- •It was a surprise, therefore, to find that this newcomer remained standing on his feet, and it was he who made a signal to the waiter.
- •I hesitated a moment before replying.
- •I expected him to laugh, it was a stupid story, I don't know why I told him, but he looked at me thoughtfully as he stirred his coffee.
- •I sat still, my hands in my lap, not knowing whether he meant it or not.
- •I closed it behind me, and stood there, rather self-conscious, my hands hanging by my side. 'What on earth are you talking about?' he asked.
- •I looked at my watch. 'I haven't time,' I told him. 'I ought to be in the office now, changing the reservations.'
- •I watched a fly settle on the marmalade, and he brushed it away impatiently.
- •I hesitated, but she went on, thank heaven, not waiting for my answer.
- •I wished she would go; she was like a shadow standing there, watching me, appraising me with her hollow eyes, set in that dead skull's face.
- •I shook my head. 'No, I'd rather not,' I said, 'No, I must go downstairs.' I began to walk down the stairs, and she came with me, by my side, as though she were a warder, and I in custody.
- •I was not prepared for this question, and she must have seen the surprise in my face, for she laughed lightly, and squeezed my arm.
- •I explained about Mrs Van Hopper, and what had led to it, and she seemed sympathetic but a little vague, as though she was thinking of something else.
- •I listened to them both, leaning against Maxim's arm, rubbing my chin on his sleeve. He stroked my hand absently, not thinking, talking to Beatrice.
- •I was not sure where Beatrice had blundered, and thought it better not to ask. Perhaps he still resented the chat about his health before lunch.
- •I said nothing; it was not my affair.
- •It was the sort of remark Frank Crawley always made. Safe, conventional, very correct.
- •I looked straight ahead of me along the drive, but I could see his face was turned towards me, as though he wished to read my expression.
- •I stopped breathless, already a little ashamed of my outburst, feeling that now at any rate I had burnt my boats for all time. He turned to me looking very concerned and troubled.
- •I looked up from Jasper, my face red as fire. 'Darling,' I said, 'I meant to tell you before, but – but I forgot. The fact is I broke that cupid when I was in the morning-room yesterday.'
- •It was like being a prisoner, giving evidence. How paltry and mean my actions sounded, even to myself. 'I put them all into an envelope,' I said.
- •I came out from behind the door looking no doubt as big a fool as I felt. 'No, of course not,' I said, 'I heard voices, I was not quite sure who it was. I did not expect any callers this afternoon.'
- •I was surprised at his tone. It sounded as though he knew him well. It was queer, to hear Maxim talked of as Max. No one called him that.
- •I wanted to run away, but I could not move. I went on watching her eyes.
- •I shook my head. 'No,' I said. 'No.'
- •I forced a smile. I could not speak. My throat felt dry and tight.
- •I swallowed. I dug my nails into my hands.
- •I wondered why. However, it was simpler not to say anything.
- •I smiled, waiting to be asked. The old lady turned her head in my direction. 'What's Bee talking about?' she said. 'I did not know you were an artist. We've never had any artists in the family.'
- •I saw a slow smile pass over the calm, placid face. 'I like water-cress day,' she said.
- •I stared straight in front of me down the road. I did not mind for myself. I should not have cared if I had been alone. I minded for Beatrice.
- •It was a moment or two before Maxim replied, and when he did his voice was quite calm and matter-of-fact.
- •I heard Frank's quiet voice beside me. 'I don't mind organizing the ball if Maxim has no objection to giving it. It's up to him and Mrs de Winter. It's nothing to do with me.'
- •I pretended to file my nails. They were too short and too brittle, but the action gave me something to do and I did not have to look at her.
- •I began to laugh weakly, the tears coming into my eyes. 'Oh dear,' I said, 'let's send wires to everybody not to come.'
- •I covered my own mousy hair with the curled wig, trying to hide my triumph, trying to hide my smile. Somebody came and hammered on the door.
- •I drank some to please her, not wanting it a bit. It tasted warm from the tap; she had not let it run.
- •I did not say anything. I went on sitting on the bed with my hands in my lap.
- •I caught sight of Giles peering at me through the open door.
- •I hesitated, Frank was the only person I did not mind knowing. 'He did not come to bed last night.'
- •I did not know what to say. The situation was mad, unreal. She kept talking in that choked muffled way with her head turned from me.
- •I remembered crouching in the gallery when the library door was open. I remembered Maxim's voice raised in anger, using the words that Mrs Danvers had just repeated. Jealous, Maxim jealous...
- •I backed away from her towards the window, my old fear and horror rising up in me again. She took my arm and held it like a vice.
