- •Contents
- •Introduction
- •Introduction
- •Important Upgrade Information
- •About EOS
- •Graphic User Interface
- •Sequencer and Data Filer
- •Sound Libraries
- •Sound Storage
- •Advanced DSP
- •Built-in Digital Effects
- •More Digital Processing Features
- •Power Up!
- •Loading a Bank from the Hard Disk
- •Loading SoundSprints
- •Selecting Presets
- •Lock Button
- •Saving
- •Arpeggiator
- •Keyboard Modes
- •Whole
- •Layer
- •Split
- •Multi
- •The Basics
- •How Sounds are Organized
- •The Sample
- •Voices
- •The Preset
- •SoundSprint
- •Bookmarks
- •The Bank
- •Folders
- •The Internal Drive
- •To Update the EOS Software:
- •External Drives
- •Sample Memory & Preset Memory
- •Sound ROM & Sound RAM
- •Five Types of Memory
- •Flash Sound RAM
- •Sample Numbers
- •Using Preset Flash Memory
- •Using Sound Flash Memory
- •Modules
- •Saving
- •Default
- •Icons
- •The Cursor
- •Data Entry Control & Increment/Decrement Buttons
- •Selecting
- •Using The Browser
- •Guided Tours
- •Banks, Sequences, Presets & Samples
- •Loading a Bank Automatically
- •Loading a Sequence from a Different Bank
- •Loading Standard MIDI Files
- •Saving Banks
- •Finding Banks, Presets, Samples & Sequences
- •Naming Banks
- •Erasing Banks
- •Assignable Keys
- •Recording a Sequence
- •Arpeggiator Sequencing!
- •A Practice Sampling Session
- •Exploring the Preset
- •Which Voices are Assigned to the Keyboard?
- •Creating a Link
- •Master Menu
- •Overview
- •Memory Statistics
- •Master Utilities
- •Assignable Keys
- •Channel Volume
- •Tones
- •Recalibration
- •Test Access
- •About…
- •Bank
- •Erase Bank
- •Name Bank
- •Auto Bank Load
- •Flash Utilities
- •Using Sound Flash Memory
- •Erase the Bank
- •Load the Bank you Wish to Save to Flash
- •Save the Sounds to Flash
- •Mount the Drive
- •Erase the Bank…again
- •Erase Preset 000
- •Merge the Presets
- •Save the Presets
- •Setup
- •Tune
- •Tuning Offset
- •Transpose
- •Audition Key
- •Input/Output
- •Headroom
- •Output Boost
- •Output Format
- •ADAT Output Dither
- •Default Clock
- •Word Clock In
- •WC Phase In/Out
- •Miscellaneous
- •Contrast
- •Wrap Field Selection
- •Screen Saver
- •Disable Sound ROM
- •Zero Crossing Threshold
- •Background
- •Undo/Redo Enable
- •SCSI/Disk
- •SCSI ID
- •SCSI Termination On/Off
- •Avoid Host on ID
- •Disk Button Goes To:
- •Import Options
- •Master Effects
- •Use Master Effects Settings in MultiMode
- •Master Effects A
- •A EFFECT TYPES
- •Master Effects B
- •B EFFECT TYPES
- •Effects Setup
- •Effects Control
- •Sequence Manage
- •MIDI
- •MIDI Mode
- •Basic Channel
- •MIDI Mode
- •MIDI Device ID
- •Local Control
- •Multimode - MIDI Mix
- •MIDI Controllers
- •About MIDI Controllers
- •MIDI Preferences
- •Velocity Curve
- •Controller #7 Sensitivity
- •Controller #7 Curve
- •Global Pedal Override
- •Receive Program Change On/Off
- •Send Program Change On/Off
- •Magic Load Preset
- •Effects
- •Effects
- •Dual Effects Processor
- •The Effects Sends
- •Effect B Into Effect A
- •Three-way Effects Control
- •Effects Programmed in the Preset
- •Master Effects
- •Using Master Effects Settings in Multimode
- •Using the Effects Channel Settings in Multimode
- •Effects Bypass
- •Effect Descriptions
- •A EFFECT TYPES
- •B EFFECT TYPES
- •Reverb
- •General Descriptions of Reverb
- •Chorus
- •Doubling
- •Slapback
- •Stereo Flanger
- •Delay
- •Stereo Delay
- •Panning Delay
- •Dual Tap
- •Vibrato
- •Distortion
