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I’d get off the phone after one of these sessions with him and feel exhausted, as if I somehow had produced a grandchild, unaided, spawned some distant,

accelerated version of myself right there on the living-room floor. Then, like in a nature documentary time-lapse sequence, the old me – twisted, cracked, biodegradable

– would shrivel up suddenly and disintegrate, making the struggle to recover any meaningful sense of who I really was even more difficult.

*

But moments of anxiety like this were fairly rare, and my abiding impression of the period is of how right it felt to be so busy all the time. I wasn’t idle for a second. I

read new biographies of Stalin, Henry James and Irving Thalberg. I learnt Japanese from a series of books and cassette tapes. I played chess online, and did endless

cryptic puzzles. I phoned in to a local radio station one day to take part in a quiz, and won a year’s supply of hair products. I spent hours on the Internet and learned

how to do various things – without, of course, actually having to do any of them. I learned how to arrange flowers, for example, cook risotto, keep bees, dismantle a car

engine.

One thing I did want to do for real, though, and had always wanted to do was learn how to read music. I found a website that explained the whole process in detail,

rapidly deconstructing for me the mysteries of treble and bass clefs, chords, signatures and so on. I went out and bought a stack of sheet music, basic stuff, a few wellknown

songs, as well as more challenging stuff, a couple of concertos and a symphony (Mahler’s Second). Within a matter of hours I’d worked my way through

everything except the Mahler, which I then approached with caution, not to say reverence. Being so complex, it took me a good deal longer, but I eventually managed

to find my way through its magnificent swirl of aching melodies and horror-show fanfares, its soaring strings and stirring chorales. At about two o’clock in the morning, in

the eerie silence of my living-room, as I reached the mighty E-flat climax – Was du geschlagen, Zu Gott wird es dich tragen! – I felt one of those goosebump shivers

rippling through my entire body, and tears welled up in my eyes.

The next step from this was to see if I could play music, so I headed off to Canal Street and bought myself a relatively inexpensive electric keyboard and then set it

up beside the computer. I followed an online course and started practising scales and elementary exercises, but this wasn’t at all easy and I very nearly gave up. After a

few days, however, something seemed to click and I started being able to pick out a few decent tunes. Within a week, I was playing Duke Ellington and Bill Evans

numbers, and soon after that I was actually doing my own improvisations.

For a while, I envisaged club dates, European tours, rain showers of record-executive business cards, but it didn’t take me long to realize something crucial: I was

good, but I wasn’t that good. I could play ‘Stardust’ and ‘It Never Entered My Mind’, passably, and would probably be able to play both books of ‘The Well-

Tempered Clavier’ if I worked at it non-stop for the next 500 hours – but the question was, did I really want to spend the next five hundred hours practising the piano?

For that matter, I suppose, just what did I want to do?

*

It was around this time, therefore, that I started feeling restless. I came to realize that if I was going to go on taking MDT, I would need some kind of focus and structure

in my life, and that flitting from one interest to another wasn’t going to be enough. I needed a plan, a credible course of action – I needed to be working.

I also had a more immediate question to deal with. What was I going to do with the 450 or so tablets? Some of them could be sold at $500 a piece, so the obvious

thing I considered doing was, well … dealing them – and dealing them myself. But how, exactly, was I going to do this? Hang out on the street corner? Hawk them

around nightclubs? Try and shift them in bulk to some scary guy with a gun in a hotel room? There were too many complications, and too many variables. Besides, it

didn’t take me long to see that even if I did get full price for even half of the tablets, $120,000 at the end of the day was nothing compared to the potential gains there

could be from just ingesting them, and using them creatively, judiciously. I had more or less finished Turning On, for instance, and could easily knock off others in a

series like that.

So what else could I do?

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