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To his girlfriend, which is an excuse obviously for him to get closer and closer to her and while this is going on, the sheep is (as) strain as you can see one is even got deep into the field here, and every little piece of this picture is is in my view a picture in itself. It's painted on a white background, of course, like the Pre-Raphaelites always did. Primed and white so that the colors stand right out at you and no attention to detail is fad if you just look here, or here, or here, or here, you just took them as a little little snapshot their paintings in эрэр righ. So none of this dark around the edges the Pre-Raphaelites painted absolutely everything and whether it be the little flowers, all the apples, all the detail, it’s all, all here for you to see. Of course it’s rather naughty painting in some ways and of course the resolution (ререлюжин) ? to the garden of Eden. I… I'm always rather amused by the fact that he's got this cade (бочонок), that китикетс, блеать get stuck in at some point these a wonderful country rustic people with their very brown skins and look at his (these) arms, again you know exactly what's gonna happen. This story is only going to end in one way.

At the same time Holman Hunt’s companion - John Everett Millais was working on a picture that was to become the defining image to the Pre-Raphaelite movement.

“Ophelia”. The pictures based on queen Gertrude description of Ophelia suicide in the fourth act of Shakespeare's Hamlet. Ophelia is depicted floating in the stream buoyed up by her clothes spread wide still singing snatches (обрывки) of old songs. Everything theatrical is secondary to the depiction of the natural world around her. The dozens of different plants and flowers in the painting are depicted with painstaking botanical fidelity and in some cases charge was symbolic significance. The willow, the nettle growing within its branches and the daisies (ромашки) near Ophelia’s right hand are associated with forsaken love (покинутой любовью), pain and innocence respectively. The poppy (мак) is the symbol of death.

The Pre-Raphaelites first exhibited their paintings at the Royal Academy show then held at the National Galleries building in London's Trafalgar Square. Not all their paintings were well-received. What's the secret to the Pre-Raphaelite Brotherhood was out the critics really took a gates the idea of a secret society, take “Christ in the House of His Parents” - this was the first important religious work exhibited by Millais and one of the most notorious produced by a member of the Pre-Raphaelite Brotherhood. The critics slammed it. Most shocking of all was Millais’s depiction of the Virgin Mary. What he's off to hear is realism but I had что-то expressions interpreted by some as a sign of degeneracy. The “Times” wrote that the picture is plainly revolting. Millais had insisted on working in the real carpenter's shop said to have been located on Oxford Street where he installed a bed. He got various friends and relatives to model for him. Millais sister-in-law – Mary Hodgkinson set for the Virgin Mary. The sheep were painted from to sheepsheads that he obtained from a butcher's shop. Millais even cut his hand finger and squeeze the blood from it onto the palm of Henry Noel Humphries - the young model for Christ.

In the age (эпоху) of photography in the microscope the Pre-Raphaelites went to extremes in their pursuit of detailed realism, everything had to be as accurate as possible. When Holman Hunt had the idea repainting his goat, here in the Lady Lever Art Gallery in Liverpool, he wanted it to be a symbol Jesus Christ. It is a reference to the skate goat (козел на скейте, блеать, или что) in the Old Testament to the Bible. A goat, that was driven out to the temple on the Day of Atonement bearing the sins of the community. This sin/thing/ scene becomes a symbol of Jesus Christ he died for the sins of the world. Not content with петти.метти. шметти. any old animal Holman Hunt traveled all the way to the Holy Land New Jerusalem he bought his own goat transported the thing 60 miles to the shores of the Dead Sea position did in the barren landscapes surrounded by skull and bleach camel bones non spent day after day painting the pale of fleas (блохи) of his goat. On the journey home, however, the animal dropped dead. Hunt probably bought another one, which he мужик, шо ты несешь not brought back from the dead sea, you kind of wonder then she would have been sent to finish the painting in the first place that we've gotta шо ты ржешь, ничего не ясно.

There is perhaps (перхабс, перхабс, перхабс – песня такая была) ?? into insanity in Pre - Raphaelite painting, like the\their subject matter they're not always of this world obsessed with detail, possessed by madness and haunted by dreams, memory and def/deaf. Love and beauty was central to Rossetti’s paintings in particular, he had a weakness for women a particularly women who were attached to other people. He developed an infatuation (безрассудная страсть) for Jamie Morris - the wife of his friend William Morris the designer and poet and the two had a passionate affair, an affair played out on campus again and again.

This is Rossetti’s masterpiece the cириака блеать frankly if you don't get this picture

7:01it's time to channel hope because it really truly is the embodiment of everything that stood for. It’s a course about his passion and love for Jamie Morris - William Morris's wife. And here she is as the Syrian goddess of love. It really encapsulates everything about Rossetti, it’s all his favorite subjects in one gaul? legend, religion, art, love. In the ?? claustrophobic and rather man respect ground you really see Jane as the fame fatal. She's been immortalized in turned into a pagan love goddess. The glazing technique which kinda makes the picture in a way was influence it said by Titian and Rossetti himself said that when the painting was finally glazed it left out. It is alive today is that as it was when it was painted a hundred years ago.

Rossetti is renowned for strong solitary images of women. The idea was to make an artistic stand against the New Age of mass production.

The mid to late 19th century that's seen the fast increase in factory labor and there was a collective feeling that individuality was been lost. Workers toiled in production lines, dressed in the same clothes, doing the same job, the individual had become a machine. Опача, родимые песнопения.

By focusing on single female figures Rossetti was reasserting the importance of the individual imagination and personal experience. For me the really exciting thing about much of Pre – Raphaelite art is it's lyrical beauty. It stops you, makes you stand still because it stands still itself, is also intensely theatrical, people are shown in crisis, at the beginning or the end of their affair on the cusp of making an important decision, and even to the point of death. Are you think that the reason these pictures have always been loved by all репонтес as opposed to some other poshard critics is because they tell a story.

One of the greatest combinations of beauty and storytelling is Rossetti’s «Просипин», it's a favorite painting in my collection. Просипин was the impressive hades who was only allowed to leave hell if she rejected all of the fruit that was there, unfortunately she had already eaten a single grain of pomegranate (гранат) and was so condemned to spend her life between worlds half on earth and half in hell. The bitten pomegranate because\cause the shape and color of the red lips. It is another image of the doomed (обреченной) woman, and I find it extraordinarily beautiful. The Ivy clinging to the wall: on the lamp, on the parapet - a both symbols of memory. But the lamp is only smoking there is no real-light. Memories fade with the light.

And the one of the most famous things about any kind of collector in art is that you always want the pictures that you missed. And I missed Просипин early on my collecting carrier, and always, always was ferris about it, know I could have had it\couldn’t have it. Anyway, I was going through Caesars Palace shopping mall in Las Vegas of all places I think I'm sting Starlight Express there at the time and to my extreme annoyance there was a fast blown-up version of Просипин dominating the mall so I asked the art book shop there such as it was and said why on earth Просипин dominating seizes Pattison and he said “As, it’s the most popular greeting card (поздравительная открытка)of the year here, sir. I was even more angry, and I have any really calmed down since I managed to get a couple years ago.

The almost салютинатори style of the painting was taken off by Rossetti’s protégé, it would Burne-Jones and the second wave a Pre-Raphaelite painters, these painters were fascinated by enchanted world's specials sleep and dreams. This painting from my collection is called the рарарар. Брррр is unashamedly about beauty and only about beauty…