- •Sequencer
- •Sequence Manage
- •Recording MIDI SysEx
- •Important Information for Loading Standard MIDI Files
- •Name Sequence
- •Export
- •Transport Controls
- •Sequencer Utilities
- •Erase
- •Copy Sequence
- •Sequencer Memory
- •Jukebox
- •Sequence Edit
- •The Sequence Edit Screen
- •Track Mode
- •Track Numbers
- •Counter Display
- •Tempo Display
- •MIDI Channel Modes
- •Volume - Pan - Submix
- •The Initial Track State Screen
- •Initial Tempo
- •Editing: Cut, Copy & Paste
- •Cut/Copy/Erase
- •Note Erase
- •Erase
- •Delete
- •Paste
- •Insert
- •Replace
- •Track Delete
- •Track Copy
- •UNDO! (REDO!)
- •Tools
- •Quantize
- •Quantize -1/4 Note
- •Quantize - 8th Notes, Swing 60%
- •Quantize - 8th Notes, Swing 67%
- •Quantize - 8th Notes, Swing 75%
- •Transpose
- •Sequence Velocity
- •Channelize
- •Channel Extract
- •Setup
- •Metronome
- •Sequence Clock
- •Sequence Input
- •Sequence Record
- •Start Record -
- •Count In
- •Sequence Loop
- •Transport
- •Track Status Options:
- •Received MMC Commands
- •Locate
- •Sample Manage
- •Overview
- •Sample Utilities
- •Erase Sample
- •Copy Sample
- •Sample Dump
- •Defragment Memory
- •Name Sample
- •New Sample
- •Threshold
- •Input Channels
- •Sampling Source & Rate
- •Dither
- •ADC Gain
- •Sample Length
- •Arm Sample Trigger
- •Force Sample Trigger
- •Keyboard Sample Trigger
- •Monitor On/Off
- •Automatic Parameters
- •Automatic Digital Signal Processing Operations
- •Auto-Placement Parameters
- •Place Sample
- •Export Sample
- •Get Info
- •Sample Edit
- •Sample Edit
- •Background: The Scrub Wheel
- •Background: Using Cut, Copy, Paste and Undo
- •Undo and Redo
- •Typical Applications
- •Background: About Looping
- •How Looping Works
- •Auto Correlation
- •Creating Attack & Decay Characteristics for the Looped Portion
- •Loop Compression
- •Crossfade Looping
- •Zero Crossing
- •Utilities
- •Cut Section
- •Copy Section
- •Paste Section
- •Truncation
- •Taper
- •Tools 1
- •Loop
- •Loop Type
- •Digital Tuning
- •Sample Rate Convert
- •Sample Calculator
- •Tools 2
- •DC Filter
- •Swap Left & Right
- •Stereo <-> Mono
- •Reverse Section
- •Sample Integrity
- •Tools 3
- •Gain Change
- •Compressor
- •Mode
- •Threshold
- •Compression Ratio
- •Attack Time
- •Release Time
- •Using the Digital Compressor
- •Limiter
- •Musical Compression (e.g. Guitar)
- •Noise Reduction
- •Parametric Equalizer
- •FIR (Phase Linear Filter)
- •Aphex Aural Exciter
- •Tools 4
- •Transform Multiplication
- •Doppler
- •Time Compression
- •Pitch Change
- •Bit Converter
- •Beat Munger
- •Beat Munger Controls
- •Undo
- •Preset Manage
- •Preset Manage
- •Utilities
- •Erase Preset
- •Dump Preset
- •Name Preset
- •New Preset
- •Copy Preset
- •Export Preset
- •Get Info
- •Preset Edit
- •Synthesizer Basics
- •Editing Presets
- •Modulation
- •Modulation Sources
- •Keyboard Key
- •Key Velocity
- •Release Velocity
- •Gate
- •Key Glide
- •Pitch and Mod Wheels
- •Keyboard Pressure (mono aftertouch)
- •Pedal
- •Miscellaneous Controllers A -H
- •Low Frequency Oscillators (2 per voice)
- •Envelope Generators (3 per voice)
- •Noise & Random Generators
- •Thumby Button and Footswitches
- •Modulation Cords
- •Envelope Generators
- •Low Frequency Oscillators (LFOs)
- •Random Sources
- •Clock Modulation
- •Syncing an LFO to the Clock
- •Modulation Destinations
- •Modulation Processors
- •Modulation Processors
- •Dynamic Filters
- •Dynamic Filters
- •What is a Filter?
