- •American Literature : Colonial America -- prose and poetry
- •18Th & 19th Century American Prose
- •18Th & 19th Century American Poetry
- •Modernist Poetry
- •Modernist Novel
- •Harlem Renaissance
- •Post-Modern & Contemporary Poetry
- •Contemporary American Novel and Drama
- •British Literature Medeival and Early British literature
- •Renaissance
- •Important Quotations
- •Important Quotations
- •Important Quotations
- •The Restoration -- Historical Context
- •Restoration Commedy
- •Colley Cibber
- •William Congreve
- •Oliver Goldsmith
- •Richard Brinsley Sheridan
- •The Rivals (1775)
- •The School for Scandal (1777)
- •William Wycherley
- •The Restoration Aphra Behn (1640 - 1689)
- •John Bunyan
- •Samuel Butler
- •Hudibras
- •“Epigram on Milton”
- •“A Song for St. Cecilia’s Day”
- •Anne Finch (1661-1720)
- •John Milton (1609-1674)
- •“How Soon Hath Time”
- •“On Shakespeare”
- •“On the Late Massacre in Piedmont”
- •“When I Consider How My Light Is Spent” (also sometimes called “On his blindness”)
- •Aeropagitica
- •Of Education
- •Samson Agonistes
- •Lycidas
- •Alexander Pope (1688–1744)
- •"The Rape of the Lock"
- •*“Essay on Criticism”
- •“Essay on Man”
- •The Dunciad
- •“Eloisa to Abelard”
- •“To a Lady”
- •Joseph Addison & Richard Steel
- •Jonathan Swift (1667-1745)
- •*Gulliver’s Travels
- •A Modest Proposal
- •A Tale of a Tub
- •“A Description of a City Shower”
- •The Scriblerus Club
- •Late 17th & 18th Century British poetry The Cavalier Poets
- •Thomas Carew
- •“An Elegy upon the Death of the Dean of St. Paul’s, Dr. John Donne”
- •Robert Herrick
- •“To the Virgins, To Make Much of Time” (often compared to Marvell’s ‘Coy Mistress’)
- •“Upon julia's clothes”
- •"Upon Julia’s Breasts"
- •“The Night Piece, to Julia"
- •“Corinna’s Going a-Maying”
- •Ben Jonson (1572 – 1637)
- •“To the Memory of My Beloved Master William Shakespeare”
- •“To Penhurst”
- •“On My First Son”
- •Volpone
- •Metaphysical Poets
- •John Donne (1572-1631)
- •"The Canonization"
- •“The flea”
- •“A Valediction Forbidding Mourning”
- •*“The Sun Rising”
- •“Air and Angels”
- •*Holy Sonnets: XIV
- •*Holy Sonnets: X
- •*"The Bait"
- •"The Ecstacy"
- •An Anatomy of the World
- •George Herbert
- •“The Pulley”
- •“The Collar”
- •“Easter-Wings"
- •"The Altar"
- •Richard Lovelace
- •“To Lucasta, on Going to the Warres"
- •"To Althea from Prison"
- •Andrew Marvell
- •* “To his Coy Mistress”
- •“The Definition of Love”
- •“On Mr. Milton's Paradise Lost”
- •The “Mower” poems
- •"An Horatian Ode: Upon Cromwell's Return from Ireland"
- •"Graveyard Poets"
- •Thomas Gray (1716-1771)
- •*“Elegy Written in a Country Churchyard"
- •"On The Death Of a Favourite Cat, Drowned In a Tub Of Gold Fishes"
- •“The Progress of Poesy”
- •“The Bard”
