Khaled Hosseini - And the Mountains Echoed

Nahil bought a small condo up in Davis. In the family, he was by far every kid’s favorite uncle. If Idris ever had to make one phone call, he’d almost surely call Timur.

And yet.

Idris found out, for instance, that everyone in the family knew about the loan cosigning. Timur had told them. And at the wedding, Timur had the singer stop the music, make an announcement, and the key to the Explorer had been offered to Idris and Nahil with great ceremony—on a tray, no less—be- fore an attentive audience. Cameras had flashed. This was what Idris had misgivings about, the fanfare, the flaunting, the unabashed showmanship, the bravado. He didn’t like thinking this of his cousin, who was the closest thing Idris had to a brother, but it seemed to him that Timur was a man who wrote his own press kit, and his generosity, Idris suspected, was a calculated piece of an intricately constructed character.

Idris and Nahil had a minor spat about him one night as they were putting fresh sheets on their bed.

Everyone wants to be liked, she said. Don’t you?

Okay, but I won’t pay for the privilege. She told him he was being unfair, and un-

grateful as well, after everything Timur had done for them.

You’re missing the point, Nahil. All I’m saying is that it’s crass to plaster your good deeds up on a billboard. Something to be said for doing it quietly, with dignity. There’s more to kindness than signing checks in public.

Well, Nahil said, snapping the bedsheet, it does go a long way, honey.

“Man, I remember this place,” Timur says, looking up at the house. “What was the owner’s name again?”

“Something Wahdati, I think,” Idris says. “I forget the first name.” He thinks of the countless times they had played here as kids on this street outside of these front gates and only now, decades later, are they passing through them for the first time.

“The Lord and His ways,” Timur mutters. It’s an ordinary two-story house that in Idris’s neighborhood in San Jose would draw the ire of the HOA folks. But by Kabul standards, it’s a lavish property, with high walls, metal gates, and a wide driveway. As he and Timur are led inside by an armed guard, Idris sees that, like many things he has seen in Kabul, the house has a whiff of past splendor beneath the ruin that has been visited upon it—of which there is ample

evidence: bullet holes and zigzagging cracks in the sooty walls, exposed bricks beneath wide missing patches of plaster, dead bushes in the driveway, leafless trees in the garden, yellowed lawn. More than half of the veranda that overlooks the backyard is missing. But also like many things in Kabul, there is evidence of slow, hesitant rebirth. Someone has begun to repaint the house, planted rosebushes in the garden, a missing chunk of the garden’s east-facing wall has been replaced, albeit a little clumsily. A ladder is propped against the side of the house facing the street, leading Idris to think that roof repair is under way. Repair on the missing half of the veranda has apparently begun.

They meet Markos in the foyer. He has thinning gray hair and pale blue eyes. He wears gray Afghan garments and a black- and-white-checkered kaffiyeh elegantly wrapped around his neck. He shows them into a noisy room thick with smoke.

“I have tea, wine, and beer. Or maybe you prefer something heavier?”

“You point and I pour,” Timur said.

“Oh, I like you. There, by the stereo. Ice is safe, by the way. Made from bottled water.”

“God bless.”

Timur is in his element at gatherings like this, and Idris cannot help but admire him for the ease of his manners, the effortless wisecracking, the self-possessed charm. He follows Timur to the bar, where Timur pours them drinks from a ruby bottle.

The twenty or so guests sit on cushions around the room. The floor is covered with a burgundy red Afghan rug. The décor is understated, tasteful, what Idris has come to think of as “expat chic.” A Nina Simone CD plays softly. Everyone is drinking, nearly everyone smoking, talking about the new war in Iraq, what it will mean for Afghanistan. The television in the corner is tuned to CNN International, the volume muted. Nighttime

Baghdad, in the throes of Shock and Awe, keeps lighting up in flashes of green.

Vodka on ice in hand, they are joined by Markos and a pair of serious-looking young Germans who work for the World Food Program. Like many of the aid workers he has met in Kabul, Idris finds them slightly intimidating, world savvy, impossible to impress.

He says to Markos, “This is a nice house.” “Tell the owner, then.” Markos goes across the room and returns with a thin, elderly man. The man has a thick wall of salt-and- pepper hair combed back from the brow. He has a closely cropped beard, and the sunken cheeks of the nearly toothless. He is wearing a shabby, oversize olive-colored suit that may have been in style back in the 1940s. Markos smiles at the old man with open

affection.

“Nabi jan?” Timur exclaims, and suddenly Idris remembers too.

The old man grins back shyly. “Forgive me, have we met before?”

“I’m Timur Bashiri,” Timur says in Farsi. “My family used to live down the street from you!”

“Oh great God,” the old man breathes. “Timur jan? And you must be Idris jan?”

Idris nods, smiling back.

Nabi embraces them both. He kisses their cheeks, still grinning, and eyes them with disbelief. Idris remembers Nabi pushing his employer, Mr. Wahdati, in a wheelchair up and down the street. Sometimes he would park the chair on the sidewalk, and the two men would watch him and Timur play soccer with the neighborhood kids.

“Nabi jan has lived in this house since 1947,” Markos says, his arm around Nabi’s shoulder.

“So you own this place now?” Timur says. Nabi smiles at the look of surprise on Timur’s face. “I served Mr. Wahdati here

from 1947 until 2000, when he passed away. He was kind enough to will the house to me, yes.”

“He gave it to you,” Timur says incredulously.

Nabi nods. “Yes.”

“You must have been one hell of a cook!” “And you, if I may say, were a bit of a

troublemaker, as I recall.”

Timur cackles. “Never did care for the straight and narrow, Nabi jan. I leave that to my cousin here.”

Markos, swirling his glass of wine, says to Idris, “Nila Wahdati, the wife of the previous owner, she was a poet. Of some small renown, as it turns out. Have you heard of her?”

Idris shakes his head. “All I know is that she’d already left the country by the time I was born.”

“She lived in Paris with her daughter,” one of the Germans, Thomas, says. “She died in

1974. Suicide, I think. She had problems with alcohol, or, at least, that is what I read. Someone gave me a German translation of one of her early volumes a year or two ago and I thought it was quite good, actually. Surprisingly sexual, as I recall.”

Idris nods, again feeling a little inadequate, this time because a foreigner has schooled him on an Afghan artist. A couple of feet away, he can hear Timur engaged in an animated discussion with Nabi over rent prices. In Farsi, of course.

“Do you have any idea what you could charge for a place like this, Nabi jan?” he is saying to the old man.

“Yes,” Nabi says, nodding, laughing. “I am aware of rental prices in the city.”

“You could fleece these guys!” “Well …”

“And you’re letting them stay for free.” “They’ve come to help our country, Timur

jan. They left their homes and came here. It

doesn’t seem right that I should, as you say, ‘fleece them.’ ”

Timur issues a groan, downs the rest of his drink. “Well, either you hate money, old friend, or you are a far better man than I am.”

Amra walks into the room, wearing a sapphire Afghan tunic over faded jeans. “Nabi jan!” she exclaims. Nabi seems a little startled when she kisses his cheek and coils an arm around his. “I love this man,” she says to the group. “And I love to embarrass him.” Then she says it in Farsi to Nabi. He tilts his head back and forth and laughs, blushing a little.

“How about you embarrass me too,” Timur says.

Amra taps him on the chest. “This one is big trouble.” She and Markos kiss Afghanstyle, three times on the cheek, same with the Germans.