- •I. Vocabulaiy
- •Comprehension
- •Speaking
- •I. Vocabulary
- •III. Speaking Tell about:
- •I. Vocabulary
- •2. Fill the table with the words from the text
- •I. Vocabulary
- •Comprehension
- •Speaking
- •I. Vocabulary
- •II. Comprehension
- •III. Speaking
- •I. Vocabulary
- •I. Vocabulary
- •II. Comprehension
- •III. Speaking
- •I. Vocabulary
- •II. Comprehension
- •I. Vocabulary
- •III. Speaking
- •I. Vocabulary
- •III. Speaking
- •I. Vocabulary
- •Comprehension
- •Speaking
- •Перевертень г.И. Аппликации из цедры и шелухи лука. М.: act; Донецк: Сталкер, 2005 14 с, («Поделки своими рукнми»),
I. Vocabulary
1. Translate these words: properly, to knead, to swell, to assess, to recycle, viscid, admixture, gruel, to sieve, oil-cloth, to sprinkle, moist, evaporation, to coat, varnishing.
2. Find them in the text and translate the sentences.
//. Comprehension
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Fill the blanks.
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. To know if the clay is ... enough and if it is thoroughly ... one needs to ... into ropes of about a... width in diameter.
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. If the clay ..., one should ... it with ... and... it again.
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. If you don't... the figure, you can ... it and ... with the rest of your clay.
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. The usual ... clay is ... with other ... bad for ..., such as ..., which it is
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necessary to....
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. If the work ... rather long the ... needs to be ... with ... from time to time; ... work should be... with a... and ... in a ... bag.
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. Sculptures must not be ... near ...,...,... or in the ....
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. The best way is to begin ... on the ..., and then to put the figure ....
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. To make the ... even more ... it is ... in the special... called a kiln.
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. After... the sculpture is ... with ... to make it... and ready for....
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. If there is no ... for ..., one can use... to make the figure ....
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. To make the ... keep the ... in case it gets ..., the design is ... by adding some ... into ... or ... the sculpture.
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. Not to let the work be ... while ... it is ... with a pin in ... places.
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Answer the questions:
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How can you know that clay is wet enough and kneaded properly?
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What should you do if the clay crumbles?
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Can we use the same piece of clay several times?
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Do you have to sculpt every detail?
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What kinds of clay are the best?
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How can you remove admixtures from the clay?
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What should you do if you leave the work unfinished?
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Why is it bad to dry the figures near the heat sources?
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How long is the sculpture baked?
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Why is the sculpture coated with glaze?
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What happens to the clay after baking?
III. Speaking
Put the following topics in the order they are covered in the text, dwell on each of them:
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process of modeling;
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preparation of the clay;
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coating and decorating the figure;
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drying and baking the figure.
Text 21-22.
I. Vocabulary
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Translate these words: trunk, narrow, chopping-knife, veins, intersection, angle, oblique, durable, sprouts, amateur, urgently, to soak, edge, to benefit.
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Find them in the text and translate the sentences.
II. Comprehension
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Answer the questions:
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What parts of birch bark are used for making baskets?
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What parts of birch bark are used for making smaller items?
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What instruments are used for cuting birch bark? • How is the ruler placed for this operation?
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What types of birch bark weaving can you name?
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Which type is better to begin with? Why?
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What are the advantages of withe as a weaving material?
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Where can one collect the material? ® When can the material be collected?
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What are the secrets of dyeing the withe?
• What types of withe weaving do you know?
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What are advantages and disadvantages of different types?
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Make the flow chart of withe weaving.