- •About the Authors
- •Dedication
- •Authors’ Acknowledgments
- •Table of Contents
- •Introduction
- •What’s Not (And What Is) in This Book
- •Mac attack!
- •Who Do We Think You Are?
- •How This Book Is Organized
- •Part I: AutoCAD 101
- •Part II: Let There Be Lines
- •Part III: If Drawings Could Talk
- •Part IV: Advancing with AutoCAD
- •Part V: On a 3D Spree
- •Part VI: The Part of Tens
- •But wait . . . there’s more!
- •Icons Used in This Book
- •A Few Conventions — Just in Case
- •Commanding from the keyboard
- •Tying things up with the Ribbon
- •Where to Go from Here
- •Why AutoCAD?
- •The Importance of Being DWG
- •Seeing the LT
- •Checking System Requirements
- •Suddenly, It’s 2013!
- •AutoCAD Does Windows (And Office)
- •And They’re Off: AutoCAD’s Opening Screens
- •Running with Ribbons
- •Getting with the Program
- •Looking for Mr. Status Bar
- •Let your fingers do the talking: The command window
- •The key(board) to AutoCAD success
- •Keeping tabs on palettes
- •Down the main stretch: The drawing area
- •Fun with F1
- •A Simple Setup
- •Drawing a (Base) Plate
- •Drawing rectangles on the right layers
- •Circling your plate
- •Nuts to you
- •Getting a Closer Look with Zoom and Pan
- •Modifying to Make It Merrier
- •Hip-hip-array!
- •Stretching out
- •Crossing your hatches
- •Following the Plot
- •A Setup Roadmap
- •Choosing your units
- •Weighing up your scales
- •Thinking annotatively
- •Thinking about paper
- •Defending your border
- •A Template for Success
- •Making the Most of Model Space
- •Setting your units
- •Making the drawing area snap-py (and grid-dy)
- •Setting linetype and dimension scales
- •Entering drawing properties
- •Making Templates Your Own
- •Setting Up a Layout in Paper Space
- •Will that be tabs or buttons?
- •View layouts Quick(View)ly
- •Creating a layout
- •Copying and changing layouts
- •Lost in paper space
- •Spaced out
- •A view(port) for drawing in
- •About Paper Space Layouts and Plotting
- •Managing Your Properties
- •Layer one on me!
- •Accumulating properties
- •Creating new layers
- •Manipulating layers
- •Using Named Objects
- •Using AutoCAD DesignCenter
- •Copying layers between drawings
- •Controlling Your Precision
- •Keyboard capers: Coordinate input
- •Understanding AutoCAD’s coordinate systems
- •Grab an object and make it snappy
- •Other Practical Precision Procedures
- •Introducing the AutoCAD Drawing Commands
- •The Straight and Narrow: Lines, Polylines, and Polygons
- •Toeing the line
- •Connecting the lines with polyline
- •Squaring off with rectangles
- •Choosing your sides with polygon
- •(Throwing) Curves
- •Going full circle
- •Arc-y-ology
- •Solar ellipses
- •Splines: The sketchy, sinuous curves
- •Donuts: The circles with a difference
- •Revision clouds on the horizon
- •Scoring Points
- •Commanding and Selecting
- •Command-first editing
- •Selection-first editing
- •Direct object manipulation
- •Choosing an editing style
- •Grab It
- •One-by-one selection
- •Selection boxes left and right
- •Perfecting Selecting
- •AutoCAD Groupies
- •Object Selection: Now You See It . . .
- •Get a Grip
- •About grips
- •A gripping example
- •Move it!
- •Copy, or a kinder, gentler Move
- •A warm-up stretch
- •Your AutoCAD Toolkit
- •The Big Three: Move, Copy, and Stretch
- •Base points and displacements
- •Move
- •Copy
- •Copy between drawings
- •Stretch
- •More Manipulations
- •Mirror
- •Rotate
- •Scale
- •Array
- •Offset
- •Slicing, Dicing, and Splicing
- •Trim and Extend
- •Break
- •Fillet and Chamfer and Blend
- •Join
- •When Editing Goes Bad
- •Zoom and Pan with Glass and Hand
- •The wheel deal
- •Navigating your drawing
- •Controlling your cube
- •Time to zoom
- •A View by Any Other Name . . .
