3.English literature of the Middle Ages and genre variety. English ballads. The peculiarities of the genre. Ballads of Robin Hood. Robin Hood and the national idea of justice.

Middle English literature, English literature of the medieval period, c.1100 to c.1500.

The anonymous folk ballad (or popular ballad), was composed to be sung. It was passed along orally from singer to singer, from generation to generation, and from one region to another. During this progression a particular ballad would undergo many changes in both words and tune. The medieval or Elizabethan ballad that appears in print today is probably only one version of many variant forms.

Primarily based on an older legend or romance, this type of ballad is usually a short, simple song that tells a dramatic story through dialogue and action, briefly alluding to what has gone before and devoting little attention to depth of character, setting, or moral commentary. It uses simple language, an economy of words, dramatic contrasts, epithets, set phrases, and frequently a stock refrain. The familiar stanza form is four lines, with four or three stresses alternating and with the second and fourth lines rhyming.

Robin Hood was a heroic outlaw in English folklore. A highly skilled archer and swordsman, he is known for "robbing from the rich and giving to the poor", assisted by a group of fellow outlaws known as his "Merry Men". Traditionally, Robin Hood and his men are depicted wearing Lincoln green clothes. The origin of the legend is claimed by some to have stemmed from actual outlaws, or from ballads or tales of outlaws.

Robin Hood became a popular folk figure in the medieval period continuing through to modern literature, films and television. In the earliest sources, Robin Hood is a yeoman, but he was often later portrayed as an aristocrat wrongfully dispossessed of his lands and made into an outlaw by an unscrupulous sheriff.

5.The genre variety of “The Canterbury Tales” by g. Chaucer and the ideas of humanism.

The Canterbury Tales is a collection of stories written in Middle-English by Geoffrey Chaucer at the end of the 14th century.

Canterbury Tales falls into the same category or genre as many other works of its day and much earlier, as a collection of stories organized into a frame narrative or frame tale. Chaucer's Tales differs from most other stories in this genre chiefly in its intense variation. Most story collections focused on a theme, usually a religious one. Even in the Decameron, storytellers are encouraged to stick to the theme decided on for the day. The idea of a pilgrimage to get such a diverse collection of people together for literary purposes was also unprecedented, though "the association of pilgrims and storytelling was a familar one".[20] Introducing a competition among the tales encourages the reader to compare the tales in all their variety, and allows Chaucer to showcase the breadth of his skill in different genres and literary forms.[21]

While the structure of the Tales is largely linear, with one story following another, it is also much more than that. In the General Prologue, Chaucer describes, not the tales to be told, but the people who will tell them, making it clear that structure will depend on the characters rather than a general theme or moral. This idea is reinforced when the Miller interrupts to tell his tale after the Knight has finished his. Having the Knight go first, gives one the idea that all will tell their stories by class, with the Knight going first, followed by the Monk, but the Miller's interruption makes it clear that this structure will be abandoned in favor of a free and open exchange of stories among all classes present. General themes and points of view arise as tales are told which are responded to by other characters in their own tales, sometimes after a long lapse in which the theme has not been addressed.[22]

Lastly, Chaucer does not pay much attention to the progress of the trip, to the time passing as the pilgrims travel, or specific locations along the way to Canterbury. His writing of the story seems focused primarily on the stories being told, and not on the pilgrimage itself.

6.The epoch of Renaissance. The representatives of English Renaissance. Th. More. The general characteristics of W. Shakespeare’s works. W. Shakespeare’s sonnets. The sonnet as a literary form and a genre.

A golden age of English literature commenced in 1485 and lasted until 1660.

Renaissance Literature refers to the period in European literature that began in Italy during the 14th century and spread around Europe through the 17th century. The impact of the Renaissance varied across the continent; countries that were predominantly Catholic or Protestant experienced the Renaissance differently compared to areas where the Orthodox Church was dominant as reflecting on its culture, as well as those areas of Europe under Islamic rule.

