- •I type a full stop, take a sip of coffee, and turn to the second page of the press release.
- •Extract 2
- •Extract 3
- •I should say something. I should say, “Janice, I don’t fancy Tom. He’s too tall and his breath smells.” But how on earth can I say that?
- •Extract 4
- •I’m absolutely stunned. I’ve never seen anything like this at a press conference. Never!
- •I head toward the back to get another cup of coffee, and find Elly standing by the coffee table. Excellent. I haven’t seen Elly for ages.
- •I’m sorry, but I can’t go and sit back down there. I have to hear about this.
- •Extract 5
- •I stare at him blankly.
- •I have never before worked so hard on an article. Never.
- •I can’t do this. I can’t speak to Luke Brandon. My questions are jotted down on a piece of paper in front of me, but as I stare at them, I’m not reading them.
- •I’ll show Alicia, I think fiercely. I’ll show them all, Luke Brandon included. Show them that I, Rebecca Bloomwood, am not a joke.
- •Extract 6
- •Extract 7
- •It’s basically my idea of heaven.
- •I close my eyes and, after a few seconds, feel a cool, creamy liquid being massaged into my face. It’s the most delicious sensation in the world. I could sit here all day.
- •I almost want to laugh at the incongruity of it. What’s she doing here? What’s Alicia Bitch Long-legs doing here, for God’s sake?
- •Is that me? Oh God, I don’t want to be a leading industry expert. I want to go home and watch reruns of The Simpsons.
- •I look around for support and see Rory gazing blankly at me.
- •I watch in a daze as he picks his way across the cable strewn floor toward the exit, half wishing he would look back.
- •Extract 8
- •Extract 2
- •Extract 3
- •Extract 4
- •Extract 5
- •I’ll just have a really quick look.
- •I mean, what is wrong with these people? Are they complete philistines?
- •Extract 6
- •It’s only as we're approaching a department entitled ‘Gift Wrapping’ that I realize what’s going on. When I said ‘gift’, she must have thought I meant it was an actual–
- •I take the card from her, and as I read, my skin starts to prickle with excitement.
- •Extract 7
- •I stare at him, agog.
- •I can’t tell him I’ve actually got three. And two on hold at Barneys.
- •Extract 2
- •I wish bridesmaids got to say something. It wouldn’t have to be anything very much. Just a quick ‘Yes’ or ‘I do’.
- •I’ve always been a teeny bit awkward around Tarquin. But now I see him with Suze – married to Suze – the awkwardness seems to melt away.
- •Extract 3
- •I glance into the mirror, feeling quite grown-up and proud of myself. For once in my life I’m not rushing. I’m not getting overexcited.
- •I remember that cake. The icing was lurid green and the lawnmower was made out of a painted matchbox. You could still see ‘Swan’ through the green.
- •I have never worn anything less flattering in my life.
- •Extract 4
- •Extract 5
- •Extract 6
- •Extract 7
- •I’ll be a grown-up, go along to the cake studio and break the news to her face to face.
- •I had no idea wedding cakes could be anything like this. I flip through, slightly dazedly, looking at cake after spectacular cake.
- •I can see Alicia’s brain working hard.
- •I can see Robyn and Antoine exchanging looks, and I’m dying to ask them what they think of Alicia. But... It wouldn’t be becoming in a bride-to-be.
- •If I’m really honest, hand on heart – I feel exactly like someone who’s going to have a huge, luxurious wedding at the Plaza.
- •I put the invitation into my bag and snap the clasp shut, feeling slightly sick.
- •I look at him, my attention finally caught.
- •Extract 8
- •I stare at him in utter stupefaction. What does he think he’s doing?
- •I stare at him in horror.
- •I follow his gaze, and see Danny’s brother Randall walking across the floor towards us.
- •Extract 9
- •I stare at her, momentarily halted.
- •I stare at the page, my heart pounding. It’s a typed sheet, headed terms of agreement. I look straight down to the dotted line at the bottom – and there’s my signature.
- •I haven’t said a word about anything to Luke. In The Realistic Bride it says the way to stop your fiance getting bored with wedding details is to feed them to him on a need-to-know basis.
- •I feel a stab of shock.
- •Extract 10
- •I put the phone down and smile at Robyn, who’s wearing a bright pink suit and a headset and carrying a walkie-talkie.
- •In fact, it’s completely true. I’m beyond nervous. Either everything goes to plan and this all works out. Or it doesn’t and it’s a complete disaster. There’s not much I can do about it.
- •I’ve never seen a wedding dress like it. It’s a work of art.
- •Extract 11
- •I reach out and hug her tightly.
- •I can't move. I can't breathe. I need my fairy godmothers, quick.
- •I don’t believe it. It’s Luke.
- •Extract 12
- •I feel a huge spasm of nerves as I see the familiar sign. We’re nearly there.
