
- •The "Areas" of the H8000FW
- •Understanding the Display and SOFT KEYS
- •Using the Cursor Keys, the SELECT key, the NUMERIC KEYPAD, and the KNOB
- •Ganged Parameters
- •Entering or Changing Text
- •QuickStart Or "Nearly Instant Gratification"
- •Hooking Up and Internal Routing
- •Things to Know about Routing
- •Loading Routing Configurations
- •4 Channel series Routings
- •8 Channel series Routings
- •Stereo Dual Machine Routings
- •4 channel Dual Machine Routings
- •4 Channel parallel routings
- •8 Channel parallel routings
- •Complex FireWire Routings
- •Analog & FireWire AB
- •ADAT & AES8 I/O
- •The I/O Identifier
- •Setting Input Levels
- •Effecting Things
- •"Panic" Muting
- •Loading Programs
- •Parameters
- •"Tweaking" and Saving "Tweaks"
- •Wrap Up
- •Mounting and Handling
- •Memory Cards
- •The Comprehensive Input / Output Scheme
- •Routing Configuration
- •Connecting real world inputs to the H8000FW
- •CONFIGURING THE MAIN INPUTS
- •Configuring the DSP input sources
- •Configuring the MAIN Outputs
- •Connecting to the H8000FW’s outputs
- •Configuring the outputs
- •Further Input and Output options
- •DIN 1/2 Allows the Selection of Either AES/EBU or S/P DIF for the First Digital Input Pair.
- •OPTO out – allows use of optical output connector for optical S/P DIF (H8000FW only)
- •Signal Flow Example
- •Storing and Loading Routing Configurations
- •Programs’ Effect on Routing Decisions
- •Controlling Levels
- •The Level Meters
- •Controlling the Level of the Analog and Digital Inputs
- •Input Levels, Wet/Dry Ratios, and Output Levels for Each DSP
- •Controlling the Level of the Analog and Digital Outputs
- •Digital Setup
- •Digital Setup Overview
- •Sampling Rates
- •The System Sampling Rate – A Digital Audio Primer
- •Using the Internal Clock
- •Selecting the Internal Clock’s Rate
- •The Status of The Digital Inputs When Using the Internal Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the Internal Clock
- •Using an External Clock
- •Selecting the External Clock
- •The Status of the Digital I/Os When Using the External Clock
- •Understanding the "System Sampling Rate and External Sync Indicator" When Using the External Clock
- •Sample Rate Conversion (SRC)
- •Word Clock Termination
- •Word Length (Bits)
- •Input Word Length
- •Output Word Length
- •Bypassing and Muting
- •System Bypass
- •Machine Bypass
- •External Controllers
- •Setting Up the External Controllers
- •Foot Pedals 1 and 2
- •MIDI Setup
- •External Modulation and Trigger Menu Pages
- •"Manually" Selecting an External Controller for Modulation
- •"Manually" Selecting the External Controller for Triggers
- •External Controller Selection
- •Parameters Common to Both External Modulation and External Trigger Menu Pages.
- •MIDI Running Status
- •Automatically" Selecting a MIDI External Controller
- •Scaling the External Controller
- •The Concept Behind "Redirection" - External Assigns 1-8 and Trigs 1 & 2
- •Remote Controlling Parameters
- •Remote Controlling Triggers
- •MIDI Groups
- •Program Load, Save, Delete, Etc.
- •Categorizing Programs
- •Categorized by Effects Type
- •Categorized by Similar Programs (Banks)
- •Loading Programs
- •Loading a Program Remotely
- •Loading a Program Via a MIDI Program Change Message
- •Triggering the Next or Previous Program to Load
- •Saving a Program
- •Copying Programs
- •The "Size" of a Program and Its Ramifications for Storage
- •Updating a Program
- •Renaming a Program
- •Deleting a Program
- •Parameters
- •System Tempo
- •System Timer
- •Taps
- •Textblocks
- •Graphics and Curves
- •Storing and Loading Setups
- •Miscellaneous Setup Options
- •Transmitting and receiving Data
- •Setting Up the Serial Port
- •Dumping Data and Receiving Data Dumps
- •Controlling One H8000FW from Another H8000FW
- •Sending A Program From One the H8000FW to Another
- •Sequencing With MIDI
- •Connecting user-supplied crystals and external clocks
- •Service and Start-Up Options
- •Fixing Internal Memory Problems
- •Fixing PCMCIA SRAM Memory Card Problems
- •Changing the Internal Battery
- •Clear Setup
- •Software Version and Accessories
- •Start-Up Options
- •Making connections between the H8000FW and the computer.