- •I did not say anything. He hesitated. I felt his eyes upon me.
- •I stared at him, bewildered at first, then shocked, then rather sick.
- •I stared at him stupidly, not understanding. 'What will they do?' I said.
- •I sat on the floor, clasping my knees, staring at him.
- •I did not say anything. We stared at one another. I felt the little pain come again at the pit of my stomach.
- •I wondered how much pleasure it had given him to disguise himself as Cromwell. I had not seen much of him at the ball. He had spent most of the evening in the morning-room, playing bridge.
- •I sat down on the chair beside the fireplace. I held the arms of the chair very tight. Frank came over and stood behind the chair. Still Maxim did not move. He never took his eyes off Favell.
- •I saw Maxim go very white, and a little pulse began to show on his forehead. 'Don't interfere with this, Frank,' he said, 'this is my affair entirely. I'm not going to give way to blackmail.'
- •I heard Maxim's voice, very cool, very calm. 'I want Kerrith 17,' he said.
- •In a few minutes Frank came back again into the room.
- •I waited, waited. Why couldn't he get done with it and finish and let us go? Why must we sit there, waiting, our eyes upon his face.
I closed it behind me, and stood there, rather self-conscious, my hands hanging by my side. 'What on earth are you talking about?' he asked.
'It's true, we're leaving today. We were going by the later train, and now she wants to catch the earlier one, and I was afraid I shouldn't see you again. I felt I must see you before I left, to thank you.'
They tumbled out, the idiotic words, just as I had imagined them. I was stiff and awkward; in a moment I should say he had been ripping.
'Why didn't you tell me about this before?' he said. 'She only decided yesterday. It was all done in a hurry. Her daughter sails for New York on Saturday, and we are going with her. We're joining her in Paris, and going through to Cherbourg.'
' She's taking you with her to New York?' 'Yes, and I don't want to go. I shall hate it; I shall be miserable.'
'Why in heaven's name go with her then?' 'I have to, you know that. I work for a salary. I can't afford to leave her.' He picked up his razor again, and took the soap off his face. 'Sit down,' he said. 'I shan't be long. I'll dress in the bathroom, and be ready in five minutes."
He took his clothes off the chair and threw them on the bathroom floor, and went inside, slamming the door. I sat down on the bed and began biting my nails. The situation was unreal, and I felt like a lay-figure. I wondered what he was thinking, what he was going to do. I glanced round the room, it was the room of any man, untidy and impersonal. Lots of shoes, more than ever were needed, and strings of ties. The dressing-table was bare, except for a large bottle of hair-wash and a pair of ivory hair-brushes. No photographs. No snapshots. Nothing like that. Instinctively I had looked for them, thinking there would be one photograph at least beside his bed, or in the middle of the mantelpiece. One large one, in a leather frame. There were only books though, and a box of cigarettes.
He was ready, as he had promised, in five minutes. 'Come down to the terrace while I eat my breakfast,' he said.
I looked at my watch. 'I haven't time,' I told him. 'I ought to be in the office now, changing the reservations.'
'Never mind about that, I've got to talk to you,' he said.
We walked down the corridor and he rang for the lift. He can't realize, I thought, that the early train leaves in about an hour and a half. Mrs Van Hooper will ring up the office, in a moment, and ask if I am there. We went down in the lift, not talking, and so out to the terrace, where the tables were laid for breakfast.
'What are you going to have?' he said.
'I've had mine already,' I told him, 'and I can only stay four minutes anyway."
'Bring me coffee, a boiled egg, toast, marmalade, and a tangerine,' he said to the waiter. And he took an emery board out of his pocket and began filing his nails.
'So Mrs Van Hopper has had enough of Monte Carlo,' he said, 'and now she wants to go home. So do I. She to New York and I to Manderley. Which would you prefer? You can take your choice.'
'Don't make a joke about it; it's unfair,' I said; 'and I think I had better see about those tickets, and say good-bye now.'
'If you think I'm one of the people who try to be funny at breakfast you're wrong,' he said. 'I'm invariably ill-tempered in the early morning. I repeat to you, the choice is open to you. Either you go to America with Mrs Van Hopper or you come home to Manderley with me."
'Do you mean you want a secretary or something?'
'No, I'm asking you to marry me, you little fool.'
The waiter came with the breakfast, and I sat with my hands in my lap, watching while he put down the pot of coffee and the jug of milk.
'You don't understand,' I said, when the waiter had gone; 'I'm not the sort of person men marry.'
'What the devil do you mean?' he said, staring at me, laying down his spoon.