- •Margaret Atwood The Blind Assassin
- •One The bridge
- •The Toronto Star, May 26, 1945
- •Two The hard-boiled egg
- •The Globe and Mail, June 4, 1947
- •The park bench
- •The Toronto Star, August 25, 1975
- •The carpets
- •The Globe and Mail, February 19, 1998
- •The lipstick heart
- •Three The presentation
- •The silver box
- •The Button Factory
- •The trousseau
- •The gramophone
- •Bread day
- •Black ribbons
- •Four The cafe
- •The Port Ticonderoga Herald and Banner, March 16, 1933
- •The chenille spread
- •The Mail and Empire, December 5, 1934
- •The messenger
- •The Mail and Empire, December 15, 1934
- •Horses of the night
- •Mayfair, May 1935
- •The bronze bell
- •Five The fur coat
- •The Weary Soldier
- •Miss Violence
- •The button factory picnic
- •Loaf givers
- •The cold cellar
- •The Imperial Room
- •The Arcadian Court
- •The tango
- •Six The houndstooth suit
- •Red brocade
- •The Toronto Star, August 28, 1935
- •Street walk
- •The janitor
- •Mayfair, February 1936
- •Alien on Ice
- •Seven The steamer trunk
- •The Fire Pit
- •Postcards from Europe
- •The eggshell hat
- •Eight Carnivore stories
- •Mayfair, July 1936
- •Peach Women of Aa'a
- •The Mail and Empire, September 19, 1936
- •The Top Hat Grill
- •Nine The laundry
- •The ashtray
- •The man with his head on fire
- •The Water Nixie
- •The chestnut tree
- •Ten Lizard Men of Xenor
- •Mayfair, May 1937
- •The tower
- •The Globe and Mail, May 26, 1937
- •Union Station
- •Eleven The cubicle
- •Beautiful view
- •Brightly shone the moon
- •Betty's Luncheonette
- •The message
- •Twelve The Globe and Mail, October 7, 1938
- •Mayfair, June 1939
- •The Be rage Room
- •Yellow curtains
- •The telegram
- •The destruction of Sakiel-Norn
- •Thirteen
- •Home fires
- •Diana Sweets
- •Fourteen The golden lock
- •Victory comes and goes
- •The heap of rubble
- •Fifteen Epilogue: The other hand
- •The Port Ticonderoga Herald and Banner, May 29, 1999
- •The threshold
- •Acknowledgments
The chestnut tree
I look back over what I've written and I know it's wrong, not because of what I've set down, but because of what I've omitted. What isn't there has a presence, like the absence of light.
You want the truth, of course. You want me to put two and two together. But two and two doesn't necessarily get you the truth. Two and two equals a voice outside the window. Two and two equals the wind. The living bird is not its labelled bones.
Last night I woke abruptly, my heart pounding. From the window there was a clinking sound: someone was throwing pebbles against the glass. I climbed out of bed and groped my way towards the window, and raised the sash higher and leaned out. I didn't have my glasses on, but I could see well enough. There was the moon, almost full, spider-veined with old scars, and below it the ambient sub-orange glow cast up into the sky by the street lights. Beneath me was the sidewalk, patchy with shadow and partially hidden by the chestnut tree in the front yard.
I was aware that there shouldn't be a chestnut tree there: that tree belonged elsewhere, a hundred miles away, outside the house where I had once lived with Richard. Yet mere it was, the tree, its branches spread out like a hard thick net, its white-moth flowers glimmering faintly.
The glassy clinking came again. There was a shape there, bending over: a man, foraging in the garbage cans, shuffling the wine bottles in the desperate hope that there might be something left in one of them. A street drunk, impelled by emptiness and thirst. His movements were stealthy, invasive, as if he was not hunting, but spying-sifting through my discarded trash for evidence against me.
Then he straightened and moved sideways into the fuller light, and looked up. I could see the dark eyebrows, the hollows of the eye sockets, the smile a white slash across the dark oval of his face. At the V below his throat there was pallor: a shirt. He lifted his hand, moved it to the side. A wave of greeting, or else departure.
Now he was walking away, and I couldn't call after him. He knew I couldn't call. Now he was gone.
I felt a choking pressure around the heart. No, no, no, no, said a voice. Tears were running down my face.
But I'd said that out loud-too loudly, because Richard was awake now. He was standing right behind me. He was about to put his hand on my neck.
This was when I woke up really. I lay with my wet face, eyes open, staring at the grey blank of the ceiling, waiting for my heart to slow down. I don't cry often any more, when awake; only a few dry tears now and then. It's a surprise to find I've been doing it.
When you're young, you think everything you do is disposable. You move from now to now, crumpling time up in your hands, tossing it away. You're your own speeding car. You think you can get rid of things, and people too-leave them behind. You don't yet know about the habit they have, of coming back.
Time in dreams is frozen. You can never get away from where you've been.
There really was a clinking sound, glass against glass. I climbed out of bed-out of my real, single bed-and made my way over to the window. Two raccoons were pawing through the neighbours' Blue Box across the street, turning over the bottles and cans. Scavengers, at home in the junkyard. They looked up at me, alert, unalarmed, their small thieves' masks black in the moonlight.
Good luck to you, I thought. Take what you can, while you can get it. Who cares if it belongs to you? Just don't get caught.
I went back to bed and lay in the heavy darkness, listening to the sound of breathing I knew was not there.