- •Vocabulary
- •Exercises
- •Read and translate the text using a dictionary if necessary.
- •Answer the following questions based on the text:
- •Find in the text the English for:
- •Translate using vocabulary items:
- •VI. Interpret the following sentences and passages from the text.
- •VII. Read the following sentences inserting prepositions or adverbs wherever necessary.
- •VIII. Choose and insert the correct word. Remember the difference between:
- •IX. Choose and insert the suggested verbs. Translate the sentences into Russian.
- •X. Read and translate into Russian. Use the italicized structures in sentences of your own.
- •XI. Practise in using tag questions. Imagine that you are not quite sure of the following. Agree or disagree with the statement. Work in pair.
- •XII. Practise in using correct tenses. Work in pair.
- •XIII. Say you will do the following. Use "manage" wherever possible and translate each sentences into Russian.
- •XIV. Ask a friend when he (she) will do the following. Work in pair.
- •XV. Ask a friend how long it will take (a person) to do the following, and develop the situation. Work in pair.
- •XVI. Imagine that you are going to Bertram's Hotel. Answer the following questions.
- •XVII. Complete the following sentences developing the idea given in the text.
- •XVIII. Translate into English.
- •XIX. Read and translate the text using a dictionary if necessary. At Bertram's Hotel
- •XXIV. Compose short dialogues. Ask a friend how to get to some place and how long it will take you to get there. Work in pair.
- •XXV. Topical questions for discussion.
- •XXVI. Speak on the following topics. Use the suggested words and word combinations:
- •Literary focus what is fiction?
- •Key literary notion: setting
- •Setting as a mirror
- •Setting in time
- •Setting as a way of revealing character
- •Setting as means of reinforcing the message
- •Setting as an antagonist
- •Social setting
- •Sample analysis
- •The lumber room1 by Saki
- •Exercises
- •Analysis –Setting:
XIX. Read and translate the text using a dictionary if necessary. At Bertram's Hotel
(continued)
It just is old England! And the people who stay there! People you'd never come across anywhere else. Wonderful old Duchesses. They serve all the old English dishes, there's a marvellous old-fashioned beef-steak pudding! You've never tasted anything like it; and great sirloins of beef and saddles of mutton, and an old-fashioned English tea and a wonderful English breakfast. And of course all the usual things as well. And it's wonderfully comfortable. And warm. Great long fires.
"I see," said Luscombe thoughtfully. "These people; decayed aristocrats, impoverished members of the old county families, they are all so much mise en scene?"
Mr Humfries nodded agreement.
"I suppose," said Luscombe, "that the restoration was quite expensive?"
"Oh, yes. The place has got to look Edwardian, but it's got to have the modern comforts that we take for granted in these days. Our old dears – if you will forgive me referring to them as that – have got to feel that nothing has changed since the turn of the century, and our travelling clients have got to feel they can have period surroundings, still have what they are used to having at home, and can't really live without!"
"Bit difficult sometimes?" suggested Luscombe.
"Not really. Take central heating for instance. Americans require – need, I should say – at least ten degrees Fahrenheit higher than English people do. We actually have two quite different sets of bedrooms. The English we put in one lot, the Americans in the other. The rooms all look alike, but they are full of actual differences – electric razors, and showers as well as tubs in some of the bathrooms, and if you want an American breakfast, it's there – cereals and iced orange juice and all – or if you prefer you can have the English breakfast."
"Eggs and bacon?"
"As you say – but a good deal more than that if you want it. Kippers, kidneys and bacon, cold grouse, York ham, Oxford marmalade."
"I must remember all that tomorrow morning. Don't get that sort of thing any more at home."
Humfries smiled.
"Most gentlemen only ask for eggs and bacon. They've – well, they've got out of the way of thinking about the things there used to be."
XX. Give an oral or written summary of the texts "At Bertram’s Hotel" using different tenses expressing future time wherever possible.
XXI. Retell the texts: a) in the name of Colonel Luscombe; b) in the name of the manager.
XXII. Compose flashes of conversation according to the models. Work in pair.
1. A. What will you take (have), tea or coffee?
B. Coffee, please.
2. A. Excuse me, how shall 1 get to the British Museum?
B. Go down the street, turn to the left (take the left turning) and you will find the British Museum on the right hand side.
XXIII. Compose flashes of conversation according to the models. Use the suggested words and word combinations. Work in pair.
Example 1. to make an appointment
A. Let's make an appointment for Monday, shall we?
B. All right. (It's all right with me.)
to have a break now; to have lunch now; to take pictures of this wonderful monument; to fix a more convenient time for our appointment; to make English tea; to go for a walk in the park
Example 2. to open the window
A. Shall I open the window?
B. Please, do. (Yes, please.)
to turn off (on) the TV (the CD player, the radio, the light); to find out his address (name, telephone number, e-mail address); to make breakfast (tea, coffee); to get a taxi; to introduce you to somebody
Example 3. to go by bus
A. How long will it take me to get there?
B. 1 think it will take you twenty minutes if you go there by bus.
to take a taxi; to walk quickly (slowly); to go by air (fly); to go by train (trolley-bus, underground); to drive fast; to hurry