- •Parametric Filters
- •The Z-Plane Filter
- •Selecting Voices, Samples & Groups
- •Selecting from the Preset Editor Windows
- •Selecting All Voices
- •Selecting Voices from the Dynamic Processing Level
- •Selecting Voices from the Voice Select Screen
- •Groups
- •Preset Editor
- •PRESET EDIT - Global
- •Global Editor
- •Edit All
- •Preset Effects A
- •Effects Programmed in the Preset
- •Effect
- •A EFFECT TYPES
- •Decay Time
- •HF Damping
- •FX Amounts
- •FX B Through FX A
- •Preset Effects B
- •Effect B
- •B EFFECT TYPES
- •Feedback Amount
- •LFO Rate
- •Delay Time
- •FX Amounts
- •Preset Edit - Links
- •Main Controls
- •Link Type
- •Link Volume
- •Link Pan
- •Link Transpose
- •Link Fine Tuning
- •Link Utilities
- •New Link
- •Copy Link
- •Delete Link
- •Subsume Link
- •Links - Key Window
- •Key Window Controls
- •Keyboard & Velocity Ranges
- •Links - Velocity Window
- •Velocity Window Controls
- •Velocity Range
- •Links - MIDI Filters
- •MIDI Filter Window Controls
- •Preset Edit - Voices
- •Voices - Main Controls
- •Voice Utilities
- •New Voice
- •Copy Voice
- •Delete Voice
- •Split Voice
- •Solo Voice
- •Sample Zone
- •New Sample Zone
- •Get Multisample
- •Delete Sample Zone
- •Combine
- •Expand...
- •Voices - Key Window
- •Key Window Controls
- •Keyboard Ranges
- •Voices -Velocity Window
- •Velocity Window Controls
- •Velocity Range
- •Voices - Realtime Window
- •Realtime Window Controls
- •Preset Edit - Dynamic Processing Level
- •Utilities
- •Voice Select
- •Function Keys
- •The Isolate Key:
- •Copy Voice(s)
- •Delete Voice(s)
- •Automatic Voice Selection
- •WARNING!