- •Robert Blair
- •Robert Burns (late 1700s)
- •"A Red, Red Rose"
- •"Tam o’ Shanter: a Tale" (1790)
- •“A Fond Kiss”
- •18Th & 19th Century British Prose Henry Fielding
- •Shamela and Joseph Andrews
- •The History of Tom Jones, a Foundling
- •Samuel Richardson (1689 –1761)
- •Pamela, or Virtue Rewarded
- •Clarissa
- •Gothic Novel
- •Horace Walpole’s The Castle of Otranto
- •Anne Radcliffe’s The Mysteries of Udolpho and The Italian
- •M. G. Lewis’s The Monk
- •Jane Austen's Northanger Abbey
- •Jane Austen
- •Sense and Sensibility
- •Pride and Prejudice
- •Emily Bronte (1818 – 1848)
- •Wuthering Heights
- •Samuel Butler (1835-1902)
- •The Way of All Flesh (1903)
- •Erewhon (1872)
- •Fanny Burney (1752-1840)
- •Evelina
- •Charles Dickens David Copperfield
- •The Pickwick Papers
- •Bleak House
- •Nicholas Nickleby
- •Great Expectations
- •Hard Times (1854)
- •Oliver Twist
- •George Eliot (1819 – 1880)
- •Middlemarch
- •Silas Marner
- •Adam Bede (1859)
- •Thomas Hardy
- •Tess of the d'Urbervilles
- •The Mayor of Casterbridge
- •Jude the Obscure
- •Far from the Madding Crowd
- •Hardy's Poetry
- •William Thackeray (1811-1863)
- •Vanity Fair
- •19Th Century Essayists
- •John Ruskin
- •John Stuart Mill (1806-1873)
- •John Henry, Cardinal Newman
- •Thomas Carlyle
- •British Romantic Poetry William Blake (1757–1827)
- •"Songs of Innocence"
- •“The Lamb”
- •Songs of Experience
- •“The Tyger"
- •“Mock On, Mock On, Voltaire, Rousseau”
- •The Marriage of Heaven and Hell
- •Visions of the Daughters of Albion
- •“London”
- •Lord Byron
- •“She Walks in Beauty”
- •"Manfred"
- •Byronic Hero
- •Childe Harold’s Pilgrimages
- •“Kubla Khan”
- •“The Rime of the Ancient Mariner”
- •John Keats (1795-1821)
- •Endymion
- •“The Eve of St. Agnes”
- •Isabella
- •“La Belle Dame sans Merci”
- •Theory from the Letters
- •“Ode on a Grecian Urn”
- •“Ode on Melancholy”
- •“Ode to a Nightingale”
- •**“On First Looking Into Chapman’s Homer”
- •“Ode to Autumn”
- •Percy Bysshe Shelley (1792-1822)
- •"Adonais: An Elegy on the Death of John Keats”
- •“Mont Blanc: Lines Written in the Vale of Chamouni”
- •“Ode to the West Wind”
- •*“Ozymandias”
- •Prometheus Unbound
- •Matthew Arnold
- •“Dover Beach”
- •“To Marguerite—Continued”
- •Robert Browning (1812-1889)
- •“The Bishop Orders His Tomb at Saint Praxed’s Church”
- •“Fra Lippo Lippi”
- •**“My Last Duchess”
- •*“Porphyria’s Lover”
- •Gerard Manley Hopkins (1844 - 1889)
- •*“The Windhover”
- •“Carrion Comfort”
- •*“Pied Beauty”
- •“Spring and Fall”
- •‘Thou art indeed just, Lord, if I contend’
- •Christina Rossetti
- •Goblin Market
- •“Remember”
- •Dante Gabriel Rossetti
- •“A Superscription”
- •"The ballad of dead ladies"
- •Alfred Lord Tennyson
- •*“Ulysses”
- •*In Memoriam a.H.H.