- •Looking Around in Layout Land
- •Degenerating and Regenerating
- •Getting Ready to Write
- •Simply stylish text
- •Taking your text to new heights
- •One line or two?
- •Your text will be justified
- •Using the Same Old Line
- •Turning On Your Annotative Objects
- •Saying More in Multiline Text
- •Making it with Mtext
- •It slices; it dices . . .
- •Doing a number on your Mtext lists
- •Line up in columns — now!
- •Modifying Mtext
- •Gather Round the Tables
- •Tables have style, too
- •Creating and editing tables
- •Take Me to Your Leader
- •Electing a leader
- •Multi options for multileaders
- •How Do You Measure Up?
- •A Field Guide to Dimensions
- •The lazy drafter jumps over to the quick dimension commands
- •Dimension associativity
- •Where, oh where, do my dimensions go?
- •The Latest Styles in Dimensioning
- •Creating and managing dimension styles
- •Let’s get stylish!
- •Adjusting style settings
- •Size Matters
- •Details at other scales
- •Editing Dimensions
- •Editing dimension geometry
- •Editing dimension text
- •Controlling and editing dimension associativity
- •Batten Down the Hatches!
- •Don’t Count Your Hatches. . .
- •Size Matters!
- •We can do this the hard way. . .
- •. . . or we can do this the easy way
- •Annotative versus non-annotative
- •Pushing the Boundary (Of) Hatch
- •Your hatching has no style!
- •Hatch from scratch
- •Editing Hatch Objects
- •You Say Printing, We Say Plotting
- •The Plot Quickens
- •Plotting success in 16 steps
- •Get with the system
- •Configure it out
- •Preview one, two
- •Instead of fit, scale it
- •Plotting the Layout of the Land
- •Plotting Lineweights and Colors
- •Plotting with style
- •Plotting through thick and thin
- •Plotting in color
- •It’s a (Page) Setup!
- •Continuing the Plot Dialog
- •The Plot Sickens
- •Rocking with Blocks
- •Creating Block Definitions
- •Inserting Blocks
- •Attributes: Fill-in-the-Blank Blocks
- •Creating attribute definitions
- •Defining blocks that contain attribute definitions
- •Inserting blocks that contain attribute definitions
- •Edit attribute values
- •Extracting data
- •Exploding Blocks
- •Purging Unused Block Definitions
- •Arraying Associatively
- •Comparing the old and new ARRAY commands
- •Hip, hip, array!
- •Associatively editing
- •Going External
- •Becoming attached to your xrefs
- •Layer-palooza
- •Creating and editing an external reference file
- •Forging an xref path
- •Managing xrefs
- •Blocks, Xrefs, and Drawing Organization
- •Mastering the Raster
- •Attaching a raster image
- •Maintaining your image
- •Theme and Variations: Dynamic Blocks
- •Lights! Parameters!! Actions!!!
- •Manipulating dynamic blocks
- •Maintaining Design Intent
- •Defining terms
- •Forget about drawing with precision!
- •Constrain yourself
- •Understanding Geometric Constraints
- •Applying a little more constraint
- •AutoConstrain yourself!
- •Understanding Dimensional Constraints
- •Practice a little constraint
- •Making your drawing even smarter
- •Using the Parameters Manager
- •Dimensions or constraints — have it both ways!
- •The Internet and AutoCAD: An Overview
- •You send me
- •Send it with eTransmit
- •Rapid eTransmit
- •Bad reception?
- •Help from the Reference Manager
- •Design Web Format — Not Just for the Web
- •All about DWF and DWFx
- •Autodesk Design Review 2013
- •The Drawing Protection Racket
- •Autodesk Weather Forecast: Increasing Cloud
- •Working Solidly in the Cloud
- •Free AutoCAD!
- •Going once, going twice, going 123D
- •Your head planted firmly in the cloud
- •The pros
- •The cons
- •Cloudy with a shower of DWGs
- •AutoCAD 2013 cloud connectivity
- •Tomorrow’s Forecast
- •Understanding 3D Digital Models
- •Tools of the Trade
- •Warp speed ahead
- •Entering the third dimension
- •Untying the Ribbon and opening some palettes
- •Modeling from Above
- •Using 3D coordinate input
- •Using point filters
- •Object snaps and object snap tracking
- •Changing Planes
- •Displaying the UCS icon
- •Adjusting the UCS
- •Navigating the 3D Waters
- •Orbit à go-go
- •Taking a spin around the cube
- •Grabbing the SteeringWheels
- •Visualizing 3D Objects
- •Getting Your 3D Bearings
- •Creating a better 3D template
- •Seeing the world from new viewpoints
- •From Drawing to Modeling in 3D
- •Drawing basic 3D objects
- •Gaining a solid foundation
- •Drawing solid primitives
- •Adding the Third Dimension to 2D Objects
- •Creating 3D objects from 2D drawings
- •Modifying 3D Objects
- •Selecting subobjects
- •Working with gizmos
- •More 3D variants of 2D commands
- •Editing solids
- •Get the 2D Out of Here!