- •I’m getting married. I’m really getting married.
- •I freeze in terror, one foot inside the car. What’s happened? Who’s found out? What do they know?
- •I think I’m the happiest I’ve ever been in my life.
- •I feel a spasm of nerves inside. Here it comes. The last bit of my plan. The very last cherry on top of the cake.
- •Extract 2
- •Extract 3
- •Extract 4
- •Extract 5
- •Extract 6
- •Extract 7
- •Extract 8
- •Extract 9
- •Extract 10
- •Extract 11
- •I’m fantastically well-organised, basically. And very self-disciplined. The early bird catches the modeling contracts, after all.
- •Extract 13
- •I am such a deluded moron.
- •Extract 2
- •I draw myself up short with a jolt. “I’m sorry,” I say, and exhale sharply. “You don’t want to hear all this.”
- •Extract 3
- •I bet they do.
- •I was so totally mortified, I never told anyone. Especially not Mum and Dad.
- •Extract 4
- •Extract 5
- •I don’t think so.
- •Extract 6
- •Extract 7
- •I watch in total disbelief as Jack settles comfortably down on the rug. He was supposed to be rescuing me from all this. Not joining in. Slowly I sink down beside him.
- •I stare at her blankly. Since when have Kerry and I ever socialized together?
- •Extract 8
- •I am never visiting a zoo again.
- •Revenge is Sweet (by c. Fremlin)
- •It worked like a dream, exactly as she’d planned.
- •The Way up to Heaven (by r. Dahl)
- •For Services Rendered (by j. Deaver)
- •I can help you and you can help me...
- •I can help you and you can help me...
- •Makeover (by b. Callahan)
- •Interrupting her in mid sob, Monty said, “Hold on there, Steph. Gotta pay our bills. Time for a commercial.”
I almost want to laugh at the incongruity of it. What’s she doing here? What’s Alicia Bitch Long-legs doing here, for God’s sake?
One of the men turns round to say something to her – and as I see his face, I think I recognize him, too. He’s another one of the Brandon С lot, isn’t he? One of those eager, baby-faced types.
But what on earth are they all doing here? What’s going on? Surely it can’t be–
They can’t all be here because of–
No. Oh no. Suddenly I feel rather cold.
“Luke!” comes Zelda’s voice from the corridor, and I feel a swoop of dismay. “So glad you could make it. We always love having you on the show. You know, I had no idea you represented Flagstaff Life, until Sandy said.”
This isn’t happening. Please tell me this isn’t happening.
“The journalist who wrote the piece is already here,” Zelda’s saying, “and I’ve primed her on what’s happening. I think it’s going to make really great television, the two of you arguing away!”
She starts moving down the corridor, and in the mirror I see Alicia and the eager young man begin to follow her. Then the third overcoated man starts to come in view. And although my stomach’s churning painfully, I can’t stop myself. I slowly turn my head as he passes the door.
I meet Luke Brandon’s grave, dark eyes and he meets mine, and for a few still seconds, we just stare at each other. Then abruptly he looks away and strides down the corridor. And I’m left, gazing helplessly at my painted reflection, feeling sick with panic.
By eleven twenty-five, I’m sitting on a brown upholstered chair in the green room. I’m dressed in a midnight-blue Jasper Conran suit, sheer tights, and a pair of suede high heels. What with my makeup and blown-dry hair, I’ve never looked smarter in my life. But I can’t enjoy any of it. All I can think of is the fact that in fifteen minutes, I’ve got to sit on a sofa and discuss high-powered finance with Luke Brandon on live television.
The very thought of it makes me feel like whimpering. Or laughing wildly. I mean, it’s like some kind of sick joke. Luke Brandon against me. Luke Brandon, with his genius IQ and bloody photographic memory – against me. He’ll walk all over me. He’ll massacre me.
“Darling, have a croissant,” says Elisabeth Plover, who’s silting opposite me, munching a pain аu chocolat. “They’re simply sublime. Every bite like a ray of golden Provençal sun.”
“No thanks,” I say. “I... I’m not really hungry.”
I don’t understand how she can eat. I honestly feel as though I’m about to throw up at any moment. How on earth do people appear on television every day? How does Fiona Phillips do it? No wonder they’re all so thin.
“Coming up!” comes Rory’s voice from the television monitor in the corner of the room, and both our heads automatically swivel round to see the screen filled with a picture of the beach at sunset. “What is it like, to live with a gangster and then, risking everything, betray him? Our next guest has written an explosive novel based on her dark and dangerous background ...”
“…And we introduce a new series of in-depth discussions,” chimes in Emma. The picture changes to one of coins raining onto the floor, and my stomach gives a nasty flip. “Morning Coffee turns the spotlight on the issue of financial scandal, with two leading industry experts coming head-to-head in debate.”