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Пономарева С.Н. Наш гид говорит по-английски.doc
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Text 3. History of oslo.

Assignment. Read Text 3 carefully paying special attention to the names of places, people etc. and the spelling of these names. Explain the peculiarities. Using reference books find the traditional Russian equivalents to these names.

The name Oslo is derived from the words Ás, the Old Norse name for the Norse Godhead, and lo, which meant ‘pasture’, yielding roughly ‘the fields of the gods’.

The city was originally founded in 1048 by King Harald Hardråda (Harald Hard-Ruler), whose son Olav Kyrre (Olav the Peaceful) set up a cathedral and a corresponding bishopric here. In the late 13th century, King Håkon V created a military presence by building the Akershus Festning in the hope of deterring the Swedish threat from the east. After the mid-14th-century bubonic plague wiped out half of the country’s people, Norway united with Denmark and, from 1397 to 1624, Norwegian politics and defence were handled from Copenhagen. Oslo slipped into obscurity. In 1624, it burned to the ground. It was resurrected by King Christian IV, who rebuilt it on a more easily defended site and renamed it Christiania, after his humble self.

For three centuries, the city held on as a seat of defence. In 1814, the framers of Norway’s first constitution designated it the official capital of the new realm, but their efforts were effectively nullified by Sweden, which had other ideas about Norway’s future and unified the two countries under Swedish rule. In 1905, when that union was dissolved, the stage was set for Christiania to flourish as the capital of modern Norway. It reverted to its original name, Oslo, in 1925 and the city has never looked back.

Oslo’s central train station (Oslo Sentralstasjon or Oslo S) sits at the eastern end of the city centre, with the Galleri Oslo Bus Terminal not far away to the northeast. From Oslo S the main street, Karl Johans gate, forms a ceremonial axis westward through the heart of the city to the Royal Palace. Most sights, including the harbourfront and Akershus Festning (Fortress), are within a 15-minute walk of Karl Johans gate, as are the majority of hotels and pensions. Many of the sights outside the centre, including Vigeland Park and the Munch Museum, are just a short bus or tram ride away. The Bygdøy Peninsula is a mere 10-minute ferry ride across the harbour.

The tourist offices distribute a detailed and free city plan. Unless you’re heading out to the suburbs, it should be sufficient. On the reverse side is a map of the T-bane system and an inset covering Hoknenkollen.

Text 4. Vitsebsk (вицебск)

Assignment. Read Text 4 carefully paying special attention to the names of places, people etc. and the spelling of these names. Explain the peculiarities. Using reference books find the traditional Russian equivalents to these names as well as their new Belarusian equivalents. How can you account for the double name of the text? What is the reason of the emphasis of the “national” coloring of the text?

Vitsebsk (Vitebsk in Russian), 277 km north of the capital, is in some ways the most intriguing and dynamic Belarusian city outside Minsk, mainly due to its artistic heritage. Marc Chagall was born here, studying under an unheralded master, Yudel Pyen, who opened the country’s first art school here in 1897; the artists Vasili Kandinsky, Ilya Repin and Kasimir Malevich also spent some time in what was then a dynamic city.

Aside from this, the city boasts what even Minsk cannot - a sense of the past. Several small areas of pre-WWII houses lend a delicate elegance to the relatively hilly city sitting at the confluence of three rivers, the dramatic Dvina, and the smaller Vitba and Luchesa.

Its past, however, is as painful as that of other Belarusian cities. Its history goes back to the 6th-century Varangian explorers from Scandinavia who settled here. Part of the Princedom of Polatsk, Vitsebsk was also pulled into the sphere of Kyivan Rus, then fell under the Lithuanian and Polish umbrella before being finally pinched by Moscow.

It was burned to ashes by Ivan the Terrible in the mid-16th century, and was savagely razed in WWII, when only 118 people out I of a prewar population of 170,000 survived. Each year on 26 June, the city celebrates the day in 1944 when the Red Army liberated it from the Nazis. Though less developed than Minsk, Vitsebsk has a down-to-earth quality that visitors will appreciate.

The remnants of the old town lie along a picturesque, steep ridge about 2km northeast of the train station and across the Dvina River. Heading due east from the station is the main thoroughfare, vul Kirava, which becomes vul Zamkovaja after it crosses the river, and vul Frunze after it crosses vul Lenina, the main north-south axis.

Immerse yourself in what distinguishes Vitsebsk from other Belarusian cities: art. Nowhere else in the country will you get such a concentrated dose of quality art! Absolute musts are the Chagall-related museums. The grand halls of the Art Museum are decked out with mainly local art, both old and new. There are numerous 18th- to 20th-century works, including those by Repin and Vladimir Egorovic Makovsky. A highlight is the collection of very moving realist scenes of early 20th-century Vitsebsk street life by Yudel Pyen. Of the 793 paintings he donated to the city before he died, only 200 have survived, most of them held here.

A few houses away, past the town hall distinguishable by its clock tower, is the Regional Museum where you are guaranteed something interesting and thought provoking. There are up to five temporary exhibitions (usually paintings and photography) plus a permanent one full of 11th- to 14th-century artefacts from the city and region.

From here, taking a walk up vul Suvorava and exploring the surrounding side streets is a pleasant way to experience what’s left of old Vitsebsk, with some fine 18th and 19th-century buildings and a laid-back old-world ambience.

The Museum of the Belarusian Army, set up by veterans of the Afghan War, has some touching exhibits on the history of war on Belarusian soil from the 6th century, as well as of Belarusians participating in foreign wars. The museum is difficult to find on your own; take a BR8000 taxi from the centre.

While Vitsebsk does not have many churches of note, there is a pair of very different Orthodox churches on the eastern bank of the Dvina, near the main bridge on vul Zamkovaja. These are reconstructions built in 1998 of 10th- (wooden) and 13th-century (white stone) styles. Both hold regular services; the atmospheric wooden church is especially worth visiting.