- •Delivering a lecture
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Signposts.
- •1.3. Style forming factors.
- •1.5. Delimitation of Discourse
- •1.6. Samples for Study and Analysis. Sample a
- •Good morning!
- •Notions of Style
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •Score Mark
- •2.8. Reading Technique
- •III. Project work
- •Sample a Forms of Address in Great Britain
- •Sample b Apologizing and Making Excuses
- •Score level criteria
- •Module 2 making a political speech
- •I. Input materials.
- •Rhetoric strategy.
- •Style forming factors:
- •Tunes (melody contours)
- •Combined tunes
- •1.5. Samples for study and analysis
- •Part of a Political Speech
- •Part of a Political Speech
- •The Common Market Negotiations
- •II. Skills development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Making business presentations
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Style forming factors
- •1.4. Rhythm
- •1.5. Samples for Study and Analysis
- •The Director of the Milk Marketing Board giving a presentation about key trends
- •Public Ownership
- •II. Skills Development
- •2.7. Auditory Test
- •Analyse these combined tunes:
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Advertising
- •I. Input materials
- •1.1. Rhetoric strategy.
- •Ways of Advertising
- •1.2. Style forming factors
- •1.3. Questions for preliminary exercise
- •Informative? – persuasive? – amusing? – well-made? – artistic?
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Expressive means of English Intonation
- •Irregular pre-heads
- •Reading
- •1.6. Samples for Study and Analysis tv Commercials
- •Radio Commercials
- •Advertising Campaigns
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Hotel ‘Caliente’ Barcelona
- •Score level criteria
- •Peculiarities of the drama
- •I. Input materials.
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •Delivering a lecture Sample a s f s
- •Sample b s
- •Making a Political Speech Sample a
- •Sample b
- •Making Business Presentation Sample a
- •Sample b
- •Advertising Sample a
- •Sample b
- •1.5. Voice Volume
- •Delivering a Lecture
- •Making a Political Speech
- •Making Business Presentation
- •Advertising
- •Extract One
- •1.6. Samples for Study and Analysis
- •Dramatic Monologue One
- •Dramatic Monologue Two
- •The Metropolitan Playhouse Productions
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Score level criteria
- •Interviewing
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Using questions for control
- •1.3. Style forming factors
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Specifics of the Pre-nuclear Pitch Change (the Head)
- •1.6. Samples for Study and Analysis
- •Linguistic Gaps
- •II. Skills development
- •2.5. Auditory Test
- •Score level criteria
- •2.6. Reading Technique
- •III. Project Work
- •Interview with Carl Sagan
- •Interview with Nigel Dempster
- •Score level criteria
- •Everyday talks
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •1.4. Weakform Words
- •II. Samples for Study and Analysis
- •Extract from a Spy Story
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project Work
- •Finding Somewhere to Live
- •The Ladies’ Dress Department
- •Score level criteria
- •Fairy tale rhetoric and language teaching
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Invariant phonostylistic peculiarities
- •1.3. Pragmaphonetic modeling
- •1.4. Samples for study and analysis
- •Snow White and Rose Red
- •The Happy Prince
- •II. Skills Development
- •2.6. Auditory Test
- •Score level criteria
- •2.7. Reading Technique
- •III. Project work
- •3.1. Reading Technique
- •The Star-child
- •The Young King
- •3.2. Drama Technique
- •Goldilocks and the Three Bears
- •Little Red Riding Hood and the Wolf
- •Supplement Effective Presentation Technique
- •How we breathe
- •Types of Breathing
- •Diaphragmatic Breathing for Speech
- •Exercises for Diaphragmatic Breathing and Control
- •Exercises for Breath Control
- •Overcoming speech fright
- •Delivering the Speech
- •Using Your Body to Communicate
- •Dimensions of Nonverbal Communication
- •Adapting Nonverbal Behavior to Your Presentations
- •References
- •Contents
2.7. Auditory Test
Delimit the message. Mark the pauses.
Identify the highlighted syllables (tonic – pre-tonic)
Single out the rhythm units schematically
Focus on the tone sequences of the combined tunes (coordinative (C), subordinative (S))
Single out expressive contours (compound tunes - EC). Use the set of symbols.
E.g. The danger | of too uncritical an assumption of these | and similar notions of style | is that they ac'cept as 'axiomatic the 'possibility of dis'tinguishing between a thought in some 'prelinguistic form | and the same thought as it issues in words ||
EC EC
□ □ | □ □ □ □ □ □ □ □ | □ □ □ □ □ □ | □ □ □ □ ' □ ' □ □
EC EC EC
□ ' □ □ □ □ □ □ ' □ □ □ □ □ □ ' □ □ | □ □ □ □ □ □ □ || [S]
Analyse these combined tunes:
1. Madam Speaker, noone who knows my right honourable friend will have been remotely surprised at the quality of his excellent speech this afternoon.
My right honourable friend is rightly contemptuous of that because his politics have been constructed on rational argument and I believe the country and the House will be poorer when he leaves it.
And I believe all of us in this House who wish this country well should join him in those sentiments.
We also look forward to our state visits to Poland and the Czeck Republic in March and to Thailand in October next year.
A bill will be introduced to bring up to date the legislation governing the reserve forces.
The United Kingdom nuclear deterrent will be maintained.
My Government will also continue to work to preserve and modernize the conventional forces in Europe treaty.
During their presidency in the European Union next year they will work to enhance that organization’s effectiveness.
Preventing the proliferation of weapons of mass destruction remains a priority.
They will persue negotiations on a verifiable comprehensive test ban treaty and a convention to ban the production of fissile material for nuclear weapons and other explosive purposes.
The fight against terrorism, organized crime and drug misuse and trafficking in the United Kingdom and elsewhere will remain a priority.
They will promote flexible labour markets and reduce social costs as the best means to improve the competiteveness of the European Economy and create a climate for job creation.
Score level criteria
Excellent: relevant to assigned model.
Good: relevant number of intonation groups but lack of accuracy in the distribution of
kinetic tones.
Fair: limited knowledge, inadequate delimitation at times, rhythm units distortion
Poor: not enough to evaluate
Score Mark
12-11 – 5
10-8 – 4
7-5 – 3
4-… - 2
2.8. Reading Technique
Try and read the text under the title “The Common Market Negotiations”
Delimit the message into intonation groups, utterances, phonopassages. Use the set of symbols to mark the pauses observing the specifics of timing.
Try and focus on the timing process of “Notions of style” and “the Common Market Negotiations”. Account for the differences.
Consider the pitch patterns of the combined tunes.
Focus on the expressive contours (compound tunes), their tonal specification.
Practise over the compound tunes of the message in isolation.
Try and read out loud the chains of intonation groups observing their coordinative or subordinative relations.
Be careful to properly punctuate thought; keep to the length and function of pauses.
Get ready to present the text reading out loud to the best advantage. Follow the instructions.