- •Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Use a friendly general question as a reaction to the following statement.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •React the following expressing contradiction.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
- •Card 14
- •I. Identification and reproduction of intonation patterns.
- •II. Use of rhythmic structures.
- •III. Use of pitch contours*.
- •Iy. Auditory memory check.
Iy. Auditory memory check.
Act out the following situational context by analogy with “Buying Curtain Material”. (from “Opening Strategies”).
– Can I help you? Or are you just looking?
– Well, I’m looking for some smart shoes for the summer. Light green, I suppose.
– Well, the summer collection is not yet here. Why don’t you drop in tomorrow? – You'll certainly find something.
– Mm. It sounds reasonable. But I can only come on Friday afternoon.
– No, that's an early closing day.
*A pitch contour is an overall tone pattern of an intonation group. It is formed by the type of Prehead, Head and nuclear tone.
e.g. That’s the 'best ·news I’ve heard for a \long time.
The pitch contour of this statement is defined as a high falling contour with a normal prehead and a stepping head.
CARD 3
I. Identification and reproduction of intonation patterns.
Read the following conversational context according to the intonation marks:
– Are you /leaving?
– \Yes, I’m going out to get a \paper.
– Which way are you \going?
– Towards the \station I sup/pose.
– Do you mind taking /Rex for a walk?
– I’m a bit afraid of the \traffic, you /know.
– \Oh, he’s \very good in the /street.
– All /right then.
II. Use of rhythmic structures.
a) State what rhythmic structure is prompted by the lexical composition of the following phrases.
– In the twinkling of an eye
– Fits and starts of generosity
Fumble and stumble in helpless incapacity
b) Read the following utterances according to the suggested rhythmic structure.
It’s a charming French-speaking city in Canada. (4 stress-rhythm)
It may be raining soon. (1 stress-rhythm)
III. Use of pitch contours*.
a) Express cordiality in your response.
– It’s getting late.
I’ll run you up to town in my car.
b) Convey interest in your response.
– Let’s go for an outing tomorrow.
– Do you think it’ll clear out by tomorrow?
Iy. Auditory memory check.
Act out the following situational context by analogy with D.9 “Move out of my way, Peter...”.
– Switch on the TV, dear. I want to watch the news.
– What can we see next, Mike?
– Well, show me the program and I’ll tell you.
– First I’ll watch the quiz and the music show, oh, no, that’s on tomorrow. There’ll be a new detective film on. There, do you hear?
*A pitch contour is an overall tone pattern of an intonation group. It is formed by the type of Prehead, Head and nuclear tone.
e.g. That’s the 'best ·news I’ve heard for a \long time.
The pitch contour of this statement is defined as a high falling contour with a normal prehead and a stepping head.
CARD 4
I. Identification and reproduction of intonation patterns.
Read the following conversational context according to the intonation marks:
Is anything the /matter, Jenny?
Not /really, Mike. I just feel \nervous about my e\xam tomorrow.
But \surely, /Jenny, you’ve done enough \work for it.
\Yes, \more or /less. But I’m afraid I’ll get everything mixed \up. I \always feel nervous before the e/xam.
Take it /easy, Jenny. I’m \sure you’ll do very /well.