- •Фгбоу впо
- •Пояснительная записка
- •Contents
- •Part I. Cinema lesson 1. Filmmaking and its constituents
- •Vocabulary
- •1. Fill in the blanks with the words from the list below; explain your choice.
- •3.Crossword.
- •4. Translate the sentences using the essential vocabulary.
- •6. Read Part 1 of Text 1 and check your answers to ex. 5.
- •7. Find the following expressions in Part 1 of Text 1; give the English definition and the Russian translation.
- •Text 1. The history of filmmaking
- •8. Answer the following questions taking into account the information given in Part 1 of Text 1:
- •9. Read Part 2 of Text 1 and fill in the gaps (1-7) with the following word combinations:
- •10. Answer the following questions taking into account the information given in Part 2 of Text 1:
- •11. Paraphrase the following sentences using the new vocabulary:
- •12. Prepare a summary of both parts of Text 1 (see Appendix 1). Mention the names in bold, try to use the new vocabulary and some additional information from Video 1.
- •16. Match the speakers’ names from the left column (1-6) with their points of view from the right column (a-f).
- •17. Read the following quotations about filmmaking. Which one do you like? Write an essay based on the one you’ve chosen.
- •Lesson 2. Professions and equipment
- •Vocabulary
- •1. Read the definitions and give the equivalents from the active vocabulary.
- •2. Match the word (1-9) with its definition (a-I).
- •3. Make up 5 sentences in Russian and 5 sentences in English using the active vocabulary from Lesson 1 and Lesson 2 for your group-mates to translate.
- •4. Find as many words from Lesson 1 and Lesson 2 as possible in the table below.
- •5. Read Text 2 carefully. Choose the correct title for each phase of the filmmaking process from the list given below:
- •6. Find the equivalents of the following expressions in Text 2, give the Russian translation:
- •Text 2. The filmmaking process
- •7. Use the information about the phases of filmmaking given in Text 2 and make up a dialogue:
- •8. Prepare a summary of Text 2 (see Appendix 1). Mention all the phases; try to use the new vocabulary.
- •9. Translate the sentences below from Russian into English:
- •11. Do you know the following stars? Add a correct proper name to each photograph. What are they famous for?
- •Audio 1
- •12. Read the following information before listening to Audio 1:
- •13. Listen to Audio 1. Choose whether the following statements are true or false, explain your choice:
- •14. Listen to Audio 1 one more time. Check your answers to ex. 12. Guess who the speaker is. Audio 2
- •15.Read the following information before listening to Audio 2:
- •16. Listen to Part 1 of Audio 2. Fill in the gaps.
- •17. Listen to Part 1 of Audio 2 one more time. Check your answers to ex. 15. Guess who the speaker is.
- •18. Listen to Part 2 of Audio 2 and choose the correct answers to the following questions:
- •19. Listen to Part 2 of Audio 2 one more time. Check your answers to ex. 17.
- •2. Choose the word that fits the content of the sentence best.
- •3. Match the columns.
- •4. Paraphrase the following sentences using the active vocabulary from Lesson 1, Lesson 2 and Lesson 3.
- •5. What do you know about the film genres? Match the titles of the popular films from the left column (1-10) with the proper genres from the right column (a-j).
- •6. Divide into 3 groups and read one film review by Roger Ebert, a famous film critic and a winner of the Pulitzer Prize (1975), choosing from Text 3, Text 4 or Text 5:
- •Text 3. Spirited away
- •7. Match the phrases from Text 3 (1-7) with their definitions (a-g); use them in your summary. Try to translate the phrases into Russian.
- •8. Find the equivalents of the following expressions in Text 3, give the Russian translations. Use them in your summary.
- •10. Match the phrases from Text 4 (1-7) with their definitions (a-g); use them in your summary. Try to translate the phrases into Russian.
- •11. Find the equivalents of the following expressions in Text 4, give the Russian translations. Use them in your summary.
- •12. Translate Paragraph 7 of Text 4 from English into Russian beginning with “After I saw InglouriousBasterds at Cannes…” up to “…not enough to see them once”. Text 5. Star wars
- •13. Match the phrases from Text 5 (1-7) with their definitions (a-g); use them in your summary. Try to translate the phrases into Russian.
- •14. Find the equivalents of the following expressions in Text 5, give the Russian translations. Try to use them in your summary.
- •15. Translate Paragraph 2 of Text 5 from English into Russian beginning with “Star Wars was a technical watershed that…” up to “…you can only observe how well it did it”.
- •16. Translate the following sentences from Russian into English.
- •Vocabulary
- •1. Paraphrase the first sentences using the words given (do not change them). You can use between 4 and 8 words, including the word given.
- •2. Fill in the gaps using only one word (a verb, preposition, noun, etc).
