- •Kate Fox
- •Watching the English
- •Watching the english
- •Contents
- •Introduction – Anthropology at Home
- •Introductionanthropology at home
- •The ‘grammar’ of englishness
- •Participant observation and its discontents
- •The Good, the Bad and the Uncomfortable
- •My Family and other Lab Rats
- •Trust me, I’m an anthropologist
- •Boring but important
- •The nature of culture
- •Rule making
- •Globalization and tribalization
- •Class and race
- •Britishness and englishness
- •Stereotypes and cultural genomics
- •Part one conversation codes the weather
- •The rules of english weather-speak The Reciprocity Rule
- •The Context Rule
- •The Agreement Rule
- •Exceptions to the Agreement Rule
- •The Weather Hierarchy Rule
- •Snow and the Moderation Rule
- •The Weather-as-family Rule
- •The Shipping Forecast Ritual
- •Weather-speak rules and englishness
- •Grooming-talk
- •Humour rules
- •The importance of not being earnest rule
- •The ‘Oh, Come Off It!’ Rule
- •Irony rules
- •The Understatement Rule
- •The Self-deprecation Rule
- •Humour and comedy
- •Humour and class
- •Humour rules and englishness
- •Linguistic class codes
- •The vowels vs consonants rule
- •Terminology rules – u and non-u revisited
- •The Seven Deadly Sins
- •Serviette
- •‘Smart’ and ‘Common’ Rules
- •Class-denial Rules
- •Linguistic class codes and englishness
- •Emerging talk-rules: the mobile phone
- •Pub-talk
- •The rules of english pub-talk The Sociability Rule
- •The Invisible-queue Rule
- •The Pantomime Rule
- •Pub-talk rules and englishness
- •Part two behaviour codes home rules
- •The moat-and-drawbridge rule
- •Nestbuilding rules
- •The Territorial-marking Rule
- •Class rules
- •Matching and Newness Rules
- •The Brag-wall Rule
- •The Satellite-dish Rule
- •The Eccentricity Clause
- •House-talk rules
- •The ‘Nightmare’ Rule
- •Money-talk Rules
- •Improvement-talk Rules
- •Class Variations in House-talk Rules
- •The Awful Estate-agent Rule
- •Garden rules
- •‘Your Own Front Garden, You May Not Enjoy’
- •The Front-garden Social-availability Rule (and ‘Sponge’ Methodology)
- •The Counter-culture Garden-sofa Exception
- •The Back-garden Formula
- •The nspcg Rule
- •Class Rules
- •Class Indicators and the Eccentricity Clause
- •The Ironic-gnome Rule
- •Home rules and englishness
- •Rules of the road
- •Public transport rules
- •The Denial Rule
- •Exceptions to the Denial Rule
- •The Politeness Exception
- •The Information Exception
- •The Moan Exception
- •The Mobile-phone Ostrich Exception
- •Courtesy rules
- •‘Negative-politeness’ Rules
- •Bumping Experiments and the Reflex-apology Rule
- •Rules of Ps and Qs
- •Taxi Exceptions to the Denial Rule – the Role of Mirrors
- •Queuing rules
- •The Indirectness Rule
- •The Paranoid Pantomime Rule
- •Body-language and Muttering Rules
- •The Unseen Choreographer Rule
- •The Fair-play Rule
- •The Drama of Queuing
- •A Very English Tribute
- •Car rules
- •The Status-indifference Rule
- •Class Rules The ‘Mondeo Test’
- •The ‘Mercedes-Test’
- •Car-care and Decoration Rules
- •The Mobile Castle Rule
- •The Ostrich Rule
- •Road-rage and the ‘Nostalgia Isn’t What It Used To Be’ Rule
- •Courtesy Rules
- •Fair-play Rules
- •Road rules and englishness
- •Work to rule
- •The muddle rules
- •Humour rules
- •The Importance of Not Being Earnest Rule
- •Irony and Understatement Rules
- •The modesty rule – and the ‘bumpex’ school of advertising
- •The polite procrastination rule
- •The money-talk taboo
- •Variations and the Yorkshire Inversion
- •Class and the Vestigial Trade-prejudice Rule
- •The moderation rule
- •Safe, Sensible, Bourgeois Aspirations
- •Future Stability More Important Than Fun
- •Industrious, Diligent and Cautious with Money
- •The Dangers of Excessive Moderation
- •The fair-play rule
- •Moaning rules
- •The Monday-morning Moan
- •Dress codes and englishness
- •Food rules
- •The ambivalence rule
- •Anti-earnestness and obscenity rules
- •Tv-dinner rules
- •The novelty rule
- •Moaning and complaining rules
- •The Silent Complaint
- •The Apologetic Complaint
- •The Loud, Aggressive, Obnoxious Complaint
- •The ‘Typical!’ Rule Revisited
- •Culinary class codes
- •The Health-correctness Indicator
- •Timing and Linguistic Indicators Dinner/Tea/Supper Rules
- •Lunch/Dinner Rules
- •Breakfast Rules – and Tea Beliefs
- •Table Manners and ‘Material Culture’ Indicators Table Manners
- •‘Material Culture’ Indicators
- •The Knife-holding Rule
- •Forks and the Pea-eating Rules
- •The ‘Small/Slow Is Beautiful’ Principle
- •Napkin Rings and Other Horrors
- •Port-passing Rules
- •The meaning of chips
- •Chips, Patriotism and English Empiricism
- •Chip-sharing Rules and Sociability
- •Food rules and englishness
- •Rules of sex
Part two behaviour codes home rules
