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Incomplete or projected stage works

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1

Leubald (Trauerspiel, 5), 1826–8 (extracts from Act 5: Leipzig, 1908); SS xvi (extracts), SW xxxi (complete); no music survives (?none written)

6

Pastoral opera (Schäferoper), after J.W. von Goethe: Die Laune des Verliebten, ? early 1830, lost

31

Die Hochzeit (Oper, ?3, after J. Büsching: Ritterzeit und Ritterwesen), Oct/Nov 1832–1 March 1833; B xii, SW xv; poem lost; of music, only introduction, chorus and septet written

40

Die hohe Braut (grosse Oper, 4 [5 in ps], after H. Koenig: Die hohe Braut), ?July 1836, Aug 1842 (Prague, 1848); SS xi, SW xxxi; music not set; no sketches survive. Wagner offered lib to K. Reissiger, then Hiller; finally set by J.B. Kittl as Bianca und Giuseppe, oder Die Franzosen vor Nizza

48

Männerlist grösser als Frauenlist, oder Die glückliche Bärenfamilie (komische Oper, 2, after The Thousand and One Nights), ?sum. 1838; SS xi, SW xxxi; intended as Singspiel, with prose dialogue and individual numbers; a hitherto unknown prose draft and sketches for 3 numbers (Introduction, Duet and Trio) resurfaced in 1994

66

Die Sarazenin (Oper, 5), probably 1841, early 1843 (pd [now lost]: Bayreuth, 1889); SS xi, PW viii, SW xxxi (pd)

67

Die Bergwerke zu Falun (Oper, 3, after story by E.T.A. Hoffmann), Feb–Mar 1842 (scenario only: Bayreuth, 1905); SS xi, SW xxxi; scenario written for J. Dessauer; later offered to A. Röckel, who appears to have intended to set it. Wagner himself made no setting

76

Friedrich I. ([?opera], 5), Oct 1846, wint. 1848–9; SS xi, SW xxxi; scenario frag.; planned as opera, but not set, and no sketches survive

80

Jesus von Nazareth ([?opera], 5), Jan–April 1849 (pd: Leipzig, 1887); SS xi, PW viii, SW xxxi; 5-act scenario completed; not set, but 1 musical sketch survives

81

Achilleus ([?opera], 3), early 1849, Feb–July 1850; notes on Achilleus (Leipzig, 1885, SS xii, PW viii) may relate to projected theoretical essay rather than opera

82

Wieland der Schmied (Heldenoper, 3), Dec 1849–March 1850 (pds: GS iii, SS iii, PW i, SW xxxi). Scenario only; offered to Berlioz (via Liszt), A. Röckel and W. Weissheimer, but none set it. Wagner himself made no setting; no musical sketches survive

89

Die Sieger ([opera], 3), May 1856 (ps: Leipzig, 1885, SS xi, PW viii, SW xxxi). Wagner still planning composition in 1878

99

Luthers Hochzeit [?drama], August 1868 (ps: Bayreuth, 1937, SW xxxi); only prose sketches exist. Wagner appears not to have attempted to compose music; in 1878 considered prose play on subject

100

[Lustspiel], 1, Aug 1868 (ps: Zürich and Freiburg, 1975, SW xxxi); only prose scenario exists, but some musical treatment may have been intended

102

Eine Kapitulation (Lustspiel in antiker Manier), Nov 1870 (text: GS ix, SS ix, PW v, SW xxxi); text not set by Wagner, but he may have retouched setting by Richter, which has not survived (possibly destroyed by Richter)

Wagner: (1) Richard Wagner: Works

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