- •Solo Voice
- •Key Transpose
- •Coarse Tuning
- •Fine Tuning
- •Non-transpose Mode
- •Chorus Amount
- •Delay
- •Start Offset
- •Glide Rate & Curve
- •Solo Modes
- •Latch Mode
- •Assign Group
- •Filter Parameters
- •FILTER TYPES
- •2-Pole Lowpass
- •4-Pole Lowpass
- •6-Pole Lowpass
- •2nd Order Highpass
- •4th Order Highpass
- •2nd Order Bandpass
- •4th Order Bandpass
- •Contrary Bandpass
- •Swept EQ, 1-octave
- •Swept EQ, 2->1-octave
- •Swept EQ, 3->1-octave
- •Phaser 1
- •Phaser 2
- •Bat Phaser
- •Flanger Lite
- •Vocal Ah-Ay-Ee
- •Vocal Oo-Ah
- •Dual EQ Morph
- •2EQ + Lowpass Morph
- •2EQ Morph + Expression
- •Peak/Shelf Morph
- •Filter Envelope
- •LFO/Auxiliary Envelope
- •Lag Processors
- •Auxiliary Envelope
- •Cords
- •Sample Retrigger
- •Disk Menu
- •Disk Menu
- •Disk Browser
- •Disk
- •Disk Utilities
- •Mount Drives
- •Copy System
- •Format Disk
- •Low Level Format
- •Backup
- •Load Bank
- •Note:
- •Save Bank
- •View…
- •Info, Lock Drive, & Sleep
- •Lock
- •Sleep
- •Folder Utilities
- •Delete
- •Rename
- •Find…
- •View
- •Info…
- •Bank
- •Bank Utilities
- •Delete
- •Name
- •Find…
- •Load Bank
- •Save Bank
- •View
- •Info…
- •Preset
- •Preset Utilities
- •Soundsprint™
- •Bookmarks
- •Find…
- •Load Preset
- •View
- •Info…
- •Sample
- •Sample Utilities
- •Find...
- •View
- •Load Sample
- •Load .WAV & AIFF Files
- •Audition
- •Info…
- •Sequence
- •Sequence Utility
- •Find…
- •View
- •Load Sequence
- •Info…
- •Important Information for Loading Standard MIDI Files
- •Appendix
- •SCSI
- •Why Use SCSI?
- •The SCSI Bus
- •ID Numbers
- •Types of SCSI Cables
- •Terminating SCSI Cables
- •SCSI Problems
- •Sample Transfers Via SMDI
- •Using Multiple Samplers on the SCSI Bus
- •MIDI
- •MIDI Implementation Chart
- •Notes:
- •Index
5 - Sample Manage
Automatic Parameters
Monitor On/Off
With Monitor turned On, you can monitor the input source through the main outputs before, during and after sampling takes place. As a rule, you want to leave the Monitor on so that you can monitor your sample quality. On occasion there may be instances, such as a feedback loop in the mixing board, where you would want to turn sample monitor Off.
Automatic Parameters
After sampling, the automatic parameters screen appears. You will perform certain sample processing functions on every sample you take. EOS can automatically perform these processes for you when you decide to keep it. After taking the sample you have three choices for what to do next: Dispose, Keep, and Place. This section describes these options and the automatic DSP operations performed on the sample. If clipping occurred during sampling, the display informs you at this time.
Dispose: Discards the sample and returns you to the New Sample menu.
Keep: Keeps the sample and performs the auto-DSP functions, but does not auto-place the sample. Returns you to the New Sample menu.
Place: Keeps the sample, performs the auto-DSP functions and auto-place functions, then returns you to the New Sample menu. When Place is selected, the sample is automatically placed in the target preset, group and range defined. See Auto-Placement Parameters.
Automatic Digital Signal Processing Operations
The automatic DSP parameters are as follows:
Truncate: (Off, Start, End, Both). Automatically truncates the beginning, the end, or both the beginning and end of the sample. The point or points at which the sample is truncated is defined by the Zero Crossing Threshold parameter in the Master, Misc module.
Auto Normalize: (Off, Absolute, Relative) . Automatically increases the amplitude of a sample until the largest peak reaches 100% of full scale. Relative mode increases the amplitude of stereo samples until the largest peak of one side reaches 100%. Both sides maintain their proper amplitude relationship. Absolute mode increases the left and right samples to full level independently. Absolute and Relative have no effect when sampling in mono.
Auto Loop: (Off, Whole, 1/2, 1/2 + xfd, 1/3, 1/3 + xfd, 1/4, 1/4 + xfd, 1/8, 1/8 + xfd).
This function automatically loops and autocorrelates the sample, then crossfade loops it if selected. Matching the loop length to the type of sample is important for getting the best results from auto loop. Ensemble sounds are notoriously hard to loop and are best looped manually.
