- •Music in the Modern World western music of the twentieth century (general survey)
- •Discussion Activities Questions on the Text
- •Discussion Points
- •Additional Assignments
- •Some twentieth-century composers arnold schoenberg (1874-1951)
- •The composer speaks: arnold schoenberg
- •Discussion Activities Questions on the Text
- •Discussion Points
- •Bela bartok (1881-1945)
- •Discussion Activities Questions on the Text
- •Questions about Bartok
- •Discussion Points
- •Paul hindemith: his life and work (1895-1963)
- •The composer speaks: paul hindemith
- •Discussion Activities Questions on the Text
- •Discussion Points
- •Electronic music
- •Discussion Activities Questions on the Text
- •Questions about Stravinsky
- •Additional Assignments
- •Britten's operas
- •The composer speaks: benjamin broten
- •Discussion Activities Questions on the Text
- •Questions about Britten
- •Additional Assignments
- •Menotti. The opera composer
- •The composer speaks: gian carlo menotti
- •Discussion Activities Comprehension Questions and Points for Discussion
- •Additional Assignments
- •Michael tippett: a child of our time
- •30 Questions on the Text
- •Experimental (avant-garde) music
- •Olivier messiaen
- •Discussion Activities Questions on the Text
- •Discussion Points
- •Additional Assignments
- •George ligeti (b. 1923)
- •Karlheinz stockhausen
- •35 Discussion Activities Questions on the Text about Ligeti
- •About Stockhausen and Experimental Composers
- •Questions about Western Music of the 20th Century
- •Points for Discussion and Written Compositions
- •Popular music rock
- •Points about rock
- •Discussion Activities Comprehension Questions and Points for Discussion
- •Additional Assignments
- •Elvis presley - story of a superstar
- •Discussion Activities Comprehension Questions and Points for Discussion
- •The beatles
- •Comprehension Questions and Points for Discussion
- •English and American Musical History english music (general survey)
- •1. Opera.
- •2. Performing groups.
- •3. Festivals.
- •4. Education.
- •Discussion Activities Questions on the Text
- •The golden age in england
- •The english virginal school
- •Virginal music composers. William Byrd (1542-1623)
- •Byrd in his time and ours
- •English madrigalists
- •"The british orpheus"
- •Comprehension Questions and Points for Discussion
- •56 American music (general survey)
- •61 Charles ives, the first truly american composer (1874-1954)
- •Charles ives and american folk music
- •Comprehension Questions and Points for Discussion
- •The relation of jazz to american music
- •Louis armstrong
- •The swing era (duke ellington)
- •Spirituals
- •Comprehension Questions and Points for Discussion
- •The Art of Musical Interpretation the problem of interpretation
- •Discussion Activities Questions on the Text
- •Questions for Discussion
- •Additional Assignments
- •Conducting
- •The art of conducting
- •Questions on the Text
- •Some musical encounters
- •Questions on the Text
- •86 Leonard bernstein
- •Comprehension Questions and Points for Discussion
- •Herbert von karajan
- •Interview with herbert von karajan
- •The art of piano playing: glenn gould
- •Interview with glenn gould
- •Comprehension Questions and Points for Discussion
- •The art of violin playing: eugene ysaye
- •Comprehension Questions and Points for Discussion
- •The world of opera handel in performance
- •Franco zeffirelli: the romantic realist
- •La divina: maria callas
- •Callas remembered
- •Comprehension Questions and Points for Discussion
- •Peter pears: ronald crichton speaks
- •Discussion Activities Comprehension Questions and Points for Discussion
- •Notes Page 5
- •Page 21
- •Page 31
- •Page 32
- •Page 34
- •Page 35
- •Page 37
- •Page 39
- •Page 46
- •Page 47
- •Page 48
- •Page 49
- •Page 52
- •Page 53
- •Page 54
- •Page 57
- •Page 58
- •Page 59
- •Page 60
- •Page 61
- •Page 62
- •Page 63
- •Page 65
- •Page 66
- •Page 111
- •Page 112
- •Sources
- •Contents
Page 34
open form - a musical design with no fixed beginning or end. First employed by Charles Ives, and Henry Cowell, but developed as indeterminacy by Cage and Earle Brown. In Boulez's Third Piano Sonata, for example, the 5 movements may be played in any order except the third which must stay central.
