1. Read the texts and translate them.

2. Explain how you understand "City modern" and "Soft modern".

3. 3. Say what you like in "City modern" and "Soft modern" and what

4. you don't like in them. Explain what you would prefer and why.

5. thgyt 7

7. Read the text; and retell it in English.

8. Country Comes To Town

9. For city dwellers who choose the country look &ъ Luc inspiration for decorating their homes, the country cottage model is not always a suitable choice. The scale of town houses often makes it difficult to recreate the cosines of a small country retreat, particularly if the rooms lack any interesting features, and if the ceilings are high, or the windows are large, for instance.

10. This modern style captures some of the nostalgic atmosphere of the country cottage look, but it feels more sophisticated. It has touches of stripped pine in furniture and flooring, restrained colours in fabrics and wallcoverings, and collections of all sorts of china making a comfortable look which is easy and relaxing to live with.

11. Colour and Pattern Country colours tend to be soft, and include not only the pretty pinks and fresh greens of the country cottage, but warm buttery yellows, cooled down with shades of blue. Matt or silk finish paints are the most suitable for walls and woodwork - such as tongued-and-grooved panelling - because they are close to the old finishes.

12. Patterned wallcoverings play a part in this look, too. Small geometries are more suitable than tiny sprig designs which belong to the small scale of the country cottage style and would look lost on large walls. Stencilled borders -simple floral garlands, for example - or decorative paper borders add a touch of the countryside to a room scheme.

13. Choosing the furniture Modern pine furniture with a plainer more streamlined outline mixes well

14. with more traditional pieces; but don't go overboard with the stripped pine look, mix wooden with upholstered or painted furniture.

15. Cane and wicker furniture would be good choices too, either natural or painted to create a slightly more sophisticated look.

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17. The Beach Home Living in a home by the sea was the last thing on Mandy Coakley's mind until she fell hook, line and sinker for this beautiful wooden house on the beach. Mandy discovered the house when a friend sent her the estate agent's details-simply because it looked so idyllic! The floor was laid by the previous owner who - completely re-built the beach house after the original railway man's cottage, built in the 1920s, was demolished in the 1987 hurricane. Though it's really no more than one large room measuring 20x40 ft, the house can accommodate six quite comfortably.

18. Clever partitioning divides the open-plan living space into separate areas, with я sleeping gallery above and a large bathroom below. Mandy shares the previous owner's love of driftwood and her regular beach-combing expeditions along the shore have produced some amazing pieces that she's used to furnish the house. The shelving and coat rack by the front door are built from recent finds, there are driftwood steps leading to the decking platform and even some of thp outdoor furniture is made from chunks и fold wood.

19. With walis painted marine blue, the beach house really stands out. Though living space is only 20x40 ft, the raised sleeping platform at the far end makes it possible to sleep six. The steep stairs lead to the couple's own gallery bedroom. There is a well-designed study area. Behind this, a curtained corner houses a futon for guests. Built by the previous owner, Mandy's kitchen is a model of simplicity. Another legacy is the quirky floor covering - all made from Dandy and Beano comics, stuck to the lion and varnished.

20. With a stunning view out to sea to provide endless interest, the open-plan living space is kept as simple and clutter-free as possible. Colours are minimal, with splashes of vibrant tones in the rug cushions and informal flower arrangements. China and cutlery from Habitat and fun accessories from the Pier chose to echo the beachside feel, add the finishing touches.

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23. 2. Sum up the text.

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26. Clever Division With Dados Originally called a chair rail (because it prevented the backs of chairs from banging against the wall and damaging decoration) a dado rail is a length r;"ornamental wood, plaster or plastic which is fixed across walls to divide the

27. height.

28. The area between the dado rail and the skirting board is called the dado. In the 18th and 19th centuries, this space was usually covered with a hard wearing material, such as wood panelling or a heavily embossed wallcovering. In the 50s and early 60s, il was fashionable to remove dado rails, leaving blank areas of wall.

29. These days, dado rails are back in favour and are an ideal starting point for a scheme which involves the use of plain and pattern together, two colours, or for dividing a large and a small pattern. From a purely practical point of view, a dado rail is ideal for dividing the wall in an area where the bottom half of the wall is subject to knocks as all you need to do is redecorate the lower half as needed.

30. You'll also find a dado rail a useful, easy way to lower the height of a high-ceilinged room. Paint or wallpaper the area below the dado in a dark colour and the area above light.

31. A wallpaper border can be used to give a rail effect. Choose a border from a coordinated collection and mixing colour and pattern becomes simple, or use the border to divide a paint effect, such as marbling or sponging, from plain paintwork above.

32. Rail height The usual height for a dado rail is 90cm from the floor - about one third of the measurement from the floor to the picture rail in a high ceilinged room. If the room is very high, add a picture rail about 30cm below ceiling level. In a room with a ceiling of average height, the rail should be positioned about one third of the way up the wall.

