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Willam Gibson - Neuromancer (eng).docx
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3Jane went limp, Molly's hands still around her slender throat, her dark hair drifting, tangled, a soft brown caul.

"The Ducal Palace at Mantua," she said, "contains a series of increasingly smaller rooms. They twine around the grand apartments, beyond beautifully carved doorframes one stoops to enter. They housed the court dwarfs." She smiled wanly. "I might aspire to that, I suppose, but in a sense my family has already accomplished a grander version of the same scheme. . ." Her eyes were calm now, distant. Then she gazed down at Case. "Take your word, thief."

He jacked.

Kuang slid out of the clouds. Below him, the neon city. Behind him, a sphere of darkness dwindled.

"Dixie? You here, man? You hear me? Dixie?"

He was alone.

"Fucker got you," he said.

Blind momentum as he hurtled across the infinite datascape.

"You gotta hate somebody before this is over," said the Finn's voice. "Them, me, it doesn't matter."

"Where's Dixie?"

"That's kinda hard to explain, Case."

A sense of the Finn's presence surrounded him, smell of Cuban cigarettes, smoke locked in musty tweed, old machines given up to the mineral rituals of rust.

"Hate'll get you through," the voice said. "So many little triggers in the brain, and you just go yankin' 'em all. Now you gotta hate. The lock that screens the hardwiring, it's down under those towers the Flatline showed you, when you came in. He won't try to stop you."

"Neuromancer," Case said.

"His name's not something I can know. But he's given up, now. It's the T-A ice you gotta worry about. Not the wall, but internal virus systems. Kuang's wide open to some of the stuff they got running loose in here."

"Hate," Case said. "Who do I hate? You tell me."

"Who do you love?" the Finn's voice asked.

He whipped the program through a turn and dived for the blue towers.

Things were launching themselves from the ornate sunburst spires, glittering leech shapes made of shifting planes of light. There were hundreds of them, rising in a whirl, their movements random as windblown paper down dawn streets. "Glitch systems," the voice said.

He came in steep, fueled by self-loathing. When the Kuang program met the first of the defenders, scattering the leaves of light, he felt the shark thing lose a degree of substantiality, the fabric of information loosening.

And then – old alchemy of the brain and its vast pharmacy – his hate flowed into his hands.

In the instant before he drove Kuang's sting through the base of the first tower, he attained a level of proficiency exceeding anything he'd known or imagined. Beyond ego, beyond personality, beyond awareness, he moved, Kuang moving with him, evading his attackers with an ancient dance, Hideo's dance, grace of the mind-body interface granted him, in that second, by the clarity and singleness of his wish to die.

And one step in that dance was the lightest touch on the switch, barely enough to flip--

–now

and his voice the cry of a bird unknown,

3Jane answering in song, three notes, high and pure. A true name.

Neon forest, rain sizzling across hot pavement. The smell of frying food. A girl's hands locked across the small of his back, in the sweating darkness of a portside coffin.

But all of this receding, as the cityscape recedes: city as Chiba, as the ranked data of Tessier-Ashpool S.A., as the roads and crossroads scribed on the face of a microchip, the sweatstained pattern on a folded, knotted scarf. . .

Waking to a voice that was music, the platinum terminal piping melodically, endlessly, speaking of numbered Swiss accounts, of payment to be made to Zion via a Bahamian orbital bank, of passports and passages, and of deep and basic changes to be effected in the memory of Turing.

Turing. He remembered stenciled flesh beneath a projected sky, spun beyond an iron railing. He remembered Desiderata Street.

And the voice sang on, piping him back into the dark, but it was his own darkness, pulse and blood, the one where he'd always slept, behind his eyes and no other's.

And he woke again, thinking he dreamed, to a wide white smile framed with gold incisors, Aerol strapping him into a g-web in Babylon Rocker.

And then the long pulse of Zion dub.

* CODA * DEPARTURE AND ARRIVAL

24

She was gone. He felt it when he opened the door of their suite at the Hyatt. Black futons, the pine floor polished to a dull gloss, the paper screens arranged with a care bred over centuries. She was gone.

There was a note on the black lacquer bar cabinet beside the door, a single sheet of stationery, folded once, weighted with the shuriken. He slid it from beneath the nine-pointed star and opened it.

HEY ITS OKAY BUT ITS TAKING THE EDGE OFF MY GAME, I PAID THE BILL ALREADY. ITS THE WAY IM WIRED I GUESS, WATCH YOUR ASS OKAY? XXX MOLLY

He crumpled the paper into a ball and dropped it beside the shuriken. He picked the star up and walked to the window, turning it in his hands. He'd found it in the pocket of his jacket, in Zion, when they were preparing to leave for the JAL station. He looked down at it. They'd passed the shop where she'd bought it for him, when they'd gone to Chiba together for the last of her operations. He'd gone to the Chatsubo, that night, while she was in the clinic, and seen Ratz. Something had kept him away from the place, on their five previous trips, but now he'd felt like going back.

Ratz had served him without the slightest glimmer of recognition.

"Hey," he'd said, "it's me. Case."

The old eyes regarding him out of their dark webs of wrinkled flesh. "Ah," Ratz had said, at last, "the artiste." The bartender shrugged.

"I came back."

The man shook his massive, stubbled head. "Night City is not a place one returns to, artiste," he said, swabbing the bar in front of Case with a filthy cloth, the pink manipulator whining. And then he'd turned to serve another customer, and Case had finished his beer and left.

Now he touched the points of the shuriken, one at a time, rotating it slowly in his fingers. Stars. Destiny. I never even used the goddam thing, he thought.