- •Foreword
- •Preface
- •Is This Book for You?
- •How This Book Is Organized
- •How to Use This Book
- •Doing the Exercises
- •Conventions Used in This Book
- •What the Icons Mean
- •About the CD-ROM
- •Other Information
- •Contacting the Author
- •Acknowledgments
- •Contents at a Glance
- •Contents
- •Getting Acquainted with AutoCAD and AutoCAD LT
- •Starting AutoCAD and AutoCAD LT
- •Creating a New Drawing
- •Using the AutoCAD and AutoCAD LT Interface
- •Creating Your First Drawing
- •Saving a Drawing
- •Summary
- •Creating a New Drawing from a Template
- •Working with Templates
- •Opening a Drawing with Default Settings
- •Opening an Existing Drawing
- •Using an Existing Drawing as a Prototype
- •Saving a Drawing Under a New Name
- •Summary
- •The Command Line
- •Command Techniques
- •Of Mice and Pucks
- •Getting Help
- •Summary
- •Typing Coordinates
- •Displaying Coordinates
- •Picking Coordinates on the Screen
- •Locating Points
- •Summary
- •Unit Types
- •Drawing Limits
- •Understanding Scales
- •Inserting a Title Block
- •Common Setup Options
- •The MVSETUP Command
- •Summary
- •Using the LINE Command
- •Drawing Rectangles
- •Drawing Polygons
- •Creating Construction Lines
- •Creating Rays
- •Summary
- •Drawing Circles
- •Drawing Arcs
- •Creating Ellipses and Elliptical Arcs
- •Making Donuts
- •Placing Points
- •Summary
- •Panning
- •The ZOOM Command
- •Aerial View
- •Named Views
- •Tiled Viewports
- •Snap Rotation
- •User Coordinate Systems
- •Isometric Drawing
- •Summary
- •Editing a Drawing
- •Selecting Objects
- •Summary
- •Copying and Moving Objects
- •Using Construction Commands
- •Creating a Revision Cloud
- •Hiding Objects with a Wipeout
- •Double-Clicking to Edit Objects
- •Grips
- •Editing with the Properties Palette
- •Selection Filters
- •Groups
- •Summary
- •Working with Layers
- •Changing Object Color, Linetype, and Lineweight
- •Working with Linetype Scales
- •Importing Layers and Linetypes from Other Drawings
- •Matching Properties
- •Summary
- •Drawing-Level Information
- •Object-Level Information
- •Measurement Commands
- •AutoCAD’s Calculator
- •Summary
- •Creating Single-Line Text
- •Understanding Text Styles
- •Creating Multiline Text
- •Creating Tables
- •Inserting Fields
- •Managing Text
- •Finding Text in Your Drawing
- •Checking Your Spelling
- •Summary
- •Working with Dimensions
- •Drawing Linear Dimensions
- •Drawing Aligned Dimensions
- •Creating Baseline and Continued Dimensions
- •Dimensioning Arcs and Circles
- •Dimensioning Angles
- •Creating Ordinate Dimensions
- •Drawing Leaders
- •Using Quick Dimension
- •Editing Dimensions
- •Summary
- •Understanding Dimension Styles
- •Defining a New Dimension Style
- •Changing Dimension Styles
- •Creating Geometric Tolerances
- •Summary
- •Creating and Editing Polylines
- •Drawing and Editing Splines
- •Creating Regions
- •Creating Boundaries
- •Creating Hatches
- •Creating and Editing Multilines
- •Creating Dlines
- •Using the SKETCH Command
- •Digitizing Drawings with the TABLET Command
- •Summary
- •Preparing a Drawing for Plotting or Printing
- •Creating a Layout in Paper Space
- •Working with Plot Styles
- •Plotting a Drawing
- •Summary
- •Combining Objects into Blocks
- •Inserting Blocks and Files into Drawings
- •Managing Blocks
- •Using Windows Features
- •Working with Attributes
- •Summary
- •Understanding External References
- •Editing an Xref within Your Drawing
- •Controlling Xref Display
- •Managing Xrefs
- •Summary
- •Preparing for Database Connectivity
- •Connecting to Your Database
- •Linking Data to Drawing Objects
