- •General Notes on Styles and Stylistics
- •Stylistics and its Subdivisions
- •Process of reading is decoding.
- •Stylistic Classification of the English Vocabulary
- •Phonetic Expressive Means and Stylistic Devices
- •Onomatopoeia
- •Alliteration
- •Lexical Expressive Means and Stylistic Devices
- •Imagery
- •Classification of Lexical Stylistic Devices
- •I. The Interaction of Different Types of Lexical Meaning
- •1. Interaction of Dictionary And Contextual Logical Meaning
- •2. Interaction of Primary and Derivative Logical Meanings
- •3. Interaction of Logical and Emotive Meaning
- •Classification of Epithets
- •4. Interaction of Logical and Nominative Meaning
- •XI. Intensification of a Feature
- •III. Peculiar Use of Set Expressions
- •Syntactical Stylistic Devices Classification of Syntactical Stylistic Devices
- •I. Syntactical Stylistic Devices Based on Peculiar Syntactical Arrangement
- •II. Syntactical Stylistic Devices Based on Peculiar Linkage
- •III. Syntactical Stylistic Devices Based on Peculiar Use of Colloquial Constructions
- •IV. Syntactical Stylistic Devices Based on Stylistic Use of Structural Meaning
- •Functional Styles of the English Language
- •Classification of Functional Styles of the English Language
- •The Problem of Colloquial Style
- •The Pubicistic Style, its Substyles, and their Peculiarities
- •The Scientific Prose Style, its Substyles and their Peculiarities
- •Assignments for stylistic anaiysis john galsworthy
- •F. Scott fitzgerald
- •Oscar wilde
- •Robert frost
- •William shakespeare
- •William wordsworth
- •I wandered lonely as a cloud
- •In such a jocund company!
- •I gazed - and gazed - but little thought
- •In vacant or in pensive mood,
- •William shakespeare
- •Contents
Robert frost
THE KITCHEN CHIMNEY
1 .Builder, in building the little house,
In every way you may please yourself;
But please please me in the kitchen chimney:
Don't build me a chimney upon a shelf.
2.However far you must go for bricks.
Whatever they cost a-piece or a pound,
Buy me enough for a full-length chimney
And build the chimney clear from the ground.
3.1t's not that 1 am greatly afraid of fire,
But I never heard of a house that throve
(And I know of one that didn't thrive)
Where the chimney started above the stove.
4.And I dread the ominous stain of tar
That there always is on the papered walls,
And the smell of fire drowned in rain
That there always is when the chimney's false.
5. A shelf s for a clock or vase or picture.
But I don't see why it should have to bear
A chimney that only would serve to remind me
Of castles I used to build in air.
1. Pick out cases in which Frost gives concrete descriptions of building the kitchen chimney.
2. Comment on the poet's address to the builder that opens the first stanza and speak on the peculiar use of the words "please" in this stanza.
3. Say why it is important to "build the chimney clear from the ground". Note the implication in the third stanza "But I never heard of a house that throve (and I know of one that didn't thrive) where the chimney started above the stove".
4. Comment on the poet's dread of "the ominous stain of tar" (the fourth stanza) and say what may be implied in the lines: 'And the smell of fire drowned in rain that there always is when the chimney's false".
5. Speak on the meaning of the expression "to build castles in the air" and say why the poet alludes to this expression in the conclusion of his poem.
6. Comment on the conversational tone Frost builds into his verse. Speak on the EMs and SDs that show, "Frost's poems are people talking" as one of his critics maintained.
7. Discuss the form of the poem, its rhythm and rhyme.
8. Summing up the analysis speak about the message of the poem and the main SDs employed by the poet.
William shakespeare
SONNET 116
1. Let me not to the marriage of true minds.
2. Admit impediments. Love is not love.
3. Which alters when it alteration finds.
4. Or bends with the remover to remove.
5. O, no! it is an ever-fixed mark.
6. That looks on tempests, and is never shaken.
7. It is the star to every wandering bark.
8. Whose worth's unknown, although his height be taken.
9. Love's not Time's fool, though rosy lips and cheeks.
10. Within his bending sickle's compass come.
11. Love alters not with his brief hours and weeks.
12. But bears it out even to the edge of doom.
13. If this be error and upon me proved.
14. I never writ, nor man ever loved.
1. Be ready to paraphrase and interpret any part of the sonnet.
2. Speak on the idea of the sonnet.
3. Discuss the structure of the sonnet.
4. Find the modifiers of rhythm that are used in the sonnet and comment on them.
5. Speak on the rhymes of the sonnet: a) cases of imperfect rhyme; b) the rhyme of the epigrammatic lines.
6. Discuss the idea of the epigrammatic lines.
7. Find cases of metaphors and metaphoric periphrases employed in the sonnet and comment on them.
8. Discuss the SD used by the poet in the description of Time.
9. Find cases of alliteration (and other sound repetition) that help to bring out the idea of the sonnet (lines 3,4).
10. State the stylistic function of the interjections: "O, no!" (lines 5).
11. Summing up the analysis of the sonnet speak on the poet's conception of love and the various SDs used to bring the poet's idea home. Express your own attitude to the subject.