Creating a Sequenced Synthesizer
Making the Synth Sequencer Work
Fig. 5.4 Inserting SoundSchool Analog into your Ensemble
5.3Making the Synth Sequencer Work
We will need to do some wiring and make a MIDI connection from Monoliner to Sound school Analog.
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Creating a Sequenced Synthesizer
Making the Synth Sequencer Work
5.3.1Overview of the Structure
Once loaded, your Structure should look something like this:
Fig. 5.5 Ensemble Structure with Monoliner and ANALOG
We can see the Monoliner and ANALOG Instruments and also the default empty Instru ment, which is connected to the Audio In and the Audio Out Terminals. Let’s remove the unwanted Instrument from the Structure.
5.3.2Removing the Unwanted Instrument
▪Right-click on Windows® ([Ctrl]+click on Mac OS® X) on top of the Instrument and choose the Delete menu entry from the context menu.
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Creating a Sequenced Synthesizer
Making the Synth Sequencer Work
Fig. 5.6 Deleting an Instrument using the context menu
Whilst we are here, let’s connect the L and R Outputs from the ANALOG Synth to the In puts of the Audio Out Terminals 1 and 2, respectively.
5.3.3Connecting ANALOG Outputs to the Audio Out
You might remember we did this when we connected the Junatik Synth to the SpaceMas ter Reverb.
1.Click and drag—so you get a visible wire—from the L (or black dot beside it) towards the Input of the first Audio Out Terminal or black dot beside it—and let go. A connec tion will be made.
2.Repeat the same procedure for the R Output and Audio Out Terminal 2.
Your Structure should look like this:
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Creating a Sequenced Synthesizer
Making the Synth Sequencer Work
Fig. 5.7 ANALOG with its audio outputs connected.
As you can see, we are keeping the Master Instrument, because it has a useful Master Lev el Fader. Now we will have a look at the two Instruments in the Ensemble Panel.
5.3.4Overview of Monoliner and ANALOG
▪ To go to the Panel View of your Ensemble, press the Panel button.
Fig. 5.8 The Panel button
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