33. Visual effect A dado rail does not always work well in a modern, low-ceilinged room, so try the effect by running a piece of tape or wide ribbon across the wall before you go to the expense of buying rails.

1. Read the text and translate it into Russian in writing.

2. Answer the questions.

1. What is the origin of a dado rail?

2. What is a modern dado rail?

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36. 4. What are the reasons for making dado rails?

37. Unit IV Materials and Accessories , TEXT 1

38. Traditional Elegance

39. Traditional Elegance harks back to the 18th century and the golden age of craftsmanship and design in Britain. During that period interiors were designed as frameworks for social events, and this style is still best suited to principal rooms. Proportions are important. If your home has large windows, high ceilings, and original features, this style is for you.

40. Often, the fireplace is the focal point of a room: a white marble Adam­type surround, with steel fender and grate, is still one of the most elegant styles to be found. A mirror or family portrait hangs above the fireplace, which can be filled with a flower arrangement.

41. Walls should be kept in pale background colours: blue, lemon, green or grey. Various painting techniques are well suited to this style, in particular ragging, dragging and marbling Papers that echo these techniques are widely available. Alternatively, hang a paper with a discreet 'regency' stripe or tiny print, or one of the oriental-style designs known as 'chinoiserie'. Windows are given a formal treatment: swags and tails or other elaborate headings, fringed or frilled curtains with heavy cord and tassel tiebacks.

42. Fabrics. Large, often stylized florals or stripes are usual for curtains or loose covers; damasks or brocades serve for upholstery as well as curtains.

43. Floors can be polished wood with large, traditionally-patterned rugs. These days fitted carpets in discreet background colours are more common. Lighting, too, is unobtrusive: wall lights, chandeliers in the main rooms, and ceramic table lamps with pleated silk or chintz lampshades all suit this style. On dining tables and sideboards silver candelabra lend atmosphere.

44. Traditional Elegance is exactly as it sounds - a sophisticated look which is perfectly suitable for town or country life.

1. Read the text and translate it.

2. Point out the main ideas of the text.

3. Say whether the following statements arc true or false.

1. Traditional British Elegance began in ancient ages.

2. The rooms are small, cold, and dark.

3. The walls are covered with wooden panels.

4. The windows are given a formal treatment.

5. Fabrics for upholstery are, as usual, white.

6. Floors are wooden or covered with linoleum.

46. TEXT 2

47. Floor Furnishing

48. Floors are the very base of your living place and are often the first thing you have to replace or renew when moving into a home. In previous years, people wanted floors to last a lifetime. The major consideration was durability, and homeowners spent as much as they could afford on their floors. Now we are much more mobile and our homes are often seen as short- or medium-term accommodations, because of work or the planned growth of the family. We also change our furnishings more often, so today's ideal is chic and inexpensive flooring that has instant design impact.

49. Contemporary flooring can be daring and fun and can incorporate lighter and less expensive materials. If in doubt about a room's final use or color scheme, a beautiful, neutral floor will allow you to be flexible. The scale of a room is also important: large patterns are seen to best advantage only in large rooms with a minimum of furniture.

50. However, floors are often the main feature of halls and passages, even more so when seen from an upper landing. In these venues, go for a really eye­catching floor treatment. Practicality is also important. Consider whether the area is going to be exposed to water, as in a bathroom, or to heavy wear, as in a kitchen, and whether durability is paramount or a more whimsical surface is an option. But above all, choose projects that appeal to you and that will give you floors you will enjoy creating and for years to come.

51. As floors are often made of heavy-duty materials, some of the projects require special tools, such as a power sander and tile cutters. These can be rented from any good hardware shop.

52. Your, basic tool kit should include an electric drill, screwdriver, tape measure, hammer, a long straightedge (preferably metal), sharp scissors, a craft knife and spare blades, pliers, masking tape, a range of different types of sandpaper and a range of paintbrushes.

53. There are many different adhesives available on the market for sticking

54. down floor surfaces. Consult your local supplier about the surface you planning to lay and what type of glue you should use. If you are working witfl solvent-based glue, follow the safety instructions on the packaging and nr" sure the area you are working in is well-ventilated.

55. Varnishes are used to protect paintwork from wear and tear. Like paint varnishes come in both oil and water-based varieties and matte, satin or glos finishes. If you have used an oil-based paint on your floor, you must use an oil-based varnish to cover it. Also, if you have used water-based paint then use water-based varnish. You can use a plain or tinted varnish depending on йА effect you wish to create. When applying the varnish always use a clean brush that has not been used for the paintwork.

56. At all times safety precautions should be followed. You should never с toward yourself when using sharp cutting tools; protective clothing should be worn when working with solvent*based materials; great care should be taken when working with heavy machinery.

1. Read the text, divide it into logical parts and entitle each part so as to make a plan.

2. Write a summary of the text according to your plan.