More, Sir Thomas (Saint Thomas More), 1478–1535, English statesman and author of Utopia, celebrated as a martyr in the Roman Catholic Church. He received a Latin education in the household of Cardinal Morton and at Oxford. Through his contact with the new learning and his friendships with Colet, Lyly, and Erasmus, More became an ardent humanist. As a successful London lawyer, he attracted the attention of Henry VIII, served him on diplomatic missions, entered the king's service in 1518, and was knighted in 1521. More held important government offices and, despite his disapproval of Henry's divorce from Katharine of Aragón, he was made lord chancellor at the fall of Wolsey (1529). He resigned in 1532 because of ill health and probably because of increasing disagreement with Henry's policies. Because of his refusal to subscribe to the Act of Supremacy, which impugned the pope's authority and made Henry the head of the English Church, he was imprisoned (1534) in the Tower and finally beheaded on a charge of treason.

A man of noble character and deep, resolute religious conviction, More had great personal charm, unfailing good humor, piercing wit, and a fearlessness that enabled him to jest even on the scaffold. His Utopia (published in Latin, 1516; tr. 1551) is a picture of an ideal state founded entirely on reason. Among his other works in Latin and English are a translation of The Life of John Picus, Earl of Mirandula (1510); a History of Richard III, upon which Shakespeare based his play; a number of polemical tracts against the Lutherans (1528–33); devotional works including A Dialogue of Comfort against Tribulation (1534) and a Treatise on the Passion (1534); poems; meditations; and prayers. More was beatified (1886) by a decree of Pope Leo XIII, canonized (1935) by Pius XI, and proclaimed (2000) the patron saint of politicians by John Paul II.

Elizabethan tragedy and comedy alike reached their true flowering in Shakespeare's works. Beyond his art, his rich style, and his complex plots, all of which surpass by far the work of other Elizabethan dramatists in the same field, and beyond his unrivaled projection of character, Shakespeare's compassionate understanding of the human lot has perpetuated his greatness and made him the representative figure of English literature for the whole world. His comedies, of which perhaps the best are As You Like It (1599?) and Twelfth Night (1600?), depict the endearing as well as the ridiculous sides of human nature. His great tragedies—Hamlet (1601?), Othello (1604?), King Lear (1605?), Macbeth (1606?), and Antony and Cleopatra (1606?)—look deeply into the springs of action in the human soul. His earlier dark tragedies were imitated in style and feeling by the tragedian John Webster in The White Devil (1612) and The Duchess of Malfi (1613-1614). In Shakespeare's last plays, the so-called dramatic romances, including The Tempest (1611?), he sets a mood of quiet acceptance and ultimate reconciliation that was a fitting close for his literary career. These plays, by virtue of their mysterious, exotic atmosphere and their quick, surprising alternations of bad and good fortune, come close also to the tone of the drama of the succeeding age.

Shakespeare's sonnets are 154 poems in sonnet form written by William Shakespeare that deal with such themes as the passage of time, love, beauty and mortality. All but two of the poems were first published in a 1609 quarto entitled SHAKE-SPEARES SONNETS.: Never before imprinted. Sonnets 138 and 144 had previously been published in a 1599 miscellany entitled The Passionate Pilgrim. The quarto ends with "A Lover's Complaint", a narrative poem of 47 seven-line stanzas written in rhyme royal.

The first 17 sonnets, traditionally called the procreation sonnets, are ostensibly written to a young man urging him to marry and have children in order to immortalise his beauty by passing it to the next generation.[1] Other sonnets express the speaker's love for a young man; brood upon loneliness, death, and the transience of life; seem to criticise the young man for preferring a rival poet; express ambiguous feelings for the speaker's mistress; and pun on the poet's name. The final two sonnets are allegorical treatments of Greek epigrams referring to the "little Love-god" Cupid.

The sonnets are almost all constructed from three four-line stanzas (called quatrains) and a final couplet composed in iambic pentameter[17] (a meter used extensively in Shakespeare's plays) with the rhyme scheme abab cdcd efef gg (this form is now known as the Shakespearean sonnet).