- •Creating Labels
- •Querying with the Query Editor
- •Working with Query Files
- •Summary
- •Working with 3D Coordinates
- •Using Elevation and Thickness
- •Working with the User Coordinate System
- •Summary
- •Working with the Standard Viewpoints
- •Using DDVPOINT
- •Working with the Tripod and Compass
- •Getting a Quick Plan View
- •Shading Your Drawing
- •Using 3D Orbit
- •Using Tiled Viewports
- •Defining a Perspective View
- •Laying Out 3D Drawings
- •Summary
- •Drawing Surfaces with 3DFACE
- •Drawing Surfaces with PFACE
- •Creating Polygon Meshes with 3DMESH
- •Drawing Standard 3D Shapes
- •Drawing a Revolved Surface
- •Drawing an Extruded Surface
- •Drawing Ruled Surfaces
- •Drawing Edge Surfaces
- •Summary
- •Drawing Standard Shapes
- •Creating Extruded Solids
- •Drawing Revolved Solids
- •Creating Complex Solids
- •Sectioning and Slicing Solids
- •Using Editing Commands in 3D
- •Editing Solids
- •Listing Solid Properties
- •Summary
- •Understanding Rendering
- •Creating Lights
- •Creating Scenes
- •Working with Materials
- •Using Backgrounds
- •Doing the Final Render
- •Summary
- •Accessing Drawing Components with the DesignCenter
- •Accessing Drawing Content with Tool Palettes
- •Setting Standards for Drawings
- •Organizing Your Drawings
- •Working with Sheet Sets
- •Maintaining Security
- •Keeping Track of Referenced Files
- •Handling Errors and Crashes
- •Managing Drawings from Prior Releases
- •Summary
- •Importing and Exporting Other File Formats
- •Working with Raster Images
- •Pasting, Linking, and Embedding Objects
- •Summary
- •Sending Drawings
- •Opening Drawings from the Web
- •Creating Object Hyperlinks
- •Publishing Drawings
- •Summary
- •Working with Customizable Files
- •Creating Keyboard Shortcuts for Commands
- •Customizing Toolbars
- •Customizing Tool Palettes
- •Summary
- •Creating Macros with Script Files
- •Creating Slide Shows
- •Creating Slide Libraries
- •Summary
- •Creating Linetypes
- •Creating Hatch Patterns
- •Summary
- •Creating Shapes
- •Creating Fonts
- •Summary
- •Working with Menu Files
- •Customizing a Menu
- •Summary
- •Introducing Visual LISP
- •Getting Help in Visual LISP
- •Working with AutoLISP Expressions
- •Using AutoLISP on the Command Line
- •Creating AutoLISP Files
- •Summary
- •Creating Variables
- •Working with AutoCAD Commands
- •Working with Lists
- •Setting Conditions
- •Managing Drawing Objects
- •Getting Input from the User
- •Putting on the Finishing Touches
- •Summary
- •Understanding Local and Global Variables
- •Working with Visual LISP ActiveX Functions
- •Debugging Code
- •Summary
- •Starting to Work with VBA
- •Writing VBA Code
- •Getting User Input
- •Creating Dialog Boxes
- •Modifying Objects
- •Debugging and Trapping Errors
- •Moving to Advanced Programming
- •A Final Word
- •Installing AutoCAD and AutoCAD LT
- •Configuring AutoCAD
- •Starting AutoCAD Your Way
- •Configuring a Plotter
- •System Requirements
- •Using the CD with Microsoft Windows
- •What’s on the CD
- •Troubleshooting
- •Index
Chapter 16 Drawing Complex Objects 439
SOLID creates straight-edged shapes. If FILL is on, AutoCAD or AutoCAD LT fills in the shape with a solid fill (that’s why it’s called SOLID).
To draw a solid, type solid . The command prompts you for first, second, third, and fourth points. You must specify these points in zigzag order, not around the perimeter of the shape. After the fourth point, the command continues to prompt you for third and fourth points, which you can use to create new adjacent solids. Press Enter to end the command.
