- •Disclaimer
- •Contact
- •Table of Contents
- •Welcome to REAKTOR
- •System Requirements
- •REAKTOR Modes: Full, Player and Demo
- •How to Get Started
- •The REAKTOR Documentation
- •Special Formatting used in this Document
- •Basic Settings in REAKTOR
- •Configuring the Audio Hardware
- •Accessing the Audio and MIDI Settings… dialog
- •Selecting an Audio Hardware Device
- •Selecting a Sample Rate
- •Adjusting Output Latency
- •Routing: Assigning REAKTOR's Inputs
- •Routing: Assigning REAKTOR's Outputs
- •Configuring the MIDI Hardware
- •Loading and Playing
- •A Few Important Buttons
- •Ensembles, Instruments and KOMPLETE Instruments
- •Loading Carbon 2
- •Opening the Sidepane
- •Opening the Browser
- •Loading a File
- •Playing Carbon 2 and its Snapshots
- •Loading a Snapshot
- •Adjusting the Sound
- •Switching Effects
- •Changing the Filter Movement
- •Changing the Filter Settings
- •Saving Your Settings
- •Modifying a REAKTOR Ensemble
- •Recap
- •Using the Browser to Load the Ensemble
- •Instruments inside Ensembles
- •Junatik Panel Overview
- •The Difference Between an Ensemble and an Instrument
- •Snapshot Master for Plug-In and Snapshot Hierarchies
- •Snapshot Hierarchy as seen in Properties
- •Recall by MIDI and Snapshot Master for Plug-In
- •Snapshot Properties for the Junatik Instrument
- •Snapshot with a REAKTOR Switch Turned Off
- •Snapshot Flexibility
- •Swapping the Delay Instrument for a Reverb Instrument
- •Opening a REAKTOR Structure
- •Removing an Instrument from the Structure
- •Using the Bowser to Search for Instruments
- •Connecting the Instrument to the Audio Out
- •Making the Connections
- •Resetting the Positions of Instruments in the Ensemble Panel
- •Restoring the Correct Snapshot Hierarchy
- •Opening the Instrument Properties
- •Creating a Sequenced Synthesizer
- •Recap and Overview
- •Creating the Synth Sequencer Ensemble
- •Create a New Ensemble
- •Using the Browser to Load the Instruments
- •Making the Synth Sequencer Work
- •Overview of the Structure
- •Removing the Unwanted Instrument
- •Connecting ANALOG Outputs to the Audio Out
- •Overview of Monoliner and ANALOG
- •Making the MIDI Connections between Instruments
- •Using Internal MIDI Connections
- •REAKTOR Run and Stop Buttons
- •Looking More Closely at Monoliner
- •Changing the Direction and Speed
- •Number of Steps, Step Offset and Shuffle/Swing
- •GATE, VELOCITY and PITCH Knobs and On/Off Buttons
- •Exploring the Snapshots/Show Hints
- •Exploring Snapshots in Monoliner and ANALOG
- •Show/Hide Hints
- •Exploring a REAKTOR Sampler
- •Recap and Overview
- •Using the Browser to Launch Memory Drum 2
- •Replacing and Editing Samples in the Sample Map Editor
- •Opening the Map and Playing the Samples
- •Using Replace in the Edit Sample List
- •Using Add from the Edit Sample List
- •The Memory Drum Interface
- •Changing Pitch for Just one Sample Slot
- •Exploring the Memory Drum Snapshots
- •Building a Synth Using Macros
- •What is a Macro
- •Preparation
- •Loading a New Ensemble
- •Removing the Default Instrument
- •Inserting a New Instrument
- •Connecting the Instrument to the Audio Out
- •Adding an Oscillator and an ADSR Env to the Instrument
- •Inserting an Oscillator
- •Inserting the ADSR Env
- •Inserting Pitch and Gate Modules
- •Connecting the Pitch and Gate Modules
- •Safe Output Level
- •Inserting the Filter
- •Inserting the Filter Macro and Doing Some Rewiring
- •Unlocking the Panel to Move the Macros
- •Adding a Second Oscillator and a Mixer
- •Adding a Second Oscillator Using Duplicate
- •Using Properties to Rename the Oscillator Macros
- •Adding a Mixer
- •Increasing the Number of Mixer Inputs
- •Adding Faders and Connecting them to the Mixer
- •Connecting the NotePitch Module to the ADSR Envelopes and Filter
- •Tidying Up in the Instrument Panel
- •Changing the Appearance of the Faders
- •Playing Your Synth and Making Changes to the Sound
- •Changing the Oscillators Waveform, Resetting the Filter and Output Level
- •Creating some Snapshots
- •Saving Your Work Using Save As
- •Make a Sampler Using REAKTOR Modules
- •Recap and Overview
- •What Kind of Sampler?