musique concrete - see note to p. 6
Kontakte (Germ.) - Contacts, composition by Stockhausen for piano, percussion and electronic sounds on 4-track tape (1959-60)
Gruppen (Germ.) - Groups, composition for 3 orchestras by Stockhausen (1955-57), each placed in a different part of the hall and each playing different music
Page 35
onomatopoeic words - звукоподражательные слова
Page 37
Minstrel songs, Minstrels - in modern usage, the term is loosely applied to all sorts of musical entertainers, ancient and modern, especially for comedians appearing in the guise of Negroes. The Negro minstrel shows became a popular national institution in the US in the 1830s.
country and western music - a mass-disseminated product of the present century in America, derived from traditional oral music brought by non-literate immigrants from the British Isles. Singing styles retain the nazal, "high-country" sound of older music; instrumentation consists of one or two fiddles, a banjo, guitars, and usually a bass; texts are often concerned with such harsh realities as death, alcoholism, desertion, crime, etc.; and both melody and accompaniment reflect a solid harmonic foundation. In the 1960s and
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1970s songs by Jim Reeves, Don Williams, and Slim Whitman attracted many listeners in Europe and then in other parts of the world.
Pro Musica Antiqua - name under which the New York Pro Musica ensemble was founded by Noah Greenberg in 1952
Hair - a popular American musical composed by Galt MacDermot (1968)
Page 38
Juilliard - The Juilliard School, American musical college established in New York in 1924
a complete upending of the pop music scene - совершенный переворот в популярной музыке
rock was dismissed as an aberration and an abomination - рок отвергли как заблуждение и нечто отвратительное
rockabilly - a form of American popular music that combined the plucked string sounds of country and western music with song-forms and lyrics of rock'n'roll. The genre flourished from about 1954 to 1960 in the southern US and for somewhat longer in England. Its essential representatives include Jene Vincent, Carl Perkins, Johnny Cash, and the young Elvis Presley.
rhythm-and-blues (also rhythm'n'blues, R'n'B) - Black American popular music from the late 1940s through the early 1960s. Rhythm-and-blues continued to be a general term for many styles of black popular music throughout the 1960s, but the classic rhythm-and-blues style was supplanted in popularity in the late 1950s by rock-and-roll (essentially a blend of rhythm-and-blues and country, which was pioneered by Elvis Presley and became part of white youth culture), and slightly later by soul music (which resulted from the application of gospel singing styles to rhythm-and-blues, as developed by Ray Charles and Sam Cooke, and quickly became the most popular style among black teenagers).
Bob Dylan (Zimmerman, Robert, b. 1941) - folk and rock singer and songwriter. He was the most influential figure in the urban folk music revival of the 1960s and 1970s.
folk rock - a combination of folk music with the amplified instrumentation of rock usually including drums and electric stringed instruments
proceeded to inundate American teenagers - (зд.) захлестнуло также и американских подростков
soul - a type of black American popular music that appeared in the mid-1960s. Popular vocalists are Ray Charles, Stevie Wonder, and
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James Brown. They brought to secular singing the impassioned improvisatory vocal devices of black gospel music (sudden shouts, falsetto cries, moans, etc.) and a collection of church-derived, idiomatic formulas. See also rhythm'n'blues above.
raga - a traditional form in Hindu music, consisting of a theme that expresses some aspect of religious feeling and sets forth a tonal system on which variations are improvised within a prescribed framework of typical progressions, melodic formulas, and rhythmic patterns.
psychedelic rock (also acid rock) - a style of rock, played chiefly by bands in the San Francisco area in the 1960s. It is characterized by extended, blues-inspired improvisations and surrealistic lyrics, and sometimes uses exotic (especially Indian) instruments; the music is intended to evoke or accompany a drug-induced state. The performances took place in large "rock palaces" and were accompanied by lavish light shows.
mixed media - see note to p. 7
op art - optical art which is based on the idea that the painter or sculptor can create optical effects that persuade the spectator to see visual illusions
pop art - a form of ' art that depicts objects of everyday life and adapts techniques of commercial art, such as comic strips
ob art - object art («искусство объекта»)
"house hippie" - (here) hippie (see note to p. 40) on the staff of the firm