Creating and Editing Multilines
Multilines are sets of parallel lines that you draw with one command. You can specify how far apart they are, and each line can have its own color and linetype. Multilines are used for drawing architectural plans where you need to draw an inner and outer wall. To draw a multiline, you first define, save, and load a multiline style. Then you can use the multiline style to draw multilines. There is a separate command for editing multilines that enables you to break multiline intersections, as you would for the doors and windows in a floor plan. Figure 16-27 shows a floor plan for an apartment drawn using multilines.
Figure 16-27: A floor plan of an apartment drawn using multilines.
Thanks to Bill Wynn of New Windsor, Maryland, for this drawing.
AutoCAD LT doesn’t have the Multiline feature but has a similar feature called Dlines. I cover Dlines in the next section, “Creating Dlines.”
Creating a multiline style
The first step in drawing multilines is to design the multiline style. To create a multiline style, choose Format Multiline Style to open the Multiline Styles dialog box, as shown in Figure 16-28.
Like text styles and dimension styles, multiline styles group a set of properties under one name. The default multiline style, called Standard, defines two lines 1 unit apart. Multiline styles have two parts: element properties and multiline properties. The element properties define each individual line element. The multiline properties define properties that apply to the multiline as a whole.
440 Part II Drawing in Two Dimensions
Figure 16-28: The Multiline Styles dialog box.
Defining element properties
To start defining the multiline style, type a name in the Name text box and click Add. Then choose Element Properties to open the Element Properties dialog box, shown in Figure 16-29.
The Elements box lists the current elements of the multiline. Elements are simply the lines that make up the multiline. The offset defines the distance of the line from the start point when you start to draw. An offset of zero places the line on the start point. As you can see, the Standard multiline style has two elements, each 0.5 units from the start point. Figure 16-30 shows the Standard multiline style as it appears in relation to the start point you pick.
Figure 16-29: The Element Properties dialog box.
Start point First element |
Figure 16-30: The Standard multiline style |
||||||
|
|
|
|
|
|
|
places two lines on either side of the start |
|
|
|
|
|
|
|
point. |
|
|
|
|
|
.5 units |
|
|
|
|
|
|
|
|
||
|
|
|
|
|
|
||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Second element |
|
Note You can change the relationship of the start point and the element lines by using the Justification option when you draw the multiline, as explained later, in the “Drawing multilines” section.
Chapter 16 Drawing Complex Objects 441
Tip
Tip
Note
To define the element lines of a multiline style, follow these steps:
1.In the Elements box, highlight the first element. Even if you typed a new name for the multiline style, the elements listed are the same as the current multiline style.
When creating a new multiline style, first set as current the multiline style that is the most similar to the one you want to create.
2.In the Offset box, type the offset you want. The offset should be zero if you want the line to appear on your pick points, a positive number (in units) if you want the line to appear above your pick points, and a negative number (in units) if you want the line to appear below your pick points. (This assumes the default of zero justification, explained later in this chapter.)
When defining the multiline style elements, think of the multiline as being drawn horizontally to the right to help you visualize what above and below mean.
3.Choose Color to choose a color for the line element.
4.Choose Linetype to choose a linetype for the line element.
5.Choose Add to add a new element or Delete to delete a listed element.
6.To define the next element, select the second element in the Elements box and repeat Steps 2 through 4. Continue to define elements until you’re done.
7.Click OK to return to the Multiline Styles dialog box.
A multiline style can have up to 16 elements. All 16 elements must be on the same layer, but you can vary the linetypes and colors.
Defining multiline properties
To specify how your multilines look, you can set their properties. Choose Multiline Properties in the Multiline Styles dialog box to open the Multiline Properties dialog box, as shown in Figure 16-31.
Figure 16-31: The Multiline Properties dialog box.
Use this box to set the overall properties of the multiline. Figure 16-32 shows the effects of all the possible choices in this box.
442 Part II Drawing in Two Dimensions
Display joints
Line-90o
Line-45o
Outer arc
Inner arc
Figure 16-32: The results of choosing the various options in the Multiline Properties dialog box.