- •Setting the sample rate and buffer size for the system
- •Synchronizing connected audio devices
- •Configuring the H8000FW for Throughput
- •Device Settings
- •Device Description
- •Device nickname
- •Measured Sampling Rate
- •Status
- •Global Settings - Bus Page
- •Master
- •Sample Rate
- •Sync Source
- •Buffer Size
- •Unique ID
- •Operation Mode
- •Global Settings - WDM Page
- •Set WDM Channel Maps
- •Global Settings - DPC Page
- •Global Settings -System Page
- •Global Settings -Info Page
- •PAL, Driver version
- •Viewing the H8000FW’s Configuration
- •Setting Up the H8000FW for Default Audio Output
- •Configuring the H8000FW for Output with Logic Pro
- •Creating an Aggregate Audio Device
- •Routing Audio to the H8000FW
- •Configuring Logic Pro for H8000FW Input and Output
- •An Example of Using Logic Pro with the H8000FW
- •Step-by-Step Descriptions of the Routing Process Flow
- •Sample Rates
- •Frequency Response
- •Digital Inputs/Outputs
- •Analog Input (XLR Balanced Inputs)
- •Analog Output
- •Remote Control Inputs
- •Remote Control Outputs
- •MIDI Connections
- •Memory Card Interface
- •Factory Preset Capabilities (at 48k sampling)
- •Power
- •Size
- •Weight:
R o u t i n g A u d i o B e t w e e n L o g i c P r o a n d t h e H 8 0 0 0 F W
This section describes how to establish a functional interface between the H800FW and Logic Pro, which permits you to seamlessly route audio to and from either environment. The final section provides the logical overview of the process, and includes a process diagram for you to better grasp the steps involved.
Because Logic Pro supports only one core audio device at a time, and because only one sample clock can be in effect, we must combine audio sources into a single, aggregate audio source, described below.
Creating an Aggregate Audio Device
Before you proceed, you must first create an aggregate audio device that allows Logic Pro to employ more than a single audio interface. To do this,
Select your Macintosh HD icon. When the Finder window displays, go to
Applications > Utilities > Audio MIDI Setup. The following screen displays:
From the Audio drop-down menu, select Open Aggregate Device Editor.
The following window now displays (below). It is from here that you designate which audio input devices to include in the new aggregate.
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Click the “+’ button beneath the Aggregate Devices area. A listing of all installed audio device drivers subsequently displays. Click in the checkbox to the left of the device to select it for this aggregate device. Also select one of the devices for the aggregate’s internal clock. For this example, we’ll be using the Eventide HW8000FW and Built-in Audio as our audio devices. Click Done
When we’re finished, the setup looks like this:
At the top of the screen, the aggregate device, comprised of the two audio devices we selected, displays, with its total number of input and output channels. At the bottom of the screen each individual audio device is listed, with its input and output channels capacity.
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Note that the sequence the devices are listed is a very important consideration. As Built-in Audio precedes Eventide H8000FW in the listing, it consequently reserves the first two of the total 18 audio channels for the Built-in Audio device, leaving channels 3-18 for the H8000FW. This will be of paramount importance when routing the audio to the H8000FW.
After all parameters for the Aggregate Device are established, your Audio MIDI Setup screen will display like this:
You may view the setup of the Aggregate Device by clicking the Configure Device button.
For more information on creating Aggregate Audio Devices, consult Help from your Macintosh’s menu bar.
Routing Audio to the H8000FW
Now that you have created an Aggregate Audio Device, you must configure the H8000FW to accept and generate audio signals.
To do this
Press the Program button on the H8000FW’s front panel until it blinks. Check to be sure the Routing screen is displaying.
Using the front panel’s keypad, enter 20, then ENT. Finally, press the Select button.
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These actions establish the H8000FW’s internal routing configuration.. The number 20 routing preset on the H8000FW, Firewire 8Track AB, supports 8-track input and output: channels 1-4 are routed to and from the H8000FW’s machine A, channels 5-8 are routed to and from its machine B.
Configuring Logic Pro for H8000FW Input and Output
To permit Logic Pro to send and receive audio from the H8000FW, you must change to audio its settings to recognize the aggregate audio device we just created.
Open Logic Pro, and from its Audio menu, select Audio Hardware & Drivers. The following screen displays:
From the Driver drop-down list, select Aggregate Device (as shown above).
You now will be prompted to restart Logic Pro for the new settings to take effect.
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