- •Building the Basic Structure
- •Load up a New Ensemble
- •Inserting the First Modules
- •Inserting the Envelope
- •Adding the Controls for the Envelope
- •Making the Connections
- •Connecting the Sampler to the 2 Audio Voice Combiners
- •Connecting the NotePitch and Gate Modules
- •Loading a Sample into the Sampler
- •Opening the Sample Map Editor from the View Menu
- •Adding a Sample to the Sample Map Editor
- •Tidying Up the Appearance and Moving the Modules
- •Moving Modules in the Structure
- •Deleting unwanted Modules
- •Using the Panel Lock Button to Move the Knobs
- •Adding More Samples and Changing their Settings
- •Changing the Settings of the Existing Sample
- •Adding More Samples
- •Sample Reverse and Other Playback Possibilities
- •Looping, and Direction Buttons
- •Transposing a Sample
- •Adding a Filter
- •Inserting the Filter Into the Structure
- •Creating the Filter Controls and Making the Connections
- •Tidying Up the Appearance in the Instrument Panel
- •Using Save Ensemble to Update Your Already Saved Sampler
- •Modifying the Existing Sampler
- •Inserting the Selector
- •Connecting the Filter Outputs
- •Increasing the Number of Selector Inputs
- •Adding the Position Fader and Changing its Range
- •Final connections and Panel Appearance
- •Explore Your Sampler and Make Some Snapshots
- •What’s Next?
Creating a Sequenced Synthesizer
Exploring the Snapshots/Show Hints
5.6.2 Number of Steps, Step Offset and Shuffle/Swing
▪ The stps knob can change the total number of steps—anywhere between 1 and 16. ▪ The offs knob shifts where the sequence starts from.
▪ SHFL adds swing to the playback. Try changing the number of steps to 6 and then shift the offset to 9.
5.6.3 GATE, VELOCITY and PITCH Knobs and On/Off Buttons
▪The top row of the knobs—labeled GATE—is used to program the length of each trig ger.
▪The knob at the end is the Master, and will affect the overall Gate lengths.
▪The next row—labeled VELO—programs the volume of each trigger. Again there is a Master volume.
▪The bottom row of knobs—labeled PITCH—is for Pitch.
▪The row of buttons controls Gate On and Off.
Fig. 5.14 Master knobs
Fig. 5.15 Gate On/Off buttons
5.7Exploring the Snapshots/Show Hints
Let’s explore this combination of Sequencer and Synth.
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Creating a Sequenced Synthesizer
Exploring the Snapshots/Show Hints
5.7.1Exploring Snapshots in Monoliner and ANALOG
Monoliner comes with only a few Snapshots but it is worth trying them out. The real fun with the Sequencer is changing the directions and numbers of steps and offsets in the snc&pos controls, as this can produce a wide range of variations. You can also randomize the settings by pressing the rnd! button. The ANALOG Synth has quite a few Snapshots, and it is very productive to change the Snapshots whilst a sequence is playing.
5.7.2Show/Hide Hints
Once again I suggest that you make sure your Hints are on by pressing the Hints button. You will find the Synth in particular has some good information notes which you will see by hover ing your mouse over the knobs and switches:
Fig. 5.16 Info for FM knob
After you have finished exploring, make sure you re-save your work!
Remember, you can use the Save Ensemble command from the global menu if you want to overwrite your previously saved version. Or you can use Save Ensemble As…command if you want to keep an old version, and save a different version with an amended name.
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