You can also turn Fill on or off and choose a color to add a solid fill to the multiline. After you make your choices, click OK to return to the Multiline Styles dialog box.
Saving a new multiline style
Before you can use the multiline style, you must save it. AutoCAD and AutoCAD LT save multiline styles in a file with the filename extension MLN. After you click Save, the Save Multiline Style dialog box opens.
In general, you can save your multiline styles in the default file, which is acad.mln. Click Save to return to the Multiline Styles dialog box.
Loading a multiline style
Like linetypes, multiline styles must be loaded before you can use them. Choose Load to open the Load Multiline Styles dialog box. Choose the style you created from the list and click OK.
You return to the Multiline Styles dialog box. You’re now ready to use the multiline style. Click OK to return to your drawing.
You can also use the Multiline Styles dialog box to rename multiline styles and make another multiline style current.
On the |
The drawing used in the following Step-by-Step exercise on creating a multiline style, ab16- |
CD-ROM |
g.dwg, is in the Drawings folder on the CD-ROM. |
STEP-BY-STEP: Creating a Multiline Style
1.Open ab16-g.dwg from your CD-ROM.
2.Save the file as ab16-07.dwg in your AutoCAD Bible folder. This is a site plan, shown in Figure 16-33.
Chapter 16 Drawing Complex Objects 443
Figure 16-33: The parallel lines at the bottom of the site plan can be drawn by using a multiline.
3.Choose Format Multiline Style to open the Multiline Styles dialog box. In the Name text box, type siteplan. Choose Add.
4.Choose Element Properties. With the top element highlighted, change the offset to 0, the color to black (it lists as white), and the linetype to dashdot.
5.Highlight the second element. Change the offset to –132 (11' × 12"), the color to magenta, and the linetype to continuous.
6.Click Add. Change the offset to –180 (15' × 12"), the color to red, and the linetype to center.
7.Click Add. Change the offset to –228 (19' × 12"), the color to magenta, and the linetype to continuous.
8.Click Add. Change the offset to –360 (30' × 12"), the color to black, and the linetype to dashdot.
9.Click Add. Change the offset to –480 (40' × 12"), the color to red, and the linetype to center.
Caution |
If you are using someone else’s computer, check with the owner before saving the linestyle |
|
to acad.mln. You can’t do any damage, but the owner may not want to have your multiline |
|
style there. You can change the name in the File Name text box to something else, such as |
|
my_mls.mln. |
10.Click OK. In the Multiline Styles dialog box, click Save.
11.In the Save Multiline Style dialog box, you should see acad.mln in the File Name text box. You can also type a new MLN filename. Choose Save.
12.Choose Load in the Multiline Styles dialog box. In the Load Multiline Styles dialog box, highlight the SITEPLAN multiline style, and choose OK twice to return to your drawing.
13.Save your drawing. If you’re continuing on to the next exercise, keep the drawing open.
444 Part II Drawing in Two Dimensions
Drawing multilines
Defining a multiline style is the hard part. As soon as the style is defined, saved, loaded, and made current, you can draw with it. You may find you need some practice to get the hang of it because you’re drawing more than one line at once. To draw a multiline, choose Draw Multiline to start the MLINE command. The command responds with the Specify start point or [Justification/Scale/STyle]: prompt. The prompt also displays the current justification, scale, and style. The default is to pick a point. From there you get the Specify next point: prompt. After the first segment, you get the Specify next point or [Undo]: prompt, and after the second segment, the Specify next point or [Close/Undo]: prompt. Here is how to use the options:
Justification: You can choose Zero, Top, or Bottom.
•Zero places the element that has a zero offset in the multiline definition at the pick point. You do not need to have a line at zero offset, as is the case with the Standard multiline style. The top example in Figure 16-34 shows the Standard multiline style with zero justification.
•Top places the line with the highest positive offset at the pick point. The middle example in Figure 16-34 shows the Standard multiline style with top justification.