- •3. Make up 5 sentences in Russian and 5 sentences in English using the active vocabulary from Lesson 3 and Lesson 4 for your group-mates to translate.
- •4. Fill in the gaps with the given words in the suitable forms.
- •5. In the extract below find 14 mistakes, they might concern the grammar, spelling, article determination, etc.
- •6. Fill in the blanks with the words from the list below.
- •7. Read 4 parts (a-d) of Text 6 carefully. Single out the most important sentences in each paragraph.
- •8. Look through Text 6 once again. Find at least 3 metaphors.
- •9. Find the following words and word combinations in Text 6. Give the English definitions and translate them into Russian.
- •Text 6. Current state of animation industries around the world
- •10. Read the following sentences. Which part (a-d) of Text 6 gives these pieces of information?
- •11. Complete these sentences with the information from Text 6. Try not to look into the text!
- •12. Make up 5 questions based on the information given in Text 6 for your group-mates to answer.
- •13. Prepare a summary of 4 parts (a-d) of Text 6 (see Appendix 1):
- •14. Translate the sentences below from Russian into English:
- •1. Read Text 7. Suggest the Russian equivalents for the words and expressions in bold and translate the sentences containing them into Russian. Text 7. 100 greatest movies: the wizard of oz
- •2. Answer the following questions taking into account the information given in Text 7.
- •3. Find the equivalents of the following expressions in Text 7, give the Russian translation.
- •4. Use the equivalents you’ve found to fill in the gaps in the following sentences (2 sentences for each word):
- •5. Translate the following sentences into English using the new vocabulary from exercises 1 and 3.
- •6. Find in Text 7 at least 5 more words and expressions concerning the film industry and make up 10 sentences of your own (5 in English, 5 in Russian) for your group-mates to translate.
- •7. Prepare a summary of Text 7 (see Appendix 1). Use the new vocabulary. Part II
- •1. Are you an expert in the field of famous soundtracks? Listen to some of them and check your knowledge using the following table.
- •2. Read the following information before listening to Audio 4:
- •Audio 4
- •3. Listen to Audio 4. Fill in the gaps.
- •4. Listen to Audio 4 one more time. Check your answers to ex. 3.
- •5. As is known “Over the Rainbow”became Garland’s signature song. Read the quotation given below.
- •6. Answer the following questions:
- •Part III
- •1. Read Text 8 and fill in the gaps with the following word combinations:
- •2. Look through Text 8 again. Which sentence can be used as a headline for the whole review? Suggest your own variant of the headline also.
- •3. Does the review correspond to the classical scheme of film analysis (see Appendix 3)? What parts are included and what parts are skipped?
- •4. List the advantages and disadvantages of The Wizard of Oz 3d conversion pointed out by the author.
- •5. Paraphrase the following sentences using the new vocabulary.
- •6. Using the new vocabulary make up 10 sentences of your own (5 in English, 5 in Russian) for your group-mates to translate.
- •Frank Morgan (1890-1949)
- •Ray Boldger (1904-1987)
- •Bert Lahr (1895-1967)
- •Jack Haley (1898-1979)
- •Writing
- •13. Which one do you like? Write an essay based on the one you’ve chosen.
- •14. How carefully were you watching “The Wizard of Oz”? Take the test to see how well you know it! The Wizard of Oz Quiz
- •Part II. Theatre lesson 1. Theatre and drama, types of play
- •Vocabulary
- •1. Give your associations with the word “Theatre”.
- •2.What springs to mind when you hear the word ‘theatre’?Fill in the mind map.
- •3. Translate the following sentences from English into Russian.
- •4. Fill in the table with the definitions and exemplary sentences given below.
- •5. Fill in the gaps with the appropriate words (drama or theatre).
- •6. Find the correct words for:
- •7. For further extension of your knowledge about types of play translate the following text into English.
- •9. Find the following expressions in Text 9; give the English definition and the Russian translation.
- •Text 9.Subsidized and commercial theatres (ingreat britain)
- •10. Answer the following questions taking into account the information given in the text:
- •11. Comment on the difference between subsidized and commercial theatres.
- •12. Are the resubsidized and commercial theatres in Russia? How does the system function in this country?
- •13. Translate the following sentences from Russian into English.
- •14. Translate the following sentences from Russian into English.
- •15.Render Text9 (seeAppendix2). Use the new vocabulary, mention the names of theatres, dates and numbers related to them.
- •16. Read Text 10 and give definitions to the following words and expressions. Give the synonyms to them (if possible). Comment on the shades of meaning:
- •Text 10.The earliest english comedies
- •17. Answer the following questions taking into account the information given in the text:
- •18. Work in mini-groups. Write down the key words and share your list with other groups. Render the text with the help of the list of keywords you have got.
