- •И.В. Несветайлова, с.Г. Носырева
- •Введение
- •Слог syllable
- •If sonorant is preceded by a vowel sound it loses its syllabic character.
- •In the case of a short stressed vowel followed by a consonant, intervocalic consonant tends to belong to the preceding syllable as the English checked vowels can occur only in a closed syllable.
- •1. Протранскрибируйте слова. Посчитайте количество слогов.
- •Ударение в слове word accent
- •In the English language word accent is free, that is it may fall on the first, the second or on the final syllable.
- •Приставки и ударение prefixes and stress
- •Суффиксы и ударение suffixes and stress
- •In the English language there are some suffixes carrying primary stress themselves, some suffixes that do not affect stress placement and suffixes that influence stress in the stem.
- •Глаголы
- •If the prefix consists of two syllables, its first syllable usually gets secondary stress.
- •In disyllabic verbs with a prefix of no special meaning the second syllable is stressed.
- •4. Акцентная структура Оо.
- •5. Акцентная структура оОо.
- •If there is a prefix in an adjective, stress often falls on the first syllable of the root after the prefix.
- •1. Акцентная структура Оо.
- •2. Акцентная структура оОо.
- •Сложные слова compounds
- •Сложные глаголы
- •I. Главное ударение на первом элементе.
- •Сложные существительные compound nouns
- •In compound nouns, both components are stressed. The first component can be a noun, a gerund, an adjective, a verb. The second component is usually a noun.
- •I. Ударение на первом компоненте.
- •II. Ударение на втором компоненте.
- •Изменение ударения в слове changing of word stress
- •The owl and the pussy-cat
- •In a beautiful pea green boat,
- •Просодия. Фразовое ударение. Ритм prosody. Sentence stress. Rhythm
- •Variations of pitch are produced by significant moves of the voice up and down.
- •Фразовое ударение sentence stress
- •Ритм rhythm
- •Интонация текста
- •Intonation of the text
- •One morning
- •I bought myself an evening gown.
- •I really can’t let Crispin down.
- •Blunders Professor Bumble
- •If you can keep your head when all about you
- •Sonnet 18: Shall I compare thee to a summer’s day?
- •Sonnet from the Portuguese xliii:
- •It’s not such a bad custom
- •Index of sounding tracks
- •Литература
- •Програмное обеспечение и Интеренет-ресурсы
- •Содержание
- •Часть II.
It’s not such a bad custom
Presenter: Thank you, Kevin Edwards, for that short speech. Now, next we have Indira Komandur.
Indira: My talk is about arranged marriage. I am seventeen. My parents are already starting to look for a husband for me. In a few years I shall marry a man that they choose. Now, you are probably thinking ‘That’s terrible! How awful!’ But I don’t think so, and I am going to explain why. Most people confuse arranged marriage with forced marriage. A forced marriage is one where you have no choice. However, when my parents choose a husband for me, if I don’t like him, I can tell them and they will find me another. I have a choice. It’s just that my parents do the looking for me. I think that’s a good idea. After all, they know who I am. They know me better than I know myself, and I trust them to find a good man who will make me happy. They would not choose a bad man for me to marry, would they? In Britain, though, people just hope to find their marriage partner at work, or in a pub or at a party. This means it must be hard to meet the right person, I think. Perhaps that’s why I see so many unhappy relationships and failed marriages. I would much rather trust my parents to find a husband for me, than rely on luck. I think my marriage will have a very good chance of success. So, when I say I am looking forward to my arranged marriage, ask yourself – is it really such a crazy idea?
Index of sounding tracks
|
Unit I |
|
|
A Cradle Song. William Blake |
1 |
|
A Date for the Theatre |
2 |
|
The telephone. Alfred H. Miles |
3 |
|
Holiday Plans |
4 |
|
Limerick. Edward Lear |
5 |
|
A Little Gossip |
6 |
|
The Polka. Ogden Nash |
7 |
|
Linguistic Talent |
8 |
|
Unit II |
|
|
The owl and the pussy-cat. Edward Lear |
9 |
|
Career Prospects |
10 |
|
The Camel’s hump. Rudyard Kipling |
11 |
|
Sea or Air |
12 |
|
Balls. Alfred H. Miles |
13 |
|
The Lost Tie |
14 |
|
Grizzly Bear. Mary Austin |
15 |
|
To Give or Not to Give |
16 |
|
Unit III |
|
|
One morning. Alexandra Brown |
17 |
|
Blunders. Professor Bumble |
18 |
|
If. Rudyard Kipling |
19 |
|
I wandered lonely as a cloud. William Wordsworth |
20 |
|
Profile: Peter Parker |
21 |
|
Sonnet 18: Shall I compare thee to a summer day? William Shakespeare |
22 |
|
Sonnet from the Portuguese XLIII: How do I love thee? Elizabeth Barrett Browning |
23 |
|
My first day at school |
24 |
|
Believe it or not |
25 |
|
But is it Art? |
26 |
|
WOW…that’s big! |
27 |
|
It’s not such a bad custom |
28 |
Литература
1. Авербух М. Д. Practical Phonetics for Upper-Intermediate Students. [Текст] / М. Д. Авербух. – Пятигорск, 1999.
2. Бурая Е. А. Галочкина И.Е., Шевченко Т.И. Фонетика современного английского языка. [Текст] / Е. А. Бурая, И.Е. Галочкина, Т.И. Шевченко. – М.: «Академия», 2006.
3. Дубовский Ю. А., Карневская Е.Б., Ковалева Г.В. и др. Практическая фонетика английского языка. [Текст] / Ю.А. Дубовский, Е.Б. Карневская, Г.В. Ковалева. – Минск, 1979.
4. Дубовский Ю. А., Докуто Б.Б., Переяшкина Л.Н. Основы английской фонетики: Учебное пособие для студентов 1 курса факультета английского языка лингвистических университетов. [Текст] / Ю.А. Дубовский, Б.Б. Докуто, Л.Н. Переяшкина. – Пятигорск, 2006.
5. Колыхалова О. А., Махмурян К.С. Учитесь говорить по-английски: фонетический практикум. [Текст] / О. А. Колыхалова, К.С. Махмурян. – М.: Владос, 1998.
6. Лукина Н.Д. Практический курс фонетики английского языка. [Текст] / Н.Д. Лукина. – М.: Астрель, 2003.
7. Несветайлова И.В. , Носырева С.Г. Практическая фонетика английского языка. [Текст] / И.В. Несветайлова, С.Г. Носырева. Часть 1. – Армавир, 2009, 2011.
8. Соколова М. А. Гинтовт К. П. и др. Практическая фонетика английского языка. [Текст] / М. А. Соколова, К. П. Гинтовт. – М.: «Владос», 2007.
9. Alfred Rezkiewicz . Correct your English pronunciation. [Текст] / A. Rezkiewicz. – Warsaw, 1981.
10. Daniel Jones. Cambridge English Pronouncing Dictionary. – Cambridge University Press, 2003.
11. Jonathan Marks. English Pronunciation in Use. Elementary. – Cambridge University Press, 2007.
12. Mark Hancock .English Pronunciation in Use. Intermediate. – Cambridge University Press, 2007.
13. Martin Hewings. English Pronunciation in Use. Advanced. – Cambridge University Press, 2007.
14. Miles Craven. Listening Extra. – Cambridge University Press, 2004.
15. Miles Craven. Real Listening and speaking. – Cambridge University Press, 2010.