•Bottom places the line with the highest negative offset at the pick point. The bottom example in Figure 16-34 shows the Standard multiline style with bottom justification.
Scale: Multiplies the offset values in the multiline definition by the scale. The Standard multiline style places two lines 1 unit apart. A scale of 6 would place them 6 units apart.
Style: Enables you to specify the current multiline style. Type ? to get a list of the available multiline styles.
Figure 16-34: Drawing a multiline using the Standard multiline style in zero, top, and bottom justification.
As you draw a multiline, whenever you create a corner by changing direction, the command creates a clean corner with no intersecting lines.
STEP-BY-STEP: Drawing Multilines
1.Continue from the previous exercise. (If you didn’t do the previous exercise, you should do it to create the multiline style.) Set a running object snap for intersection.
Chapter 16 Drawing Complex Objects 445
2.Choose Multiline from the Draw toolbar. The prompt displays the following message:
Justification = Top, Scale = 1.00, Style = SITEPLAN
3.At the Specify start point or [Justification/Scale/STyle]: prompt, choose the From object snap. At the Base point: prompt, choose 1 in Figure 16-35. (If neces-
sary, press Tab until you get the Intersection object snap.) At the <Offset>: prompt, type @0,–10' .
4.At the Specify next point: prompt, move the cursor to the right and type 255' . If you want, you can experiment by drawing other line segments. Press Enter to end the command. The drawing should look like Figure 16-35.
5.Save your drawing.
1
Figure 16-35: The completed multiline.
Editing multilines
The entire multiline — no matter how many segments it contains — is one object. Many editing commands simply do not work with multilines. Table 16-1 shows the editing commands and whether they work with multilines.
Table 16-1: Using Editing Commands with Multilines
Command |
Usable with Multilines |
Command |
Usable with Multilines |
|
|
|
|
ARRAY |
yes |
FILLET |
no |
BREAK |
no |
LENGTHEN |
no |
CHAMFER |
no |
MIRROR |
yes |
COPY |
yes |
MOVE |
yes |
ERASE |
yes |
ROTATE |
yes |
EXPLODE |
yes |
SCALE |
yes |
EXTEND |
no |
STRETCH |
yes |
|
|
|
|
446 Part II Drawing in Two Dimensions
You can use grips to stretch, move, copy, mirror, and rotate multilines.
To edit multilines, you use the MLEDIT command. To start MLEDIT, double-click the multiline (or choose Modify Object Multiline) to open the Multiline Edit Tools dialog box, shown in Figure 16-36.
Figure 16-36: The Multiline Edit Tools dialog box.
This dialog box enables you to edit multiline intersections and corners. You can also add or delete a vertex. Click one of the images, and its name appears at the bottom of the dialog box.
The first column manages crossing intersections. To edit a crossing intersection, choose one of the tiles in the first column and click OK. The command prompts you to pick a first multiline and then a second multiline. MLEDIT always cuts the first multiline you pick. The second one may be cut if called for by the edit type.
Note |
Although the command prompts you to pick two multilines, they can actually be two parts of |
|
the same multiline. |
The second column manages T-shaped intersections. To edit a crossing intersection, choose one of the tiles in the second column and click OK. The command prompts you to pick a first multiline and then a second multiline. MLEDIT always cuts the first multiline you pick. The second one may be cut if called for by the edit type and depending on the shape of the multiline.
The third column manages corners and vertices. The top tile creates a corner.
The second tile adds a vertex, and the third deletes a vertex. Choose the edit you want and click OK. The command prompts you to select a multiline. Be careful — you must pick the point where you want to add or delete the vertex. To see the current vertices, pick the multiline with no command active to see the grips.
The last column of the dialog box makes cuts through multilines and welds them back together again. Here’s how to use these options:
Use the top tile to make a cut through one element of a multiline.
Use the middle tile to cut through all the elements of a multiline.
In both cases, you get a prompt to select a multiline and then a second point. Be careful — the point you use to select the multiline is the first point of the cut. For a single cut, the pick point of the multiline also determines which element the command cuts.
Use the bottom tile to remove the cuts. Removing cuts is called welding.