- •“The Lady of Shalott”
- •“The Lotus-Eaters”
- •“Mariana”
- •“To e. FitzGerald”
- •The Idylls of the King
- •*“Break, Break, Break”
- •British and Irish Modernism
- •Irish Literary Revival
- •J. M. Synge
- •William Butler Yeats
- •Sean o’Casey
- •Oscar Wilde Samuel Beckett (1906-1989)
- •Waiting for Godot
- •Happy Days
- •George Bernard Shaw (1856-1950)
- •*Pygmalion (1913)
- •Arms and the Man
- •Man and Superman (1902)
- •Major Barbara (1905)
- •Mrs. Warren’s Profession
- •Oscar Wilde (1854-1900)
- •The Picture of Dorian Gray The Importance of Being Earnest
- •The Ballad of Reading Gaol
- •Poetry w.H. Auden (1907-1973)
- •**“Musée des Beaux Arts”
- •*“In Memory of w.B. Yeats”
- •“Lay your sleeping head, my love”
- •A.E. Housman (1859-1936)
- •"When I was one-and-twenty"
- •"Terence, this is stupid stuff"
- •"To an Athlete Dying Young"
- •Dylan Thomas (1914-1953)
- •“Do not go gentle into that good night”
- •“And Death Shall Have No Dominion”
- •*“Fern Hill”
- •William Butler Yeats (1865-1939)
- •"The Lake Isle of Innisfree"
- •"When You are Old"
- •"The Wild Swans at Coole"
- •**"The Second Coming"
- •“Sailing to Byzantium”
- •" Leda and the Swan"
- •“Crazy Jane Talks with the Bishop”
- •Stanza VI from “Among School Children”
- •“The Dolls”
- •Fiction Joseph Conrad (1857-1924)
- •Heart of Darkness
- •Lord Jim
- •The Secret Sharer
- •E.M. Forster (1879-1970)
- •Where Angels Fear to Tread (1905)
- •A Room with a View
- •Howards End
- •A Passage to India (1924)
- •The Road to Colonus
- •"What I Believe"
- •*Aspects of the Novel
- •James Joyce (1882-1941)
- •Dubliners
- •Portrait of the Artists as a Young Man
- •Ulysses
- •Finnegans Wake
- •D.H. Lawrence (1885-1930)
- •The Rainbow (1915)
- •Women in Love
- •Sons and Lovers (1913)
- •“The Odour of Chrysanthemums”
- •“The Horse Dealer’s Daughter”
- •Lawrence's non-fiction
- •Virginia Woolf (1882-1941)
- •Mrs. Dalloway
- •A Room of One's Own
- •Postmodern/Contemporary British Literature Philip Larkin
- •Antiquity and "World" Literatures Classical Literature
- •The Trojans
- •The Gods and Immortals
- •The Eclogues
- •Cupid and Psyche (Roman myth)
- •Albert Camus (1913-1960)
- •The Plague
- •The Fall
- •The Stranger
- •Gustave Flaubert (1821-1880)
- •Madame Bovary
- •The Sentimental Education
- •Molière (1622-1673)
- •Tartuffe
- •Jean Racine
- •Jean-Paul Satre (1905 – 1980)
- •No Exit
- •Stendhal (1783-1842)
- •The Red and the Black
- •Anton Chekhov (1860-1904)
- •The Seagull (1896)
- •The Cherry Orchard (1904)
- •Three Sisters (1901)
- •Fyodor Dostoyevsky (1821-1881)
- •Notes from Underground
- •* Crime and Punishment (1866)
- •* The Brothers Karamazov (1880)
- •Leo Tolstoy
- •What is Art?
- •War and Peace
- •Anna Karenina
- •Thomas Mann (1875-1955)
- •Buddenbrooks
- •“Death in Venice”
- •The Magic Mountain
- •Henrik Ibsen
- •A Doll’s House
- •An Enemy of the People
- •The Wild Duck
- •Hedda Gabbler
- •Chinua Achebe (b. 1930)
- •Things Fall Apart (1958)
- •Nadine Gordimer (b. 1923)
- •Jorge Luis Borges (1899-1986)
- •“The Library of Baebel”
- •Gabriel García Márquez (b. 1928)
- •One Hundred Years of Solitude
- •Literary Terms, Verse Forms, Meter, etc.
- •Literary Terms, Verse Forms, Meter, etc.
- •Grammar
- •The Sonnet
- •Italian Sonnet (Petrarchan)
- •The English (or Shakespearian) Sonnet
- •Spenserian Sonnet
- •Curtal Sonnet
- •Literary Theory
- •Formalism
- •New Criticism
- •Structuralism
- •Post-structuralism
- •Deconstructionism
GRE Study Guide
1. American Literature (3-94)
Colonial America -- prose and poetry
18th & 19th century -- prose
18th & 19th century -- poetry
Modernist poetry
Modernist novel
Harlem Renaissance
Postmodern & Contemporary poetry
Postmodern & Contemporary novel and drama
2. British Literature (95-316)
Medeival and Early British literature
Renaisance
Shakespeare
Restoration comedy
Restoration Prose & Poetry
17th and 18th Century Poetry
18th and 19th century prose and the novel
British Romanticism
Victorian Poetry
British (and Irish) Modernism
Postmodern & Contemporary British literature
3. Antiquity and "World" Literature (317-344)
Classical Literature
Modern "World" Literature
4. Terms, Criticism, and Forms(345-354)
Poetic Forms, Literary Terms, Etc.