- •A different point of view
- •But wait! There’s more!
- •But wait! There’s less!
- •Do You See What I See?
- •Visualizing the Digital World
- •Adding Lighting
- •Default lighting
- •User-defined lights
- •Sunlight
- •Creating and Applying Materials
- •Defining a Background
- •Rendering a 3D Model
- •Autodesk Feedback Community
- •Autodesk Discussion Groups
- •Autodesk’s Own Bloggers
- •Autodesk University
- •The Autodesk Channel on YouTube
- •The World Wide (CAD) Web
- •Your Local ATC
- •Your Local User Group
- •AUGI
- •Books
- •Price
- •3D Abilities
- •Customization Options
- •Network Licensing
- •Express Tools
- •Parametrics
- •Standards Checking
- •Data Extraction
- •MLINE versus DLINE
- •Profiles
- •Reference Manager
- •And The Good News Is . . .
- •APERTURE
- •DIMASSOC
- •MENUBAR
- •MIRRTEXT
- •OSNAPZ
- •PICKBOX
- •REMEMBERFOLDERS
- •ROLLOVERTIPS
- •TOOLTIPS
- •VISRETAIN
- •And the Bonus Round
- •Index
360 Part III: If Drawings Could Talk
To see the full range of AutoCAD colors available on your plotter, or to see how a particular plot style table affects plotting, open and then plot the sample file plot_screening_and_fill_patterns.dwg, which you can download from www.autodesk.com/autocad-samples. The Screening 100% layout in this drawing contains color swatches for all 255 AutoCAD colors (and this file is available to AutoCAD LT users as well).
It’s a (Page) Setup!
Page setups specify the plotter, paper size, and other plot settings that you use to plot a particular layout or the model space of a drawing. AutoCAD maintains separate page setups for model space and for each paper space layout. When you click the Apply to Layout button in the Plot dialog box (or select the Save Changes to Layout check box and then click OK to plot), AutoCAD stores the current plot settings as the page setup for the current layout.
You can also give page setups names and save them. The advantage of doing so is that you can switch quickly between different plot settings and copy plot settings from one drawing layout to another. Named page setups are stored with each drawing, but you can copy them from another drawing into the current one with the Page Setup Manager dialog box (described later in this section).
If you want to get fancier, you can create named page setups in order to plot the same layout (or model space) in different ways, or to copy plot settings from one layout to another or one drawing to another. Click the Add button in the Page Setup area of the Plot dialog box to create a named page setup from the current plot settings. After you create a named page setup, you can restore its plot settings by choosing it from the Page Setup Name drop-down list.
For even greater control, right-click Quick View Layouts on the status bar and choose Page Setup Manager to create, change, and copy page setups. In the Page Setup Manager dialog box, shown in Figure 16-9, you can create new page setups and modify existing ones. Click the Modify button to open the Page Setup dialog box, which is almost identical to the Plot dialog box. The primary difference is that you’re changing plot settings rather than actually plotting. The Set Current button copies the page setup that you’ve selected on the Page Setups list to the current layout tab. With the Import button, you can copy a page setup from another drawing or drawing template (DWT) file.
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Chapter 16: The Plot Thickens 361
Figure 16-9: The Page Setup Manager dialog box.
Continuing the Plot Dialog
In previous sections of this chapter, we cover most of the important options in the Plot dialog box. This section reveals a few more fine points that
will make your plotting life easier. We don’t cover every minute, obscure, useful-only-at-cocktail-party-discussions detail. (And if this sounds like your kind of cocktail party, remind us that we’re busy that night!) We do point out some occasionally useful options that will increase your vocabulary when you’re communicating with the Plot dialog box.
Use the Plot dialog box’s tooltips to find out more about any part of the dialog box:
1.Hover your mouse pointer over the part of the dialog box that you want to know more about.