- •19. You are going to read the text on British theatre. Before reading comment on the following:
- •20. Nine sentences (or parts of sentences) have been removed from Text 11. Choose among the sentences a – j the one which fits each gap (1 – 9). There is one extra sentence. Check yourself.
- •Text11. British theatre today
- •21. Answer the following questions:
- •22. To learn about theatres in Russia and Yekaterinburg render the following text into English (see Appendix 2). Театральный десант
- •Video 7
- •24. Give the English definition and the Russian translation to the following words:
- •25. Fill in the gaps with the words or word combinations from the video. Read the sentences beforehand!
- •26. Ask and answer the following questions with your partner:
- •28. Read the following quotations about theatre. Which one do you like? Write an essay based on the one you’ve chosen.
- •Lesson 2. Inside the theatre
- •Vocabulary
- •Vocabulary
- •1. Translate the following sentences from English into Russian.
- •2. Fill in the blanks with the words from the list below; explain your choice.
- •3. Answer the following questions.
- •4. Match the word (1-10) with its definition (a-j).
- •5. Comment on the seating plans below pointing out the following things:
- •7. Translate the sentences using the essential vocabulary.
- •8. ReadText12andgivetheequivalentstothefollowingwordsandexpressions.
- •9. Fill in the blanks with the words from ex. 8:
- •10. Make up 5 sentences in Russian and 5 sentences in English using the from ex. 7 for your group-mates to translate. Text 12. The early london theatres
- •11. Comment on the scenery and peculiarities of play productions and performances at the early British theatres. Compare and contrast them with the modern ones.
- •14.In what respect were the following names mentioned in the audio?
- •18. Fill in the gaps with the words or word combinations from the video. Read the sentences beforehand!
- •19. Ask and answer the following questions with your partner?
- •Vocabulary
- •1. Read the definitions and give the equivalents from the active vocabulary.
- •2. Match the word (1-7) with its definition (a-g).
- •3. Find the English equivalents from the active vocabulary to the following words and word combinations:
- •4. Find as many words from active vocabulary as possible in the table below.
- •5. TranslatethefollowingsentencesfromRussianintoEnglish.
- •6. Translate the following sentences from Russian into English.
- •7. Read Text 13 part 1. Match the headings (a-h) with the corresponding paragraphs (1-8).
- •8. Translate the words in bold from the text. Text 13. Who works in a theatre?
- •9. Give the definitions to the words in bold from the text, read the words and their definitions for your partner to write down.
- •10. Render the text to your partner. Use the words in bold from the text.
- •11. Read Text 13 part 2. Match the headings (a-I) with the corresponding paragraphs (1-9).
- •12. Translate the words in bold from the text.
- •13. Give the definitions to the words in bold from the text, read the words and their definitions for your partner to write down.
- •18. You are going to listen to the text about Mo Crow, a show manager at the Royal Albert Hall in London. Listen to Episode 1 and fill in the missing parts.
- •19. Listen to Episode 2. Fill in the missing parts. Say what is being described.
- •21. Listen to Episode 4. Fill in the missing parts.
- •22. Listen to the whole text again. Answer the questions.
- •Lesson 4.Actors and acting
- •Vocabulary
- •1. Translate the following sentences from English into Russian.
- •2. Fill in the blanks with the words from the list below; explain your choice.
- •3. Fill in the gaps with the words from the list below. Act out the dialogues.
- •4. Dramatize the following situations.
- •5. Read Text 14and find the English equivalents to the words in the list below.
- •6. Think of a famous actor/actress. Describe the way he/she builds up his/her part. Use the words and word combinations from Text 14. Let your group mates guess who it is.
- •7. Read Text 15and find the English equivalents to the words in the list below.
- •Text 15.The art of acting
- •8. Translate the following sentences from Russian into English.
- •10. They say some parts may be fatal for the actors performing them, e. G. Voland, Ivan the Great, etc. Can a part influence an actor’s life and fate? Provide illustrations.
- •11. Prepare reports on the following topics:
- •12. Pre-read about the following topics:
- •16. Why are the following dates significant for the history of British drama: 1574, 1576, 1598, 1599, 1613?
- •22. Ask and answer the following questions with your partner.
- •Impression
- •Vocabulary
- •1.Translate the following sentences from English into Russian.
- •2.Fill in the gaps with the words from the list below. Act out the dialogues.
- •3. Translate the following sentences from Russian into English.
- •4. Crossword.
- •5.Dramatize the following situations.
- •6. Round table “Theatre Today”. Present any theatre (Russian, foreign, local) according to the following plan:
- •7. Read Text 17. What issues does this review high light?
- •8. Underline the epithets used in the review, give their definitions. Text 17. The importance of beeing earnest at regent’s park
- •Video 9. Five truths
- •10. Watch Video 8.Fill in the gaps in Ophelia’s monologue with the words from the list below.
