- •If you don't read the newspaper, you are uninformed. If you do read the newspaper, you are misinformed.
- •I wish there was a knob on the tv so that you could turn up the intelligence. They’ve got one marked "brightness", but it doesn't work, does it?
- •I ntroduction
- •1.1. Print media
- •Spine jacket subscription foreword issue binder edition quarterly
- •1.2. The newspaper: types and structure
- •1.3. The rise of the newspaper industry
- •The Rise of the Newspaper Industry
- •William Randolph Hearst (1863-1951)
- •Пулитцеровская премия
- •1.4. Reading newspapers
- •1.5. The british and american press
- •The british and american press
- •1.6. The news: gathering and delivering
- •1.7. From event to story – making it to the news
- •1.8. Newspapers in britain
- •Newspapers in britain
- •1.9. Newspaper headline language
- •1.10. The british newspaper market
- •The british newspaper market
- •1. National Daily and Sunday Papers
- •2. Local and Regional Papers
- •3. The Weekly and Periodical Press
- •1.11. A journalistic code
- •A Journalistic Code
- •The Public's Right to Know?
- •1.12. Interview with nigel dempster
- •1.13. Getting into the news
- •A Tabloid Experience
- •Press Invasion
- •1.14. Newspapers, inane sheets of gossip
- •Newspapers, inane sheets of gossip
- •1.15. The future of newspapers
- •The Future of Newspapers
- •1.16. Revision
- •2.1. Television
- •2.2. A national disease?
- •A National Disease?
- •2.3. The story of tv broadcasting
- •The Story So Far
- •2.4. Tv news
- •2.5. Radio and television
- •British Radio and Television
- •Radio and Television in great britain and the usa
- •2.7. Interview with Joanna Bogle
- •2.8. Censorship
- •2.9. Children under the influence of the media
- •2.10. Children and television
- •2.11. Print journalism versus electronic journalism
- •Print Journalism versus Electronic Journalism
- •2.12. Revision
- •3.1. Media and advertising
- •Illegible manuscript prose unprintable
- •Implicit catchy jingles exploit ubiquitous
- •3.2. Advertising language
- •3.3. Advertising tricks
- •Advertising tricks
- •1. "Before and after"
- •3.4. Advertising media
- •Advertising Media
- •3.5. Revision
- •Век свободы не видать?
- •A letter to the editor
- •Writing a comment
- •Academic writing 1
- •Academic writing 2
- •Agreement, disagreement and compromise
- •Comparison and contrast
- •Signpost expressions for discussions
- •In the course of a discussion there definitely come moments when some clarification is asked for and given.
- •If you are asked awkward questions, the following phrases may be useful:
The Public's Right to Know?
Gene Roberts, executive editor of the Philadelphia Inquirer, was covering a murder once when he learned that police had shot the suspect and were interrogating him in a hospital emergency room that was off-limits to reporters.
Roberts scouted around and found a stethoscope near a soft drink machine. He put it around his neck, strolled into the emergency room, listened to the suspect's confession, and wrote his story.
"I never said I was a doctor, but the stethoscope would certainly have given that impression," Roberts concedes.
Would he have put on a doctor's white coat, too, if it had been available?
"It's quite possible."
But the confession of a murder suspect is hardly a story of transcendent social value. Doesn't that misrepresentation bother him now?
"No. If in all circumstances, you're going to require reporters to just walk up to people and state their name, rank, and serial number and say, “Tell me the truth,” you're flat not going to get the truth. The public will be ill-served."
Some reporters have made a virtual career out of masquerading as others in the pursuit of stories.
Mike Goodman of the Los Angeles Tunes, for example, has posed as an animal keeper in a zoo, an employee in a juvenile detention facility, an oil pipeline worker in Alaska, a hippie in Hollywood, and, like Roberts, he once carried a stethoscope into a hospital emergency room to get a story.
"I'm a great believer in the reporter as observer," Goodman says, "firsthand observation is the ultimate documentation."
From ‘Press Watch - A Provocative Look at How Newspapers Report the News’ by David Shaw. New York: Macmillan, 1984, p. 146.
Task 6. Answer the questions:
What did Gene Roberts once do in order to get a story?
How does he try to justify his methods of collecting information?
What stories might journalists like Mike Goodman have been covering when posing as an animal keeper or an oil pipeline worker, etc.?
Task 7. Discuss the following questions with your group:
Reread the journalistic code of ethics. Which principles are in conflict here?
How do you personally feel about this "masquerading technique" of gathering news?
WRITING
Task 8. Write a "Letter to the Editor" on this topic (see Appendix 1).
LISTENING
1.12. Interview with nigel dempster
You are going to listen to an interview with Nigel Dempster, Britain’s best-known and most widely read gossip columnist working for the Daily Mail.
Task 1. Before you listen, match the expressions with their periphrases.
|
|
Task 2. Listen to the interview twice and answer the questions:
What kind of news is included in the gossip column of the Daily Mail?
How do gossip columns of the Daily Mail and the Daily Express differ?
What makes gossip columns popular among the British?
How does Nigel Dempster feel about stories about the Royals published both, in British newspapers and in foreign ones?
Task 3. Discuss the following question with your group:
What points of the journalistic code can be violated in gossip columns of newspapers and magazines? Support your point of view with examples from the interview.
READING&SPEAKING