Sonnets
Literary Theory
American Literature : Colonial America -- prose and poetry
* Anne Bradstreet (1612-1672)
•She was first published American woman writer.
1. “Before the Birth of One of Her Children”
All things within this fading world hath end, |
Adversity doth still our joyes attend; |
No tyes so strong, no friends so dear and sweet, |
But with deaths parting blow is sure to meet. |
The sentence past is most irrevocable, |
A common thing, yet oh, inevitable. |
How soon, my Dear, death may my steps attend. |
How soon't may be thy lot to lose thy friend, |
We both are ignorant, yet love bids me |
These farewell lines to recommend to thee, |
That when that knot's unty'd that made us one, |
I may seem thine, who in effect am none. |
And if I see not half my days that's due, |
What nature would, God grant to yours and you; |
The many faults that well you know I have |
Let be interr'd in my oblivious grave, |
If any worth or virtue were in me, |
Let that live freshly in thy memory |
And when thou feel'st no grief, as I no harms, |
Yet love thy dead, who long lay in thine arms. |
And when thy loss shall be repaid with gains |
Look to my little babes my dear remains. |
And if thou love thyself, or loved'st me, |
These O protect from step Dames injury. |
And if chance to thine eyes shall bring this verse, |
With some sad sighs honour my absent Herse; |
And kiss this paper for thy loves dear sake, |
Who with salt tears this last Farewel did take. |
2. “Verses Upon the Burning of Our House”
In silent night when rest I took, For sorrow near I did not look, I waken'd was with thund'ring noise And piteous shrieks of dreadful voice. That fearful sound of "fire" and "fire," Let no man know is my Desire. I starting up, the light did spy, And to my God my heart did cry To straighten me in my Distress And not to leave me succourless. Then coming out, behold a space The flame consume my dwelling place. And when I could no longer look, I blest his grace that gave and took, That laid my goods now in the dust. Yea, so it was, and so 'twas just. It was his own; it was not mine. Far be it that I should repine, He might of all justly bereft But yet sufficient for us left. When by the Ruins oft I past My sorrowing eyes aside did cast And here and there the places spy Where oft I sate and long did lie. Here stood that Trunk, and there that chest, There lay that store I counted best, My pleasant things in ashes lie And them behold no more shall I. Under the roof no guest shall sit, Nor at thy Table eat a bit. No pleasant talk shall 'ere be told Nor things recounted done of old. No Candle 'ere shall shine in Thee, Nor bridegroom's voice ere heard shall bee. In silence ever shalt thou lie. Adieu, Adieu, All's Vanity. Then straight I 'gin my heart to chide: And did thy wealth on earth abide, Didst fix thy hope on mouldring dust, The arm of flesh didst make thy trust? Raise up thy thoughts above the sky That dunghill mists away may fly. Thou hast a house on high erect Fram'd by that mighty Architect, With glory richly furnished Stands permanent, though this be fled. It's purchased and paid for too By him who hath enough to do. A price so vast as is unknown, Yet by his gift is made thine own. There's wealth enough; I need no more. Farewell, my pelf; farewell, my store. The world no longer let me love; My hope and Treasure lies above. |
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3. "In Honour of that High and Mighty Princess Queen Elizabeth” - EXCERPT
No more shall rise or set so glorious sun, Untill the heavens great revolution. If then new things their old forms shall retain, Eliza shall rule Albion once again.
HER EPITAPH.
Here sleeps THE Queen, this is the royal Bed Of th' Damask Rose, sprung from the white and red, Whose sweet perfume fills the all-filling Air: This Rose is wither'd, once so lovely fair. On neither tree did grow such Rose before, The greater was our gain, our loss the more. Another. ere lyes the pride of Queens, Pattern of Kings, So blaze it Fame, here's feathers for thy wings. Here lyes the envy'd, yet unparalled Prince, Whose living virtues speak, (though dead long since). If many worlds, as that Fantastic fram'd, In every one be her great glory fam'd.
4. “The Author To Her Book”
Thou ill-formed offspring of my feeble brain,
Who after birth didst by my side remain,
Till snatched from thence by friends, less wise than true,
Who thee abroad, exposed to public view,
Made thee in rags, halting to th' press to trudge,
Where errors were not lessened (all may judge).