Some of the rules of Englishness do not require years of participant observation research to discover. The privacy rules, for example, are so obvious that you could spot them from a helicopter, without even setting foot in the country. Hover above any English town for a few minutes, and you will see that the residential areas consist almost entirely of rows and rows of small boxes, each with its own tiny patch of green. In some parts of the country, the boxes will be a greyish colour, in others, a sort of reddish-brown. In more affluent areas, the boxes will be spaced further apart, and the patches of green attached to them will be larger. But the principle will be clear: the English all want to live in their own private little box with their own private little green bit.26
The moat-and-drawbridge rule
What you cannot see from your helicopter, you will learn as soon as you try to visit an English home. You may have the address and a map, but you will have great difficulty in finding the house you are looking for. The Hungarian humorist George Mikes claimed that ‘an English town is a vast conspiracy to mislead foreigners’, citing the indisputable facts that our streets are never straight, that every time a street bends it is given a different name (except when the bend is so sharp that it really makes two different streets), that we have at least 60 confusing synonyms for ‘street’ (place, mews, crescent, terrace, rise, lane, gate, etc.), and that street names are in any case always carefully hidden. Even if you manage to find the correct street, the numbering of the houses will be hopelessly inconsistent and idiosyncratic, further complicated by many people choosing to give their houses names rather than numbers.
I would add that house numbers and names are usually at least as well camouflaged as the street names, indicating that an obsession with privacy, rather than a specific conspiracy to confuse Hungarians, is the real reason for all this muddle. We could not, even if we wanted to, demolish and re-design our muddled towns on a ‘sensible’ American grid system – but if we wanted to make it easier for others to find our house, we could at least paint the name or number reasonably clearly and in a position where it might be visible from the street.
But we do not. Our house numbers are at best highly discreet, and at worst completely obscured by creepers or porches, or even left off altogether, presumably on the assumption that our number may be deduced from those of our immediate neighbours. During the research for this book, I made a habit of asking taxi drivers why they thought this might be. They spend so much of their time crawling along, peering out of their side windows in search of a well-hidden or non-existent number, it struck me that they must at least have pondered the question, and perhaps come up with some interesting theories.
I was right about the pondering. Their initial response was almost always ‘Bloody good question!’ or words to that effect. The trouble was that it often seemed to be a cue for them to launch into a rant and moan about faded, camouflaged and absent house numbers – generally ending with something like ‘Anyone would think they were doing it on purpose!’ which as far as I was concerned was where we’d started. Trying a more devious tack, I would then ask the drivers if their own houses were clearly labelled. At this, most of them looked a bit sheepish and admitted that no, come to think of it, their own house numbers and names were not particularly conspicuous. Why not? Why had they not painted their house number or name in big, bold lettering on the front door or gatepost? Well, it would look a bit odd, a bit flash; it would stand out, it would be drawing attention; and anyway they practically never took taxis, and their house was not hard to find, and all their friends and family knew where they were – and other lame excuses (much the same excuses, in fact, as those I received when I put this question to non-taxi-driving householders).
Apart from reminding me that there is an element of typically English reserve in our reluctance to display our house numbers, as well as a fixation with privacy, my initial taxi-driver interviews were not terribly helpful, but I persisted, and eventually one gave a succinct and astute response. He explained: ‘An Englishman’s home is his castle, right? He can’t actually have the moat and drawbridge, but he can make it bloody difficult to get to’. From then on, I thought of the English practice of concealing our house numbers as ‘the moat-and-drawbridge rule’.
But an Englishman’s home is much more than just his castle, the embodiment of his privacy rules, it is also his identity, his main status-indicator and his prime obsession. And the same goes for English women. This is why a house is not just something that you passively ‘have’, it is something that you ‘do’, something that you ‘work on’.