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УЧЕБНИК ДЛЯ БАКАЛАВРИАТА 1 ЧАСТЬ.doc
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2.2.1. Key Vocabulary

ENTRY

TRANSLATION

EXAMPLES AND NOTES

dubious adj

вызывающий со­мнения, неопреде­ленный, неясный; неоднозначный

  • a dubious company – по­дозрительная компа­ния

Those figures alone are

a dubious basis for such a conclusion

generate v

вызывать, порож­дать, производить;

  • to generate profits – приносить прибыль

The Employment Minister said the reforms would

generate new jobs.

The show managed to generate its own sponsor­ship and advertising

define v

определять;

харак­теризовать

  • sharply/ ill defined – четко/плохо опреде­ленный

Collins Dictionary de­fines a workaholic as “a person obsessively ad­dicted to work”.

Key to all the elements that define multimedia, besides the television screen is the computer

endeavour n

попытка, старание, стремление

NOTE: слово “endeavour” чаще употребляется в офици­альной речи, более ней­тральными являются “at­tempt”, “effort”, “under­taking”

His first endeavours in the field were wedding films

sue v

преследовать судом, возбуждать иск, предъявлять иск

  • to sue sb for breach of contract – возбуждать иск о разрыве контракта

Writers usually don’t sue their publishing houses because the publisher will stop publishing them

gravitate v

тяготеть, стре­миться;

двигаться по направлению

Traditionally young Asians in Britain gravi­tated towards medicine, law and engineering

boon n

благо, дар;

просьба

Television proves such a boon to so many people.

succumb v

поддаваться, усту­пать;

стать жертвой

NOTE: слово “succumb” чаще употребляется в офици­альной речи, более ней­тральными являются “give in”, “yield”, “surrender”.

Many have been known to succumb to his bossy, ob­sessive and arrogant man­ner.

Don’t be shy and succumb to false modesty.

parse v

производить струк­турный анализ (предложения);

подробно скрупу­лезно анализировать

Only one expert source seemed prepared to parse the problem.

Companies are so busy parsing the financial im­plications that they over­look the effect on workers

upshot n

развязка, заключе­ние;

оконча­ние, результат

  • in the upshot – в конце концов

  • to come to the upshot – подойти к концу

The upshot was that the entire

agreement had to be renegotiated

2.2.2. Comprehension Questions

  1. What is the Big Media according to the author?

  2. What are the modern tendencies?

  3. What problems are media companies facing?

FOCUS 3

3.1. Read the text and find the facts proving that good journalism is enduring arduous times. Scan the text and say what its essence is. Explain the difference between “soft” and “hard” news as given in the text.

Tough Times for Hard News

SALT LAKE CITY – Ted Koppel is leaving ABC, and this puts the future of his "Nightline" program in doubt as well as underlining the changing character of TV news and journalism in general.

Mr. Koppel has been at ABC for 42 years, anchoring "Nightline" for 25 of them, creating a unique slot for serious network late-night journalism in a milieu where many late-night viewers get their "news" from the irreverent comic monologues of David Letterman and Jay Leno.

Where "Nightline" once captured a significant audience, its ratings are down as are the ratings for all TV network news programs. Their celebrity anchors are fading away. NBC's Tom Brokaw and CBS's Dan Rather are gone and ABC's Peter Jennings, whose con­tract is up for renegotiation this year, may not be far behind.

While the TV cameras do a splendid job of capturing the immediacy and drama of breaking news, they cannot offer the depth and analy­sis afforded by newspapers. As Walter Cronkite once pointed out, all the words in a 30-minute prime-time TV newscast (22 minutes without the ads) would fill just about half a page of The New York Times.

Koppel's "Nightline" was a noble stab at providing news junkies with more substantive TV fare. Its eclipse - perhaps even demise - would be sad indeed. Koppel deserves our thanks for preserving it, and its quality, for so long.

It is not an easy time for network TV journalists who are serious about their craft. They are awash in "news" programs focusing on celebrities and the entertainment industry, and "soft" magazine-type stories that are a far cry from the hard-news coverage that made the network news divisions what they once were.

With the explosive growth of cable TV, there has been serious fragmentation of the TV audience, offering competition for the net­works not only from cable news channels like CNN and Fox, but from specialized channels vying for viewers' time with everything from salacious court stories to dog shows, poker tournaments, and how-to programs on bathroom tile-laying and scrap bookmaking.

In the face of all this, TV network executives have cut back on newsroom budgets, laying off well-known faces now popping up on CNN, and paring travel funds - particularly for foreign coverage.

Print journalists are not without similar challenges. In addition to staff layoffs and budget cuts at a string of newspapers, there is a struggle to stem declining circulation at some and a fight to capture younger readers who have grown up clattering the keys of their computers to the accompaniment of the Internet's demanding voice rather than thumbing in more thoughtful fashion through newspa­pers.

Newspaper journalists are also absorbing the fallout from a number of sensational ethical scandals. Though they may have involved only a few shameless miscreants, they nevertheless cast doubt, al­though unfairly, upon the credibility of the journalistic profession as a whole.

Fabricated stories and plagiarism at major news organizations like The New York Times and USA Today have sullied journalism's image. All this might tempt one to think that journalism is on the ropes and that its practitioners are filled with despair. Happily, that is not the case. The quality of spot-news coverage, investigative reporting, and commentary is astonishingly good. The readers are well served.

But it is not only at the big metropolitan newspapers with substantial resources that good journalism is being pursued. The commitment to producing good newspapers in the face of challenge is moving.

There are 80-hour weeks. It's tough making payroll. Their editors and reporters live in the midst of the people they write about. When they do their jobs properly it sometimes costs them a longtime friendship or loss of a critical advertiser. They meet ethical problems each day. This is where a lot of tomorrow's journalists get their start.

In the business of disseminating information, technology and technique may change. But for many, good journalism is still a love affair that will not end.

Source: John Hughes, AJR (http://www.ajr.org)

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