At thy return my blushing was not small,
My rambling brat (in print) should mother call,
I cast thee by as one unfit for light,
The visage was so irksome in my sight;
Yet being mine own, at length affection would
Thy blemishes amend, if so I could.
I washed thy face, but more defects I saw,
And rubbing off a spot still made a flaw.
I stretched thy joints to make thee even feet,
Yet still thou run'st more hobbling than is meet;
In better dress to trim thee was my mind,
But nought save homespun cloth i' th' house I find.
In this array 'mongst vulgars may'st thou roam.
In critic's hands beware thou dost not come,
And take thy way where yet thou art not known;
If for thy father asked, say thou hadst none;
And for thy mother, she alas is poor,
Which caused her thus to send thee out of door.
5. "In Memory of My Dear Grandchild Elizabeth Bradstreet”
Farewell, dear babe, my heart's too much content, Farewell sweet babe, the pleasure of mine eye, Farewell fair flower that for a space was lent, Then ta'en away unto eternity. Blest babe, why should I once bewail thy fate, Or sigh thy days so soon were terminate, Sith thou art settled in an everlasting state. By nature trees do rot when they are grown, And plums and apples throughly ripe do fall, And corn and grass are in their season mown, And time brings down what is both strong and tall. But plants new set to be eradicate, And buds new blown to have so short a date, Is by his hand alone that guides nature and fate.
John Edwards
If there is a colonial American man worth knowing anything about, it's Edwards. His own words probably won't come up on the test, but Robert Lowell's "Mr. Edwards and the Spider," might, so it's worth knowing the biographical info.
Edwards was a colonial American Congregational preacher and theologian. He is known as one of the greatest and most profound American evangelical theologians. His work is very broad in scope, but he is often associated with his defense of Calvinist theology and the Puritan heritage.
His Personal Narrative is a Puritan autobiography that recounts his spiritual conversion.
"The God that holds you over the pit of hell, much as one holds a spider, or some loathsome insect, over the fire, abhors you and is dreadfully provoked."
Cotton Mather
A socially and politically-influential "Puritan" minister, prolific author, and pamphleteer. Author of more than 450 books and pamphlets, Cotton Mather's ubiquitous literary works made him one of the most influential religious leaders in America. Mather set the nation's "moral tone", and sounded the call for second and third generation Puritans, whose parents had left England for the New England colonies of North America to return to the theological roots of Puritanism.
Magnalia Christi Americana is a book written in 1702. Its title is in Latin, and is usually given the English title The Ecclesiastical History of New England as a translation. It consists of seven "books" collected into two volumes and details the religious development of Massachusetts, and other nearby colonies in New England from 1620 to 1698. An excerpt of the book is collected in the widely respected Norton Anthology which details the works and accomplishments of William Bradford. Other notable parts of the book are Mather's descriptions of the Salem Witch Trials, in which he criticizes some of the methods of the court; his complete "catalogus" of all the students that graduated from Harvard College, and story of the founding of Harvard College itself; and his assertions that Puritan slaveholders should do more to convert their slaves to Christianity.
Mary Rowlandson (1637-1711)
A colonial American woman, who wrote a description of her three months with Native Americans. A Narrative of the Captivity and Restauration of Mrs. Mary Rowlandson is a major piece of the American literary genre of Captivity Narratives.
"I can remember the time, when I used to sleep quietly without working in my thoughts, whole nights together, but now it is other wayes with me. When all are fast about me, and no eye open, but his who ever waketh, my thoughts are upon things past, upon the awfull dispensation of the Lord towards us; upon his wonderfull power and might, in carrying of us through so many difficulties, in returning us in safety, and suffering none to hurt us. I remember in the night season, how the other day I was in the midst of thousands of enemies, and nothing but death before me; It is then hard work to perswade my self, that ever I should be satisfied with bread again. “But now we are fed with the finest of the Wheat, and, as I may say, With honey out of the rock.”
* Phillis Wheatley (1753-1784)
Wheatley is most notable because she was a child prodigy and slave who, having learned to read, wrote remarkable--mostly pious--poetry. She is known to use three different elements to create make her poetry meaningful: Christianity, classicism, and hierophantic solar worship.
In 1770 she wrote a poetic tribute on the death of the Calvinist George Whitefield that received widespread acclaim in Boston. Her poetry was praised by many of the leading figures of the American Revolution, including George Washington, who personally thanked her for a poem she wrote in his honor. However, this praise was not universal. For example, Thomas Jefferson was among the harshest critics of her poetry, writing "The heroes of the Dunciad are to her, as Hercules to the author of that poem."
