- •Delivering a lecture
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Signposts.
- •1.3. Style forming factors.
- •1.5. Delimitation of Discourse
- •1.6. Samples for Study and Analysis. Sample a
- •Good morning!
- •Notions of Style
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •Score Mark
- •2.8. Reading Technique
- •III. Project work
- •Sample a Forms of Address in Great Britain
- •Sample b Apologizing and Making Excuses
- •Score level criteria
- •Module 2 making a political speech
- •I. Input materials.
- •Rhetoric strategy.
- •Style forming factors:
- •Tunes (melody contours)
- •Combined tunes
- •1.5. Samples for study and analysis
- •Part of a Political Speech
- •Part of a Political Speech
- •The Common Market Negotiations
- •II. Skills development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Making business presentations
- •I. Input materials
- •1.1. Rhetoric strategy.
- •1.2. Style forming factors
- •1.4. Rhythm
- •1.5. Samples for Study and Analysis
- •The Director of the Milk Marketing Board giving a presentation about key trends
- •Public Ownership
- •II. Skills Development
- •2.7. Auditory Test
- •Analyse these combined tunes:
- •Score level criteria
- •2.8. Reading Technique
- •III. Project work
- •Score level criteria
- •Advertising
- •I. Input materials
- •1.1. Rhetoric strategy.
- •Ways of Advertising
- •1.2. Style forming factors
- •1.3. Questions for preliminary exercise
- •Informative? – persuasive? – amusing? – well-made? – artistic?
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Expressive means of English Intonation
- •Irregular pre-heads
- •Reading
- •1.6. Samples for Study and Analysis tv Commercials
- •Radio Commercials
- •Advertising Campaigns
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Hotel ‘Caliente’ Barcelona
- •Score level criteria
- •Peculiarities of the drama
- •I. Input materials.
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •Delivering a lecture Sample a s f s
- •Sample b s
- •Making a Political Speech Sample a
- •Sample b
- •Making Business Presentation Sample a
- •Sample b
- •Advertising Sample a
- •Sample b
- •1.5. Voice Volume
- •Delivering a Lecture
- •Making a Political Speech
- •Making Business Presentation
- •Advertising
- •Extract One
- •1.6. Samples for Study and Analysis
- •Dramatic Monologue One
- •Dramatic Monologue Two
- •The Metropolitan Playhouse Productions
- •II. Skills Development
- •2.8. Auditory Test
- •Score level criteria
- •2.9. Reading Technique
- •III. Project work
- •Score level criteria
- •Interviewing
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Using questions for control
- •1.3. Style forming factors
- •1.4. Invariant phonostylistic peculiarities
- •1.5. Specifics of the Pre-nuclear Pitch Change (the Head)
- •1.6. Samples for Study and Analysis
- •Linguistic Gaps
- •II. Skills development
- •2.5. Auditory Test
- •Score level criteria
- •2.6. Reading Technique
- •III. Project Work
- •Interview with Carl Sagan
- •Interview with Nigel Dempster
- •Score level criteria
- •Everyday talks
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Style forming factors
- •1.3. Invariant phonostylistic peculiarities
- •1.4. Weakform Words
- •II. Samples for Study and Analysis
- •Extract from a Spy Story
- •II. Skills Development
- •2.7. Auditory Test
- •Score level criteria
- •2.8. Reading Technique
- •III. Project Work
- •Finding Somewhere to Live
- •The Ladies’ Dress Department
- •Score level criteria
- •Fairy tale rhetoric and language teaching
- •I. Input materials
- •1.1. Rhetoric strategy
- •1.2. Invariant phonostylistic peculiarities
- •1.3. Pragmaphonetic modeling
- •1.4. Samples for study and analysis
- •Snow White and Rose Red
- •The Happy Prince
- •II. Skills Development
- •2.6. Auditory Test
- •Score level criteria
- •2.7. Reading Technique
- •III. Project work
- •3.1. Reading Technique
- •The Star-child
- •The Young King
- •3.2. Drama Technique
- •Goldilocks and the Three Bears
- •Little Red Riding Hood and the Wolf
- •Supplement Effective Presentation Technique
- •How we breathe
- •Types of Breathing
- •Diaphragmatic Breathing for Speech
- •Exercises for Diaphragmatic Breathing and Control
- •Exercises for Breath Control
- •Overcoming speech fright
- •Delivering the Speech
- •Using Your Body to Communicate
- •Dimensions of Nonverbal Communication
- •Adapting Nonverbal Behavior to Your Presentations
- •References
- •Contents
1.2. Style forming factors
the purpose of communication – to deepen and broaden the listeners’ understanding of the truth through artistic expression of actual events
the speaker’s attitude – artistically and pshychologically involved, emotionally coloured
the form of communication – monologue, dialogue performances
the degree of formality – depending upon the characters of the play, resembling life – like situations
the degree of spontaneity – prepared in advance and acted out.
1.3. Invariant phonostylistic peculiarities
|
(normal, high Pre-head) + High one peak Head + Fall-Rise (divided, undivided) |
High one peak Head + High Fall-Rise |
|
Low level Head + level-Rise |
|
High one peak Head + High Rise |
|
(pre-head) + Fall incomplete + level-Rise |
|
(high pre-head) + Ascending Stepping Head + Fall with the initial Rise + Fall-Rise |
|
High Fall with initial Rise + High Fall with initial Rise (emphatic) + Low Fall incomplete + Low Rise |
|
High pre-head + Fall-Rise undivided |
|
(pre-head) + Fall with initial Rise + Fall with initial Rise |
|
Fall with initial Rise + Fall with initial Rise emphatic |
|
(pre-head) + Descending Sliding Head + Fall-Rise undivided |
|
(pre-head) + Descending Scandent Head + Fall with initial Rise (Rise-Fall) |
|
|
characterized by both rhythmic (regular), as well as arythmic recurrence of stressed and unstressed syllables |
|
is mostly changeable – moderate (normal), slow and fast |
|
varieties, predictable by the emotional setting and semantic value |
|
varied according to the message and emotional setting |
Tempo
The tempo of speech is the rate at which utterances and their smaller units are pronounced. It may vary depending on the size of audience, the acoustic qualities of the room, the individuality of the speaker and other extralinguistic factors. But most significant for the linguistic study is how variations in tempo correlate with changes in meaning. Normally, by slowing down the tempo of speech we can make an utterance or part of it more prominent and by increasing the speed of utterance we diminish prominence, i.e. the actual semantic importance of what we say.
Tempo can also be used to express speakers attitude or emotions (excitement, joy, anger, etc.). Phoneticians generally distinguish normal, fast and slow tempo. Pausation is closely related with the rate of speech. The number and length of pauses affect the general tempo of discourse.
It should be noted that normal tempo is unmarked, while fast and slow tempo is marked:
fast tempo ----- f -----
slow tempo ----- s -----
Focus on:
Try these stretches to observe variation of the presentation rate. Keep to the marks and practise over the examples adequately.