2.Press F1 or click the Help button at the bottom of the dialog box if the pop-up help isn’t enough.
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362 Part III: If Drawings Could Talk
3.For a more conceptual take on plotting, click the Learn about Plotting link to view the Quick Start to Plotting section of the online help.
The following list explains most of the remaining controls, check boxes, and lists in the Plot dialog box:
Printer/Plotter: As we describe in the earlier section “Configure it out,” you use the Name drop-down list to select the Windows system printer or nonsystem driver configuration that you want to use for plotting.
Clicking the Properties button opens the Plotter Configuration Editor dialog box, with which you can change media (type of paper) and other properties that are unique to the currently selected plotter or printer. In particular, you can define custom paper sizes.
As if AutoCAD’s Plot dialog box settings weren’t overwhelming enough, depending on your plot device, you may also have to deal with the Plotter Configuration Editor dialog box. Some plotter drivers hide important settings in this dialog box. To access them, you typically click the Custom Properties button near the bottom of the Plotter Configuration Editor dialog box. For example, if you’re using the enhanced Windows system driver for HP plotters, available at www.designjet.hp.com, you can click the Custom Properties button and then the More Sizes button to specify which paper sizes are available to you on the Paper Size drop-down list of the main Plot dialog box.
To make matters even more confusing, if you make any changes in the Plotter Configuration Editor dialog box, AutoCAD prompts you to save the changes to a separate PC3 file. You should choose Save Changes to the Following File (that is, create a new AutoCAD-specific configuration that includes the revised settings) and type a configuration name that you’ll recognize later. When you want to plot with custom settings, remember to choose the AutoCAD-specific PC3 configuration near the end of the Printer/Plotter Name drop-down list, and not the original Windows system printer configuration near the beginning of the list.
Plot to File: If you need to plot to a file, rather than directly to your plotter or network printer queue, select the Plot to File option. When you click OK to plot, AutoCAD asks you for a plot filename and location. You may need to use this option to create files to send to a plotting service bureau.
AutoCAD includes DWFx to its ePlot options. DWFx is a flavored version of DWF that conforms to Microsoft’s XPS page description language. For most people, the handiest thing about this format is that if you plot to DWFx, the resulting file can be displayed in Internet Explorer.
Plotting to the DWG to PDF.pc3 file creates versions of your drawing files that can be opened and viewed in the free and widely available Adobe Reader software.
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Plot Stamp On: Use this option to turn on and off and configure the contents of a text string that AutoCAD adds automatically to the corner of each plot. The plot stamp can include useful information, such as the drawing’s filename and plot date and time.
Plot Area: Specify the area of the drawing to plot. Your choices include Display, Extents, and Window, regardless of whether you’re plotting a paper space layout or model space. If you defined named views in the drawing, AutoCAD adds a View option. The additional choice is Layout for a paper space layout or Limits for model space.
•Display: The drawing as it’s currently displayed in the drawing window (including any empty space around the drawing objects).
•Extents: The rectangular area containing all the objects in the drawing.
•Limits (full-screen model space only): The model space area that you may or may not have specified when you set up the drawing. If you didn’t specifically set your drawing’s limits (as we demonstrate in Chapter 3), plotting limits will give unpredictable results. Use one of the other options instead.
•Layout (Layouts only): The paper space area you defined when you set up the layout.
•Window: A rectangular area that you specify.
•View: A named view that you select from a drop-down list. (Chapter 12 describes named views and how to create them.)
Usually, you’ll choose to plot Layout in paper space. For model space, the choice depends on how the drawing was set up and what you want to plot. If you’re trying to plot a drawing in which the limits weren’t set, try Extents instead. Use Window or View if you want to plot just a portion of model space.
Plot Offset: A plot offset of X=0 and Y=0 positions the plot at the lowerleft corner of the plottable area. If you want to move the plot from this default position on the paper, enter nonzero numbers or select the Center the Plot check box. (The Center the Plot check box isn’t available if you select Layout from the What to Plot drop-down list.)
Shaded Viewport Options: If your drawing includes viewports showing shaded or rendered 3D models, use this area to control the plotted appearance.
Plot Options: The Plot Object Lineweights and the Plot with Plot Styles check boxes control whether AutoCAD uses the features described in the “Plotting with style” and “Plotting through thick and thin” sections, earlier in this chapter.
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