Because many white people found it hard to believe that a black woman could be so intelligent as to write poetry, in 1772 Wheatley had to defend her literary ability in court. She was examined by a group of Boston luminaries including John Erving, Rev. Charles Chauncey, John Hancock, Thomas Hutchinson, the governor of Massachusetts, and his Lieutenant Governor Andrew Oliver. They concluded that she had in fact written the poems ascribed to her and signed an attestation which was published in the preface to her book Poems on Various Subjects, Religious and Moral published in Aldgate, London in 1773. The book was published in London because publishers in Boston had refused to publish the text. Phillis and her master's son, Nathanial Wheatley, went to London, where Selina, Countess of Huntingdon and the Earl of Dartmouth helped with the publication.
Some critics cite Wheatley's successful defense of her poetry in court and the publication of her book as the first official recognition of African American literature.
Her works include:
"An Elegy, Sacred to the Memory of the Great Divine, the Reverend and Learned Dr. Samuel Cooper, Who Departed This Life December 29, 1783"
"To His Excellency George Washington"
“On Being Brought from Africa to America”
'Twas mercy brought me from my Pagan land, Taught my benighted soul to understand That there's a God, that there's a Saviour too: Once I redemption neither sought nor knew. Some view our sable race with scornful eye, "Their colour is a diabolic die." Remember, Christians, Negros, black as Cain, May be refin'd and join th'angelic train.
“To the University of Cambridge in New England”
'WHILE an intrinsic ardor prompts to write, The muses promise to assist my pen; 'Twas not long since I left my native shore
The land of errors, and Egyptain gloom: Father of mercy, 'twas thy gracious hand Brought me in safety from those dark abodes. Students, to you 'tis giv'n to scan the heights
Above, to traverse the ethereal space, And mark the systems of revolving worlds. Still more, ye sons of science ye receive The blissful news by messengers from heav'n,
How Jesus' blood for your redemption flows. See him with hands out-stretcht upon the cross; Immense compassion in his bosom glows; He hears revilers, nor resents their scorn:
What matchless mercy in the Son of God! When the whole human race by sin had fall'n, He deign'd to die that they might rise again, And share with him in the sublimest skies,
Life without death, and glory without end. Improve your privileges while they stay, Ye pupils, and each hour redeem, that bears Or good or bad report of you to heav'n.
Let sin, that baneful evil to the soul, By you be shun'd, nor once remit your guard; Suppress the deadly serpent in its egg.
Ye blooming plants of human race divine, An Ethiop tells you 'tis your greatest foe; Its transient sweetness turns to endless pain, And in immense perdition sinks the soul
John Winthrop (1587-1649)
Elected governor of Massachusetts Bay Colony in 1629 and on 8 April 1630 he led a large party from England for the New World.
Winthrop was extremely religious and ascribed fervently to the Puritan belief that the Anglican Church had to be cleansed of Catholic ritual. Winthrop was convinced that God would punish England for its heresy, and believed that English Puritans needed a shelter away from England where they could remain safe during the time of God's wrath.
His only work of nots is his Journal, which is a Puritan chronicle of the Massachusetts Bay Colony
John Woolman (1720-1772)
an itinerant Quaker preacher, traveling throughout the American colonies, advocating against conscription, taxation, and particularly slavery.
A major tale in his journal deals with a turning point in his life in which he happened upon a robin's nest with hatchlings in it. Woolman began throwing rocks at the mother robin just to see if he could hit her. He ended up killing the mother bird, but then remorse filled him as he thought of the baby birds who had no chance of surviving without her. He got the nest down from the tree and quickly killed the hatchlings, believing it to be the most merciful thing to do. This experience weighed on his heart, and inspired in him a love and protectiveness for all living things from then on.
At age 23 his employer asked him to write a bill of sale for a slave. He told his employer that he thought that slavekeeping was inconsistent with the Christian religion. Many Friends believed that slavery was bad--even a sin--but there was not a universal condemnation of it among Friends. Some Friends bought slaves from other people in order to treat them humanely and educate them. Other Friends seemed to have no conviction against slavery whatsoever.
His only work of notes is his Journal which is a Quarker spiritual autobiography.