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Acoustical Engineering (Harry F. Olson).pdf
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CONTENTS

 

 

 

 

xv

CHAPTER

 

 

 

 

 

 

 

 

 

PAGE

 

3.

Signal Sound Level ..........................

 

 

 

 

466

 

4.

Ambient Noise Level .........................

 

 

 

 

467

 

5.

Signal or Program Material

...................

 

 

 

467

 

6.

Reference

Systems

..........................

 

 

 

.

467

 

7.

Relative

Loudness

Efficiency .............

 

 

. ....

468

 

8.

Relative

Directivity .................

 

 

. ........

 

468

 

9.

Frequency Range

............................

 

 

 

 

468

 

10.

Power Handling Capacity ....... . .... . . . . . . . ..

 

 

 

 

468

 

11.

Response Frequency ..................Contour

 

 

 

469

 

12.

Nonlinear

Distortion .. . ................... .. .

 

 

 

 

469

 

13.

Transient

Response ..........................

 

 

 

 

469

 

14.

General

Aspects .............................

 

 

 

 

 

470

10.4

TESTING OF TELEPHONE RECEIVERS .. .. .... .. ..•

•••

•••

••

470

 

A. Subjective

Measurements ..................... . ...

 

 

 

 

470

 

B. Objective

Measurements ..........................

 

 

 

 

471

 

1.

Artificial

Ear ................................

 

 

 

 

 

471

 

2.

Artificial

Mastoid ............................

 

 

 

 

 

472

10.5

TESTING OF PHONOGRAPHS .•• .. ...... ....... ....... •

 

•••

 

472

 

A. Measurement of the Response of a Phonograph Record

 

 

by the Optical

Method ............................

 

 

 

 

 

472

 

B. Testing of Phonograph ....................Pickups

 

 

 

 

473

 

C. Testing of Mechanical Phonographs ................

 

 

 

475

 

D. Measurement of Mechanical Noise Produced by a

 

 

Phonograph

Pickup ..............................

 

 

 

 

 

475

10.6

MEASUREMENT OF WOWS ........ ... ... ...... ... ..

••

475

10.7

MEASUREMENT OF ACOUSTICAL ..... ..IMPEDANCE

.••.•

 

• ••

476

10.8MEASUREMENT OF MECHANICAL IMPEDANCE ••.•.•.••.•••. 478

10.9

MEASUREMENT

OF POROSITY

.•••• • .••••.....

• ••.••..

••••

484

1O.l0

MEASUREMENT OF D.C. ACOUSTICAL RESISTANCE (FLOW

 

 

RESISTANCE)

.. •••.••.•...•....

•.•...

••..

•••..

••••••••

485

1O.l1

MEASUREMENT OF REVERBERATION TIME •.....

 

•••.....

•.•

486

10.l2

MEASUREMENT OF ABSORPTION COEFFICIENT

........

 

• .....

 

487

10.l3

MEASUREMENT OF NOISE ••...........

 

 

•.•.•••

....

•...

•••

488

1O.l4

MEASUREMENT OF THE COMPONENTS IN A COMPLEX WAVE 492

10.l5

MEASUREMENT OF TRANSMISSION COEFFICIENT .•..

••......

 

493

10.l6

AUDIOMETRY

...••.•• , •••••••••..•..

•..

•...

•..

••.••••.

494

1O.l7

ARTICULATION

 

MEASUREMENTS

..••.•...

•..

••

....

•••• • ••

494

1O.l8

TESTING OF HEARING AIDS .••...

• .•...........

 

 

 

. .••...

••

495

1O.l9

AUTOMATIC BH CURVE TRACER ........

 

•............

 

 

 

•. •.

496

10.20

ELECTRONIC MEASUREMENT OF ROUGHNESS

•....

••.•••.•.•

497

10.21

VIBRATION MEASUREMENTS

•..

•.........

 

•.•............

 

 

 

498

XI. ARCHITECTURAL ACOUSTICS AND THE COLLECTION AND DISPERSION OF SOUND

11.1

INTRODUCTION ••.•...

•••.•..•....

•••.........

•....

• . •••

499

11.2

DISPERSION OF SOUND

• .. • •••••..

••...••....

••••.•

....••

500

 

A. Sound Absorption and Reverberation .....

. .........

 

500

 

B. Mechanism of Sound Absorption by Acoustical Mate­

 

 

rials ............................................

 

 

 

 

503

XVI

CONTENTS

 

 

CHAPTER

 

PAGE

 

C. Functional Sound Absorbers .......................

 

506

 

D. Resonator Sound Absorber.........................

 

509

 

E. Electronic Sound Absorber .........................

 

511

 

F. Articulation and Reverberation Time ................

511

 

G. Sound Motion Picture Reproducing System ..........

511

 

H. Sound Re-enforcing System ........................

 

516

 

I. Theater Acoustics . . . . . . . . . . . . . .

. . . . . . . . . . . . . . . . . ..

521

 

J. Reverberation Time of a Theater for the Reproduction

 

 

of Sound .........................................

 

523

 

K. Power Requirements for Reproducing Systems.. . . . ..

524

 

L. Noise at Different Locations .. . .

. . . . . . . . . . . . . . . . . ..

524

 

M. Public Address Systems ...........................

 

525

 

N. Sound Motion Picture "Drive In" Theater ..........

529

 

O. Orchestra and Stage Shell....................

. . . ..

530

 

P. General Announce and Paging Systems ..............

531

 

Q. Intercommunicating Systems .......................

 

532

 

R. Radio Receiver Operating in a Living Room. . . . . . . ..

533

 

S. Radio Receiver Operating in an

Automobile ........

534

 

T. Absorption of Sound in Passing Through Air. . . . . . ..

535

 

U. Sound Transmission Through Partitions.... . . . . . . . ..

536

11.3

COLLECTION OF SOUND ..................................

 

538

 

A. Sound Collecting System .........................

,.

538

 

B. Broadcasting Studios..............................

 

542

 

C. Sound Pickup Arrangement for a Radio Broadcast. . ..

546

 

D. Scoring and Recording Studios.. . . . . . . . . . . . . . . . . . ..

546

 

E. Sound Pickup Arrangements for Orchestra. . . . . . . . ..

548

 

F. Vocal Studios ....................................

 

551

 

G. Reverberation Time of Broadcasting, Recording and

 

 

Scoring Studios............ . . . .

. . . . . . . . . . . . . . . . . ..

552

 

H. Sound Stages for Motion Pictures and Television....

553

 

I. Sound Pickup Arrangements for Sound Motion Pic­

 

 

tures and Television ...............................

 

554

XII. SPEECH, MUSIC AND HEARING

 

 

12.1

INTRODUCTION .........................................

 

558

12.2

HEARING MECHANISM..................................

 

558

12.3

VOICE MECHANISM ....................................

 

560

12.4ARTIFICIAL VOICE MECHANISMS.. . . . . . . . . . . . . . . . . . . . . . .. 564

 

A. Artificial Larynx .................................

564

 

B. Voder ............................................

565

 

C. Vocoder ........................................

" 566

 

D. Speech Synthesizers...............................

567

12.5

VISIBLE SPEECH .......................................

568

12.6

RESPONSE FREQUENCY CHARACTERISTICS OF EARS. . . . . . . .

.. 569

12.7

LOUDNESS .............................................

570

12.8

PITCH ................................................

571

12.9

MASKING .............................................

572

12.10 NONLINEARITY OF THE EAR .............................

573

12.11

EFFECT OF PHASE RELATIONS AMONG THE HARMONICS .....

573

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