- •11. Compare and contrast the two performances, share your impression of each of them.
- •How to write a review
- •Quiz 2 «inside the theatre»
- •Quiz 4 «actors and acting»
- •Quiz 5 «the success or failure of a production or performance»
- •Final rendering “cinema” современное кино – коммерция или искусство?
- •Finalrendering “theatre”
- •Final project
- •Interview (preliminary prepared)
- •Commentary
- •References
6. Read Part 1 of Text 1 and check your answers to ex. 5.
7. Find the following expressions in Part 1 of Text 1; give the English definition and the Russian translation.
1) an incandescent lamp |
4) to patent |
7) reel |
2) film snippet |
5) vignettes |
8) synchronous sound |
3) to make feature films |
6) box office successes |
|
Text 1. The history of filmmaking
Part 1.The birth of film. The silent era
In 1893 at the Chicago World’s Fair Thomas Edison introduced to the public two pioneering inventions: the Kinetograph, the first practical moving picture camera, and the Kinetoscope. The latter was a cabinet in which a continuous loop of celluloid film (powered by an electric motor) was backlit by an incandescent lamp and seen through a magnifying lens. The spectator neared an eye-piece. Kinetoscopeparlours were supplied with film snippets of recorded mundane events (such as Fred Ott’s Sneeze, 1894) as well as entertainment acts like acrobats, music hall performers and boxing demonstrations.
Kinetoscope parlors soon spread successfully to Europe. Edison, however, never attempted to patent these instruments on the other side of the Atlantic, since they relied so greatly on previous experiments and innovations from Britain and Europe. This enabled the development of imitations, such as the camera devised by British electrician and scientific instrument maker Robert William Paul. Paul had the idea of displaying moving pictures for group audiences, rather than just to individual viewers, and invented a film projector, giving his first public showing in 1895.
At about the same time, in France, Auguste and LouisLumière invented the cinematograph, a portable, three-in-one device: camera, printer, and projector. In late 1895 in Paris, they began exhibitions of projected films before the paying public. They quickly became Europe’s main producers with such vignettes as Workers Leaving the Lumière Factory and The Sprinkler Sprinkled (both 1895).
The movies of the time would usually present a single scene, authentic or staged, of everyday life. The standard length of a film remained one reel (about ten to fifteen minutes), through the first decade of the century. The cinematic techniques were hardly developed: no editing and usually no camera movement. But the novelty of realistically moving photographs was enough for a motion picture industry. Inventors and producers had tried from the very beginnings of moving pictures to marry the image with synchronous sound, but no practical method was devised until the late 1920s. Thus, for the first thirty years of their history, movies were more or less silent, although accompanied by live musicians.
In 1902 Paris stage magician Georges Méliès created A Trip to the Moon, possibly the first movie to portray space travel. He pioneered many of the fundamental SFX techniques used in movies for most of the twentieth century, demonstrating that film had unprecedented power to distort visible reality rather than just faithfully record it.
The Australian filmThe Story of the Kelly Gang (also screened as Ned Kelly and His Gang) by Dan Barry and Charles Tait is widely regarded as the world’s first “feature length” film. Its 80-minute running time was unprecedented when it was released in 1906. It wasn’t until 1911 that countries other than Australia began to make feature films. By this time 16 full length feature films had been made in Australia.
Soon Europe began creating multiple-reel films. With international box office successes like Queen Elizabeth (44 min, France, 1912), Quo Vadis? (120 min, Italy, 1913) and Cabiria (200 min, Italy, 1914), the feature film began to replace the short as the cinema’s central form. Along with it, they gained recognition as a genuine art form with a secure place in the emerging culture of the twentieth century.
Until this point, the cinemas of France and Italy had been the most globally popular and powerful. But the United States was already gaining quickly when World War I (1914-1918) caused a devastating interruption in the European film industries. The American industry, or “Hollywood”, as it was becoming known after its geographical center in California, gained the position it has held, more or less, ever since: movie factory for the world, exporting its product to most countries on earth and controlling the market in many of them. By the 1920s, the USA reached what is still its era of greatest-ever output, producing an average of 800 feature films annually, or 82% of the global total. The comedies of Charlie Chaplin and Buster Keaton, the swashbuckling adventures of Douglas Fairbanks and the romances of Clara Bow made these performers’ faces well-known on every continent.
The newborn Soviet cinema was the most radically innovative. There, the craft of editing, especially, surged forward, going beyond its previous role in advancing a story. Sergei Eisenstein perfected the technique of so-called intellectual montage, which strove to make violently clashing images express ideas and provoke emotional reactions in the viewer.
The possibilities of cinematography kept increasing as cameras became more mobile and film stocks more sensitive and versatile. Screen acting became more of a craft, without its earlier theatrical exaggeration and achieving greater subtlety and psychological realism.