184 E-MU Systems
5 - Sample Manage
Automatic Parameters
Auto Looping
Lengths
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Loop |
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Loop |
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1/2 |
1/2 |
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2/3 |
1/3 |
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Sample Length
Loop
3/4 1/4
Sample Length
Sample Length
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Loop |
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7/8 |
1 |
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8 |
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Sample Length
Select the auto looping length to match the type of sound. Loop on sections of the sound where the tone and amplitude are fairly static.
Crossfade looping smoothly crossfades between the waves on either side of the loop so that the data at the loop splice points are identical. Since Crossfade looping permanently modifies the sample data, you may want to turn this feature off when it is important to maintain the integrity of the data. Auto-crossfade is a linear crossfade and sets the crossfade size to 1/2 the loop length. Experiment with auto-loop using 1/4 to 1/3 sized loops to start. In most cases, you'll find that auto-loop produces amazingly good results.
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Size |
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Data from |
… into the |
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this area is |
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data in |
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mixed… |
this area. |
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Loop |
Loop |
Start |
End |
Crossfade Looping uses data from around the loop start point and cross fades this data into the area around the loop end point.
EOS 4.0 Software Manual 185
5 - Sample Manage
Automatic Parameters
_ Be sure to change the target preset when resampling or you may place the sample into the same preset you are sampling from.
O Multisample voices contain multiple samples. The Expand function in the Preset Edit menu creates individual voices for each sample in a Multisample.
Auto-Placement Parameters
The auto-placement parameters define which preset, group, and range of keys to place the sample on the keyboard when the sample is placed automatically.
Target Preset: Selects the preset to which the sample will be auto-placed.
Target Group: Selects a group number for the sample.
Range: Samples will be placed on the keyboard according to the selected placement range, beginning with the original key. The original key can be changed at any time to change the placement of samples.
The choices for range are:
•Auto* Multisample: This function places consecutive samples into a multisample voice at the original key you select from your MIDI keyboard. As you take additional samples, the low and high keys are adjusted in order to fit the new samples onto the keyboard.
You don't ever have to set the low and high keys! Simply define the original pitch and you're finished. Samples are automatically named using the name of the preset appended with the original key name (i.e. Strings C1).
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Original |
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Key (S01) |
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Low |
Sample |
High |
Key |
01 |
Key |
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Original |
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Original |
Key (S01) |
|
Key (S02) |
Sample |
|
Sample |
01 |
|
02 |
Auto* Multisample: The first sample is placed over the entire keyboard. When a new sample is taken, the low and high keys are automatically adjusted to accommodate the new sample.
186 E-MU Systems
5 - Sample Manage
Automatic Parameters
•White Key* Voice: A new sample will be placed on the lowest available white key beginning at the original key you select (C1 is the default starting key). Each new sample will create a new voice.
•1 Key* Voice: A new sample will be placed on the lowest available white or black key beginning at the original key you select (C1 is the default starting key). Each new sample will create a new voice.
•2-24 Key* Voice: New samples will be placed over a keyboard range consisting of the number of keys selected. You can select the starting key by manually setting the original key (C1 is the default starting key). Each new sample will create a new voice.
v To Create an Auto-Multisample:
This function works especially well for sampling other synthesizers.
1.Press the Sample Manage key. The LED illuminates and the main screen appears.
2.Press the New function key (F3). The Create Sample display appears.
3.Set up the sampling parameters such as sample length, sample source.
4.Take the sample. The auto-placement screen appears.
5.Press the Original Key on your MIDI keyboard.
6.Set Truncate to Both, Normalize to Relative, Loop to 1/4 + xfade.
7.Set Range to auto* Multisample.
8.Set the Target Preset to an empty location.
9.Press Place. You will be asked to name the preset (if it was empty).
10.Name the preset and press OK. EOS performs the DSP functions, then auto-places the sample.
11.If you wish to take additional samples do so now. Simply define the original key using your MIDI keyboard then press Place after taking each sample.
EOS 4.0 Software Manual 187